The 'wit' is leaden and unfunny; the narrative's progress ungainly; the direction stolid.
Bright Young Things (2004)
Tomatometer
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Reviews Counted:105
Fresh:69
Rotten:36
Average Rating:6.3/10
Runtime: 1 hr 45 mins
Genre: Comedies
Synopsis: "Some time in the past when things were much as they are now, only more so..." A satirical comedy as well as a love story, Bright Young Things, marks the directorial debut of actor and writer... "Some time in the past when things were much as they are now, only more so..." A satirical comedy as well as a love story, Bright Young Things, marks the directorial debut of actor and writer Stephen Fry. "Bright Young Things," says Fry, "is a period film shot with modern pace and cinematography. It deals with fame, sexual scandal, greed, night-clubbing and the frantic glamour of youth." While the central plot of Bright Young Things is a romance, it is also a highly topical social comedy that shows a conservative older generation failing to understand the club-culture, music, dance, and frenetic pace of its children. Modern society at its most decadent and colourful is fully on display as is the popular media fuelled by gossip columnists and paparazzi who dominate a tabloid press propelled by rumour and scandal. With a screenplay adapted by Stephen Fry from the classic novel Vile Bodies by Evelyn Waugh, the film boasts an outstanding cast including Stephen Cambell Moore, Emily Mortimer, Fenella Woolgar, James McAvoy, Michael Sheen and Guy Henry as the 'Bright Young Things', alongside a distinguished ensemble line-up that includes Dan Aykroyd, Jim Broadbent, Simon Callow, Stockard Channing, Richard E. Grant, Julia McKenzie, Sir John Mills, Peter O'Toole, Bill Paterson, Imelda Staunton and Harriet Walter. Set in the 1930's, the film concerns a social set known to the press -- who follow their every move -- as the 'Bright Young Things', Adam (Stephen Campbell Moore) and his friends are eccentric, wild, and entirely shocking to the older generation. They are young, party-going creatures who embrace every innovation, from the gramophone to the telephone -- in a self-consciously up-to-the-minute way. Amidst the madness, Adam, who is well connected but totally broke, is desperately trying to get enough money to marry the beautiful Nina (Emily Mortimer). While his attempts to raise cash are constantly thwarted, their friends seem to self-destruct, one-by-one in an endless search for newer and faster sensations. Finally, when events out of their control come crashing into the world, they are forced to reassess their lives and what they value the most. Bright Young Things, a THINKFilm release, is a Revolution Films and Doubting Hall Ltd production in association with the Film Consortium, Vision View and Icon Film Distribution, produced by Gina Carter and Miranda Davis, executive produced by Andrew Eaton and Michael Winterbottom. Behind the cameras, the distinguished production team is headed by director of photography Henry Braham, production designer Michael Howells, costume designer Nic Ede and editor Alex Mackie, with hair and make up by Peter King. -- © ThinkFilm [More]
Starring: Emily Mortimer, Stephen Campbell Moore, Dan Aykroyd, Jim Broadbent
Starring: Emily Mortimer, Stephen Campbell Moore, Dan Aykroyd, Jim Broadbent, Simon Callow, Jim Carter, Stockard Channing, Richard E. Grant, Guy Henry, James McAvoy, Julia McKenzie, John Mills, Bill Paterson, Michael Sheen, Imelda Staunton, David Tennant, Harriet Walter, Peter O'Toole
Director: Stephen Fry
Director: Stephen Fry
Screenwriter: Stephen Fry
Studio: ThinkFilm
Reviews for Bright Young Things
Though it falls short of Fry's best work in other fields, this is a sound first feature.
Writer-actor Fry takes an ambitious approach to the British period film, adapting Evelyn Waugh's novel Vile Bodies into a lively and densely populated romantic comedy.
Lacks the emotional resonance that would have made it a more compelling film.
...a decent effort. But far too clinical and soulless to be a memorable one.
All told, Bright Young Things is one of the most depressing obliterations of a literary source that comes to mind.
What begins as farce eventually spirals into melodrama as the world goes to war, and it’s difficult for Fry to maintain the frothy tone that went before.
If you enjoy seeing the entitled at their worst, you just might like this movie. It does have a few worthy moments, but [more often it's] Dull Young Things.
As anyone who has ever attended a party knows, people under the influence tend to be supremely dull unless you're one of them.
Fry often seems unsure of whether he wants to stress satire or drama, and while a good film can be both, this film is neither.
Spectacularly irrelevant, Bright Young Things is well-performed and frequently hysterical but its political resistance is frustrating.
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