How Posey's neurotic, self-destructive heroine finds her way to healing is the core of this generous film, whose moral is that happiness can't begin unless you're open to its possibility.
Broken English (2007)
Runtime: 1 hr 38 mins
Synopsis: Known mainly for playing quirkily comic characters, Parker Posey shows she can tackle a serious role just as skillfully in Zoe Cassevetes's moving film. BROKEN ENGLISH stars Posey as Nora Wilder, a thirtysomething whose disastrous dating experiences in the Big Apple have put her on the... Known mainly for playing quirkily comic characters, Parker Posey shows she can tackle a serious role just as skillfully in Zoe Cassevetes's moving film. BROKEN ENGLISH stars Posey as Nora Wilder, a thirtysomething whose disastrous dating experiences in the Big Apple have put her on the verge of giving up all hope when it comes to love and happiness. Constant comparisons to her best friend Audrey's (Drea de Matteo) seemingly perfect marriage, and her overbearing mother's (Gena Rowlands) fixations on her single status wear on Nora, making her vulnerable to even the slightest hint of male attention, like the advances she gets from a sexy and famous actor (Justin Theroux) who begins bunking at the chic hotel where she works. After a string of equally failed attempts, Nora starts to wonder if there's something wrong with her. It's at this ultimate low when a visiting Frenchman (Melvil Poupaud) swoops in with charm and aggressively woos Nora, who, despite being filled with reluctance, cannot shake the feeling that this one might be different. Posey displays palpable desperation and convincing loneliness as a woman at the age when societal pressure to settle down reaches a peak. While many chick lit titles have tackled this topic, Cassavetes does so with realism and respect. She infuses her film with great sadness but also hope, making Nora a unique character despite her potentially clichéd predicament. Unlike BRIDGET JONES, BROKEN ENGLISH never mocks its heroine. Thanks to fine camera work and especially riveting musical touches, Cassavetes brilliantly keeps the audience in Nora's head at all times, filling viewers with the same doubts that her protagonist has, and making us guess what the outcome will be until the very last frame. [More]
Genre: Comedies
Starring: Parker Posey, Melvil Poupaud, Drea de Matteo, Gena Rowlands, Justin Theroux
Screenwriter: Zoe Cassavetes
Producer: Andrew Fierberg, Jason Kliot, Joana Vicente
Reviews
Posey's admirers will experience a sensual intoxication that fans always experience when their film goddesses are at their very best.
This isn't the best independent film we've seen starring Miss Posey, but she is the reason this one works.
a tired retread of Sex and the City, with all the same preoccupations and issues but with none of the fun
When Nora decides to take yet another risk against her better judgment, the film leaves to you to judge it as quixotic, vexing, or fitting.
You might be a little surprised or at least amused when the caustic, tired, joyous, frantic roller coaster stops.
Ultimately, the only wisdom you leave with is the implausibly wise pocket philosophy gleaned from romantic strangers on the streets of an idealized France.
...neither the story nor the well-acted characters quite engage our interest or sympathy.
...eventually jumps the shark by failing to consider a major character's professional competence
Parker Posey is game in 'Broken English,' although the limited conception of her giggly insecure Nora Wilder is too thin for ninety-six minutes.
Posey gives a committed performance, and Justin Theroux is good as an overindulged movie star. But almost nothing that's said or done here is convincing. And the energy is set at near-coma level.
Filmmaking is a family affair for the Cassavetes, and Zoe inherits the unpretentious, performance-driven style from her father, John, while delivering a love story that's accessible enough for mainstream audiences, a trick learned from her brother Nick.
Zoe Cassavetes' new film Broken English is a delight, and as a debut film shows that we can expect good things from her.
Cassavetes supplies no easy answers or easy laughs, forgoing romantic-comedy beats in respect for Nora's desperation. Call this confection a romantic-dramedy with humor on wry.
It's pretty clear where this is going from the first frame, though Posey's performance does keep you interested.
Broken English establishes a sympathetic character, gets Parker Posey to make her real, and then grinds her in the gears of a plot we cannot believe.
[Cassavetes] treats cliches as fodder for comedy and nuances as the mainstays of a deeper, more beguiling sexual humor. What's engaging about this movie is that all the conventional trysts become low-key nightmare farce.
Parker Posey is one of those rare performers who can elevate a mediocre film into a good one and a good one into a great one simply by the sheer force of her personality.
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