... anyone with a 'past' will find something that resonates.
Broken Flowers (2005)
Tomatometer
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Reviews Counted:181
Fresh:157
Rotten:24
Average Rating:7.5/10
Consensus: Bill Murray's subtle and understated style complements director Jim Jarmusch's minimalist storytelling in this quirky, but deadpan comedy.
Rated: 15 [See Full Rating] for language, some graphic nudity and brief drug use
Runtime: 1 hr 46 mins
Genre: Dramas
Theatrical Release:21-10-2005
Synopsis: With BROKEN FLOWERS, staunchly independent filmmaker Jim Jarmusch delivers one of his most pleasing, accessible pictures. Winner of the 2005 Grand Prix at the Cannes Film Festival, the film tells... With BROKEN FLOWERS, staunchly independent filmmaker Jim Jarmusch delivers one of his most pleasing, accessible pictures. Winner of the 2005 Grand Prix at the Cannes Film Festival, the film tells the story of Don Johnston (Bill Murray), a man overflowing with wealth but void of emotion. On the day that his most recent girlfriend (Julie Delpy) has given up on him for good, he learns, through an anonymous letter, that he might be the father of a 19-year-old boy. Spurned into action by his wannabe private eye neighbor, Winston (Jeffrey Wright), Don sets off on a personal journey to visit the former partners who may or may not have mothered his child. They include the flighty Laura (Sharon Stone), whose daughter Lolita (Alexis Dziena) certainly lives up to her name; the uptight Dora (Frances Conroy), who has settled into a sterile life with her chipper husband, Ron (Christopher McDonald); the strangely distant Carmen (Jessica Lange), who makes a living as an "animal communicator;" and, finally, Penny (Tilda Swinton), a hard-edged biker who is the least happiest to see Don. Each confrontation leaves Don feeling more lost than the last, spinning him into an even greater state of apathetic confusion. In typical Jarmusch fashion, he wrote the script for BROKEN FLOWERS with his casting firmly in mind: only Murray could play this role. The result showcases Murray's brilliance as a less-is-more presence. Jarmusch also gives some of Hollywood's most talented female actresses roles they can relish. A hundred percent Jarmusch, BROKEN FLOWERS is a wry, tender, and bittersweet portrait of a man who is drifting aimlessly through life. [More]
Starring: Bill Murray, Jeffrey Wright, Sharon Stone, Tilda Swinton
Starring: Bill Murray, Jeffrey Wright, Sharon Stone, Tilda Swinton, Julie Delpy, Jessica Lange
Director: Jim Jarmusch
Director: Jim Jarmusch
Screenwriter: Jim Jarmusch
Producer: Jon Kilik, Stacey E. Smith, Jim Jarmusch
Studio: Focus Features
Reviews for Broken Flowers
Features an interesting concept, charming performances, dry yet effective humor, underlying questions and suspense...
A beguiling road movie, where the stops along the way are of the heart, Broken Flowers is a sublime delicacy.
Murray manages, almost impossibly, to come up with still another rich variation on his Depleted Man persona, and his performance is at once enormously generous and fiercely, concisely witty.
... um retrato perfeito de seu protagonista, revelando-se mais interessante quando visto à distância.
As Bill Murray tells a young drifter after buying the kid a sandwich, 'All there is, is this. The present. That's it.' If Jim Jarmusch knows what that is, he's not telling.
Aggressively unsatisfying. It is an anti-road film that is also anti-entertaining.
very much in the Jarmusch style, with considerable attention to nuance, a disregard of urgency, and a willingness to let the camera linger on the faces of his actors...
Murray, continuing his string of more serious roles, finds a remarkable balance between wanting to fit in and hiding a reservoir of unspoken pain.
Broken Flowers is a quiet, contemplative film of the sort Bill Murray has been allying himself to lately, but so quiet that I am not to this day sure what exactly I heard.
Jarmusch admittedly wrote the story with Bill Murray in mind for the lead, and in many ways they are perfect for each other...
"Broken Flowers" is layered with sophisticated symbolism, amusing wordplay and a strong cast, yet it remains an unsatisfying film.
This is a movie made for adults with real people in real situations. And coming smack in the middle of the Summer Blockbuster season, that's the best surprise of all.
Bill Murray reluctantly goes on the road to find the son he didn't know he had in Jim Jarmusch's brilliant, sentimental-but-surprising film.
Movies like this classically low-key, slightly off-kilter effort by Jim Jarmusch are the reason the term “art house film” was coined in the first place.
There's a real poignancy in watching Murray's emotional chill thaw from the heat generated by even the idea of romance, or at least its more libidinous evil twin, lust.
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