The film celebrates the music and the talent but provides only shorthand glimpses of the biographies and career highlights of the figures involved.
Cadillac Records (2008)
Tomatometer
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Reviews Counted:117
Fresh:80
Rotten:37
Average Rating:6.1/10
Consensus: What Cadillac Records may lack in originality, it more than makes up for in strong performances and soul-stirring music.
Rated: 15 [See Full Rating] for pervasive language and some sexuality.
Genre: Dramas
Theatrical Release:20-02-2009
Synopsis:
Cadilac Records chronicles the rise of Chess Records and its recording artists. In this tale of sex, violence, race and rock and roll in Chicago of the 1950s and 60s, the film follows the exciting...
Cadilac Records chronicles the rise of Chess Records and its recording artists. In this tale of sex, violence, race and rock and roll in Chicago of the 1950s and 60s, the film follows the exciting but turbulent lives of some of America's greatest musical legends.
The story of how the blues became popular and gave birth to rock and roll begins at a dingy bar on the rough South Side of Chicago in 1947, where an ambitious young Polish emigre, bar owner Leonard Chess (Academy Award-winner ADRIEN BRODY), hires a talented but undisciplined blues combo that includes quiet and thoughtful guitar prodigy Muddy Waters (JEFFREY WRIGHT) and impulsive and colorful harmonica player Little Walter (COLUMBUS SHORT). Fascinated by the sound of the music - and eager to cash in on the record burgeoning record business - Chess arranges a recording session for Waters. Waters' early recordings start moving up the R+B charts and receiving heavy play.
Chess treats his musicians like family -- he buys them a Cadillac when they record their first hit record -- although the line between business and personal sometimes causes conflict with his increasingly talented and successful stable of artists. After backing up Muddy on his early recordings, Little Walter becomes a star in his own right, but his quick temper and loud manner often run him afoul of friends and the law. He also finds that the only woman he can talk to is Muddy's girl, Geneva (GABRIELLE UNION), who struggles to remain loyal despite Muddy's poorly concealed affairs. Big Willie Dixon (CEDRIC THE ENTERTAINER), a songwriter and bandleader, also is a key member of the Chess Records family, as is Howlin' Wolf (EAMONN WALKER), an intense and proud blues singer who develops a musical rivalry with Muddy.
But it's not until 1955 when a Chess artist finally "crosses over" into the realm of mainstream ("white") America - a skinny guy from St. Louis named Chuck Berry (MOS DEF), whose dynamic "duck walk" and catchy, country-tinged tunes mark the birth of rock-and-roll. When Berry is arrested and jailed at the height of his career, Chess finds another talented performer to cross over singer Etta James (BEYONCE KNOWLES), an emotionally scarred young woman whose vulnerability tempts Chess' loyalty and concern in unexpected ways.
As rock-and-roll grows more popular, the Chess artists find themselves revered by a new generation of musicians, but they have also each earned and lost a small fortune on booze, women and the high life, and their addictions begin to take their toll. Even as tragedy befalls, their music and their spirit remain strong: as the sixties wind down and Leonard Chess gets out of the record business, the blues live on.
--© Sony Pictures
Starring: Beyonce Knowles, Adrien Brody, Jeffrey Wright, Columbus Short
Starring: Beyonce Knowles, Adrien Brody, Jeffrey Wright, Columbus Short, Emmanuelle Chriqui, Gabrielle Union, Mos Def, Cedric the Entertainer
Director: Darnell Martin
Director: Darnell Martin
Screenwriter: Darnell Martin
Studio: Sony Pictures Entertainment
Reviews for Cadillac Records
Cadillac Records has impressive performances by multi-talented actors, heart, soul, and of course, music that just won't stop.
Features some good acting - you show them, Beyonce - but too many stories drain the effect of the film.
It's fast, slick and well acted. Lots of energy and a soulful performance by Wright make this well worth the trip.
There is not one authentic moment of human discourse in the whole movie.
The film suffers at times from biopic-itis -- the narrative unfolds with the requisite heartbreak carefully apportioned -- but it's always eye-catching.
Highly recommended musical melodrama revisits rise of Chess Records, despite the glaring omission of Aretha who recorded her very first album with legendary company in 1956. How about showing the Queen of Soul a little R-E-S-P-E-C-T?
There's enough material here for a television mini-series, and cramming it into less than two hours can't help but make it seem like a Cliffs Notes version.
The movie charts the rise and fall of the label without ever centering on any characters or relationships; it's history without personality.
Parts of Cadillac Records surface as warm reminders of a timeless musical era. Most of Cadillac Records comes across as a miserable Saturday Night Live skit without the benefit of a sleep-deprived audience to feign approval.
Cadillac Records may be a mess dramatically, but it's a wonderful mess, and not just because of the great music.
While the story could use a tighter focus, the ensemble is strong and the music makes Cadillac Records worth catching.
One of the strengths of Cadillac Records, written and directed by Darnell Martin, is that it's a movie about music by someone who genuinely seems to enjoy listening to music.
Any of these musicians deserves a Walk the Line or Coal Miner's Daughter-type biopic of their own; perhaps this flawed but enjoyable movie is the first step toward that.
A good general rule is that if one performance is good, credit the actor. But if everyone in the movie is doing excellent work, this is no coincidence. This is the product of superior direction.
Latest News for Cadillac Records
March 09, 2009:
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Home video enthusiasts, prepare yourself for what may be the best week ever! This week you'll have to choose between Academy Award flicks Rachel Getting Married (Best Actress... More...
March 05, 2009:
Stealing the show, so to speak are Beyonce's mesmerizing Etta James, Eamonn Walker's stunning Howlin' Wolf impression, and Mos Def's hilariously irreverent reprisal of rock 'n roll's young rabble-rouser founding father extraordinaire, Chuck Berry. ![]()
More...
March 01, 2009:
Stealing the show, so to speak are Beyonce's mesmerizing Etta James, Eamonn Walker's stunning Howlin' Wolf impression, and Mos Def's hilariously irreverent reprisal of rock 'n roll's young rabble-rouser founding father extraordinaire, Chuck Berry. ![]()
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January 20, 2009:
click for trailer and trailer review ![]()
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