Martin, who also wrote the script, takes liberties with the Chess story, most notably dispensing altogether with Phil Chess. But "Cadillac Records" is such an exhilarating, spirited piece of work that its embellishments and omissions cease to matter.
Cadillac Records (2008)
Tomatometer
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Reviews Counted:117
Fresh:80
Rotten:37
Average Rating:6.1/10
Consensus: What Cadillac Records may lack in originality, it more than makes up for in strong performances and soul-stirring music.
Rated: 15 [See Full Rating] for pervasive language and some sexuality.
Genre: Dramas
Theatrical Release:20-02-2009
Synopsis:
Cadilac Records chronicles the rise of Chess Records and its recording artists. In this tale of sex, violence, race and rock and roll in Chicago of the 1950s and 60s, the film follows the exciting...
Cadilac Records chronicles the rise of Chess Records and its recording artists. In this tale of sex, violence, race and rock and roll in Chicago of the 1950s and 60s, the film follows the exciting but turbulent lives of some of America's greatest musical legends.
The story of how the blues became popular and gave birth to rock and roll begins at a dingy bar on the rough South Side of Chicago in 1947, where an ambitious young Polish emigre, bar owner Leonard Chess (Academy Award-winner ADRIEN BRODY), hires a talented but undisciplined blues combo that includes quiet and thoughtful guitar prodigy Muddy Waters (JEFFREY WRIGHT) and impulsive and colorful harmonica player Little Walter (COLUMBUS SHORT). Fascinated by the sound of the music - and eager to cash in on the record burgeoning record business - Chess arranges a recording session for Waters. Waters' early recordings start moving up the R+B charts and receiving heavy play.
Chess treats his musicians like family -- he buys them a Cadillac when they record their first hit record -- although the line between business and personal sometimes causes conflict with his increasingly talented and successful stable of artists. After backing up Muddy on his early recordings, Little Walter becomes a star in his own right, but his quick temper and loud manner often run him afoul of friends and the law. He also finds that the only woman he can talk to is Muddy's girl, Geneva (GABRIELLE UNION), who struggles to remain loyal despite Muddy's poorly concealed affairs. Big Willie Dixon (CEDRIC THE ENTERTAINER), a songwriter and bandleader, also is a key member of the Chess Records family, as is Howlin' Wolf (EAMONN WALKER), an intense and proud blues singer who develops a musical rivalry with Muddy.
But it's not until 1955 when a Chess artist finally "crosses over" into the realm of mainstream ("white") America - a skinny guy from St. Louis named Chuck Berry (MOS DEF), whose dynamic "duck walk" and catchy, country-tinged tunes mark the birth of rock-and-roll. When Berry is arrested and jailed at the height of his career, Chess finds another talented performer to cross over singer Etta James (BEYONCE KNOWLES), an emotionally scarred young woman whose vulnerability tempts Chess' loyalty and concern in unexpected ways.
As rock-and-roll grows more popular, the Chess artists find themselves revered by a new generation of musicians, but they have also each earned and lost a small fortune on booze, women and the high life, and their addictions begin to take their toll. Even as tragedy befalls, their music and their spirit remain strong: as the sixties wind down and Leonard Chess gets out of the record business, the blues live on.
--© Sony Pictures
Starring: Beyonce Knowles, Adrien Brody, Jeffrey Wright, Columbus Short
Starring: Beyonce Knowles, Adrien Brody, Jeffrey Wright, Columbus Short, Emmanuelle Chriqui, Gabrielle Union, Mos Def, Cedric the Entertainer
Director: Darnell Martin
Director: Darnell Martin
Screenwriter: Darnell Martin
Studio: Sony Pictures Entertainment
Reviews for Cadillac Records
With this cast doing its own singing, and history this rich, it's close enough for rock 'n' roll.
'Cadillac Records' has the talent and the music that should propel audiences to come see where the heart of rock and roll started.
'Cadillac Records' has the talent and the music that should propel audiences to come see where the heart of rock and roll started.
Too bad for Knowles that she's only part of Darnell Martin's rushed mess of a movie that jams the story of Chicago-based Chess Records into one incoherent package.
Cadillac Records exists mainly as a holiday throw-away for those with a deep and abiding love for the kind of music it showcases.
It's a movie that's, mostly, a soundtrack. But, good lord, still. What a soundtrack.
Most of the actors perform wonderful re-creations of the original song that give Cadillac Records entertainment value well beyond the hackneyed story lines.
You see all the major landmarks, but how enlightening can a road trip be if you never even get off the highway?
While this whitewashes Chess of exploiting his black performers, fails to use the great voices of Berry and James, and minimizes the music, it picks up after a disjointed first half
Chess electrified the blues, Chuck Berry electrified white audiences and after seeing this film you’re going to want to find a compilation of Chess hits, settle in with a longneck and groove to some of the best American music ever made.
Martin could have made a much more compelling film by focusing on just a few characters instead of trying to deconstruct an entire record label.
Purists might prefer simply to listen to the original recordings, but for those less knowledgeable this is a great introduction.
Writer-director Darnell Martin regularly twists or obscures the truth, without illuminating characters beyond superficialities.
The problem with the film, mostly, is that it's overstuffed with historical incidents that don't really cohere into a convincing story beyond the usual rise-fall-rebirth stuff.
Fifty years on, we're still living with the aftershocks of what Muddy and Wolf invented and the Chess brothers midwived, but it's in the air and not yet on the screen.
It's filled with bumps and scratches. But in the manner of a nicked old LP, its gnarly surface and warps-and-all sound evokes real life.
Latest News for Cadillac Records
March 09, 2009:
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March 05, 2009:
Stealing the show, so to speak are Beyonce's mesmerizing Etta James, Eamonn Walker's stunning Howlin' Wolf impression, and Mos Def's hilariously irreverent reprisal of rock 'n roll's young rabble-rouser founding father extraordinaire, Chuck Berry. ![]()
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March 01, 2009:
Stealing the show, so to speak are Beyonce's mesmerizing Etta James, Eamonn Walker's stunning Howlin' Wolf impression, and Mos Def's hilariously irreverent reprisal of rock 'n roll's young rabble-rouser founding father extraordinaire, Chuck Berry. ![]()
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January 20, 2009:
click for trailer and trailer review ![]()
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