Labaki elicits expressive performances from a cast of amateurs, aided by Khalad Mouzanar's entrancing score and Yves Sehnaoui's lush cinematography.
Caramel (2008)
Tomatometer
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Reviews Counted:74
Fresh:68
Rotten:6
Average Rating:7.1/10
Consensus: Caramel is both an astute cultural study, and a charming comedic drama from a talented newcomer.
Rated: PG [See Full Rating] for thematic elements involving sexuality, language and some smoking.
Runtime: 1 hr 36 mins
Genre: Foreign Films
Theatrical Release:16-05-2008
Synopsis: Warm and sweet, this Lebanese film lives up to its titular substance without ever being too sugary. Actress Nadine Labaki cowrote and directed CARAMEL, an ensemble comedy set in and around a Beirut... Warm and sweet, this Lebanese film lives up to its titular substance without ever being too sugary. Actress Nadine Labaki cowrote and directed CARAMEL, an ensemble comedy set in and around a Beirut beauty salon. Labaki also stars as Layale, a beautician torn by her secret affair with a married man who beckons her with his car horn. Her coworker Nisrine (Yasmine Al Masri) is about to get married, but she withholds a secret from her fiancé and hides her modern looks from his family. Meanwhile, shampooist Rima (Joanna Moukarzel) lusts after a female customer and her lush locks. Client and aging actress Jamal (Gisele Aouad) makes frequent visits to the salon to measure up to her much younger competition, but her efforts don't seem to be helping her career. In contrast, Rose (Siham Haddad) seems to have given up the fight against her advancing years, but the appearance of a new suitor may change things, even though she devotes most of her time to the care of her older sister (Aziza Semaan). In her directorial debut, Labaki displays both beauty and brains. Few women in cinema history have looked as stunning onscreen as Labaki does here, but she doesn't let her looks carry her. It's a sensitive performance that stands out among the others in the film, but she never overshadows her costars, who are all excellent in their acting debuts. More like the French film VENUS BEAUTY INSTITUTE than the American comedy BEAUTY SHOP, CARAMEL is a mature film that still manages to be a lot of fun. There's certainly romance here, but the film centers more on the relationships and bonds between the six women at its heart. [More]
Starring: Nadine Labaki, Yasmine Al Masri, Joanna Moukarzel, Gisele Aouad
Starring: Nadine Labaki, Yasmine Al Masri, Joanna Moukarzel, Gisele Aouad, Siham Haddad, Aziza Semaan, Fatme Safa, Adel Karam
Director: Nadine Labaki
Director: Nadine Labaki
Screenwriter: Nadine Labaki, Jihad Hojeily, Rodney Al Haddad
Producer: Anne-Dominique Toussaint
Composer: Khaled Mouzanar
Studio: Roadside Attractions
Reviews for Caramel
Perceptive and poignant, Caramel observes the love lives of the establishment's owner, her employees and their customers.
There's a pleasant, easygoing charm to Caramel, largely stemming from Labaki's rare determination to depict Beirut as something other than a war-torn, slowly recovering battleground.
Its chief focus is the bonding between women who rely on each for support, and who really appreciate a place where they can let down their hair.
Caramel is a warm, funny and compassionate movie that examines five women who are at very different stages in their lives, each one with a particular problem to work out.
I like the way (Nadine) Labaki brings character depth to everyone in her sizable ensemble.
Filmgoers expecting My Big Fat Lebanese Waxing are in for a bigger treat: Nadine Labaki, who wrote and directed the film, possesses an astute instinct for restraint that makes Caramel smarter ans more poignantthan the average chick flick.
Groundbreaking it is not. But it follows the familiar path cheerfully enough, and it paints a vivid, movie-friendly picture of a woman's life in Lebanon.
[Writer-Director] Labaki writes and directs with a sure hand for capturing universal truths.
A light-hearted yet razor-smart, bittersweet comedy about life in Beirut.
As sugary as it may be, Caramel has a likeable edge to it, both in the natural performances of the mostly non-professional cast and the script's sardonic bluntness about social hypocrisies and the women's self-deception.
A delectable slice of life whose flavors are rarely available on these Western shores.
Caramel finds a big-hearted, Mira Nair-ish groove. The characters are gorgeous. And [director] Labaki gets terrific performances out of a largely nonprofessional cast.
One of those small films that give a glimpse into a culture that's both foreign and familiar. It's filled with real-life touches and small insights and wonderfully human characters, and the whole thing feels as real as crossing the street.
In a culture where female sexuality is problematic at best, how is a woman supposed to feed both body and heart? Through makeovers, support, and necessary lies, Caramel curtly answers.
In the Beirut beauty salon where most of Caramel takes place, women of various shapes, sizes, ages and backgrounds gather to bond and gossip.
...might sound like a sitcomish retread of France's Venus Beauty Institute, but Labaki's film, like its name, is something warmer and more soulful.
A gentle and pleasant soap opera done in a fairly high cinematic style. The characters are far too attractive and the plot too simplistic, but the film grows on the viewer as the minutes glide by.
The penetrating musical score, with its memorable shadings of emotional danger, the snappy and confident pacing and the emergence of 33-year-old Labaki as an international talent to watch all combine to make the film satisfying confection.
Latest News for Caramel
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January 27, 2008:
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January 19, 2008:
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