Some marvelous individual scenes overcome Sayles occasional overplayed hand. Casa proves to be a sad and delicately wrought gem.
Casa de los Babys (2003)
Tomatometer
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Reviews Counted:103
Fresh:61
Rotten:42
Average Rating:6/10
Consensus: Well-acted and thought provoking, if not completely satisfying.
Runtime: 1 hr 36 mins
Genre: Dramas
Synopsis: A group of six women from the United States, each of whom wants to adopt a baby, are checked into a hotel in South America waiting for the paperwork to go through. As their wait stretches on for... A group of six women from the United States, each of whom wants to adopt a baby, are checked into a hotel in South America waiting for the paperwork to go through. As their wait stretches on for weeks, they each get to know each other, sharing their hopes and fears. Meanwhile, the film explores every layer of people who are effected by the industry--from the teenage girls who give their babies up for adoption to the nurses that care for them as they're being assigned to new mothers. The local homeless boys sniffing paint in the street clearly don't receive the parenting they deserve, and yet the hotel staff dealing with the wealthy U.S. mothers-to-be sees a different side of the story--these women may not make for competent moms. Actresses Marcia Gay Harden (as the wonderfully difficult Nan), Maggie Gyllenhaal (as the painfully naive Jennifer), Daryl Hannah (as the quietly new agey Skipper), Susan Lynch (as the humble and loving Eileen), Lili Taylor (as the tough and jaded Leslie), and Mary Steenburgen (as the graceful optimist Gayle) are outstanding together, displaying loads of talent and illustrating Sayles' knack for character development. A touching look at what it means to enter motherhood, complicated by issues of class, politics, and pure emotion, CASA DE LOS BABYS is a thorough and pensive film that only a skilled director like John Sayles could create in such a seamlessly effective way. [More]
Starring: Maggie Gyllenhaal, Marcia Gay Harden, Daryl Hannah, Lili Taylor
Starring: Maggie Gyllenhaal, Marcia Gay Harden, Daryl Hannah, Lili Taylor, Susan Lynch, Vanessa Martinez, Rita Moreno, Mary Steenburgen
Director: John Sayles
Director: John Sayles
Screenwriter: John Sayles
Producer: Lemore Syvan, Alejandro Springall
Composer: Mason Daring
Studio: IFC Films
Reviews for Casa de los Babys
For all his patient, accumulative storytelling, Sayles yields little that doesn't feel trite or overly schematic.
Sayles sees like a documentarian, showing us the women, listening to their stories, inviting us to share their hopes and fears and speculate about their motives.
Indie icon John Sayles gives us yet another minor masterpiece that looks at love and want among the haves and have-nots.
A powerfully written, well-acted movie that tackles an unusual and compelling subject.
It's a huge ensemble and a vast sociopolitical canvas with which Sayles is playing here, and, like all his movies, it's quite absorbing as it's happening.
[Sayles] concentrates on the six tiresome Americans ... at the expense of their Latin hosts who, to a one, are much much more interesting and worthy of our time.
A stirring exploration of the overwhelming desire for motherhood, the whims of fate, clashing cultures and what happens when exporting children becomes part of a country's economy.
Sayles does what he does best, opening a window onto a slice of life so believable, you'd swear the movie was a documentary if you didn't know better.
A tender, moderately satisfying essay on fate, the haves and have-nots of the world, parental responsibility, opportunism, and modern family dismemberment and values.
[Casa de los Babys] wanders and stumbles in search of a center, but it finds plenty of goods along the way.
Eschewing all sentiment, avoiding all pathos, keeping his film and most of the women hard as nails, [Sayles] manages to tell a compelling story.
Sayles's latest clash between over- and underprivileged cultures focuses solely on the issue of motherhood, but within this one issue he explores the widest range of emotions.
John Sayles might be examining quirks in legal and political systems, but he's still capable of making seemingly arcane subject matter engrossing and occasionally moving.
Alternately frustrating and disappointing, Casa de los Babys is truly one of Sayles' lesser efforts.
In this single film, [Sayles] includes more vividly drawn female characters than I've seen in a year's worth of major releases.
I spent most of the 95-minute running time of Casa trying to distinguish between some of the actresses from my previous image of them.
It won't win [Sayles] many converts, but even the least of his efforts is worth a look.
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