Terrific performances, great to look at, and funny. A little uneven to be the cat's meow, but it's good enough to be the purr.
The Cat's Meow (2002)
Tomatometer
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Reviews Counted:115
Fresh:83
Rotten:32
Average Rating:6.5/10
Consensus: The Cat's Meow is a deliciously evoked period piece and whodunit.
Runtime: 1 hr 52 mins
Genre: Dramas
Synopsis:
From award-winning screenwriter Steven Peros and acclaimed director Peter Bogdanovich comes THE CAT'S MEOW, an extraordinary look at a fateful excursion of "fun and frolic" aboard William Randolph...
From award-winning screenwriter Steven Peros and acclaimed director Peter Bogdanovich comes THE CAT'S MEOW, an extraordinary look at a fateful excursion of "fun and frolic" aboard William Randolph Hearst's private yacht in November of 1924 that brought together some of the century's best-known personalities and resulted in a still-unsolved, hushed-up killing. As Hearst and his lover actress Marion Davies set sail from San Pedro Harbor early one Saturday morning. They host a small group that includes the brilliant but self-absorbed Charlie Chaplin, film pioneer Thomas Ince preoccupied with his recent financial setbacks, ambitious gossip columnist Louella Parsons, and the eccentric British Victorian novelist Elinor Glyn. Quickly, however, it becomes clear that although witty repartee is the order of the day, deceit and deception are also on the menu.
Everyone, it seems, has a secret agenda: Ince, whose pioneering work in defining the role of the film producer has been favorably compared to D.W. Griffith's contributions to directing, is determined to seal a partnership with Hearst's Cosmopolitan Pictures despite W.R.'s seeming lack of interest; New York-based film critic Louella Parsons has her eye on a transfer to the west coast where she can cover the film industry more intimately; Ince's lover, actress Margaret Livingston, no longer cares to keep their affair a secret; Hearst himself suspects that his paramour Davies has been unfaithful with the legendary comic Chaplin; and Chaplin indeed schemes to steal away the beautiful actress from the richest man in the world.
The boat sets off, and the first evening's dinner gives way to frenetic dancing to the on-board jazz band, followed by a screening of Ms. Davies' latest film. From there the late-night revelries shift to individual cabins for bootleg whiskey and other tempting, though illicit, nocturnal activities.
Meanwhile, Ince stokes Hearst's flames of jealousy and offers to "keep an eye on" Ms. Davies if the two men were to unite their filmmaking enterprises. At the same time, Elinor warns Marion away from the predatory advances of the womanizing Chaplin. Hearst is further incensed when a late-night wire comes in to report that a rival newspaper will publish an item romantically linking Chaplin and Davies.
The next day Hearst's party guests are treated to an unusual display when their host fires a cannonball into the stomach of a brawny vaudevillian named "Mr. Cannonball." Meanwhile, lawyer George Thomas warns the increasingly desperate Ince not to turn over to Hearst a love letter to Marion that the producer stole from Chaplin's cabin. That afternoon, as Margaret reveals to anyone who'll listen that she is Thomas Ince's lover, Marion pleads with Charlie to keep his distance, though they cannot deny their mutual attraction.
That night, Ince fuels Hearst's jealousy into a bonfire. In an attempt to further ingratiate himself to close the partnership deal, he hands Hearst the crumpled love letter that he stole from Chaplin's wastebasket. Later, as figures come and go, trading whispered conversations in the shadows, the events of the last two days hurtle toward a dramatic moment of tragedy and a single gunshot echoes in the night. The events of that evening affect the lives of every celebrity on board the ship, and before the excursion is over, all will learn the painfully high price of their precarious success. -- © 2001 Lions Gate Films
Starring: Kirsten Dunst, Edward Herrmann, Eddie Izzard, Cary Elwes
Starring: Kirsten Dunst, Edward Herrmann, Eddie Izzard, Cary Elwes, Joanna Lumley, Jennifer Tilley, Claudia Harrison, Ronan Vibert, Victor Slezak, Claudie Blakely, Chiara Schoras, Ingrid Lacey, John C. Vennema, James Laurenson
Director: Peter Bogdanovich
Director: Peter Bogdanovich
Screenwriter: Steven Peros
Producer: Kim Bieber, Carol Lewis
Studio: Lions Gate Films
Reviews for The Cat's Meow
Despite all the closed-door hanky-panky, the film is essentially juiceless.
There are moments when it threatens to leap out of its stockings... But for most of the running time what should have been a stinging and witty retro piece seems like a minor period drama with a wet blanket thrown atop it.
The result is good gossip, entertainingly delivered, yet with a distinctly musty odour, its expiry date long gone.
[Dunst] brings genuine humanity to a role that could have been little more than a vampish gold digger.
Works on a number of levels, but above all else it is a smart and satisfying entertainment.
For better or worse, my impression of Hearst is reinforced by this magnificent film in the way it shows both his playful and dark sides.
An intriguing, richly detailed look at the early days of Hollywood power and glamour.
The visually stylish, if narratively stodgy, film is a parable of Hollywood success and personal failure told with authority by one himself a showbiz victor and victim.
Too often, Cat's Meow feels stagey, dressy, miscast and generally inauthentic.
The real draw, though, is the performance by Dunst that is, alone, worth the price of admission.
An elegant drama about power and its frightening uses, The Cat's Meow is the bee's knees.
Bogdanovich, making his first feature film in nine years, simply seeks to tell a compelling story and to tell it well. This he does, if a bit sedately.
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