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Movies / On DVD / Changing Lanes
Changing Lanes

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Changing Lanes (2002)

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Reviews Counted:142

Fresh:110

Rotten:32

Average Rating:7/10

Consensus: A dark, compelling drama featuring Jackson's best performance in years.

Runtime: 1 hr 39 mins

Genre: Dramas

Synopsis: Two cars collide on the FDR expressway. Their drivers--two seemingly opposite men--are Gavin Banek (Ben Affleck), a young white partner in a powerful law firm, and Doyle Gipson (Samuel L. Jackson),... Two cars collide on the FDR expressway. Their drivers--two seemingly opposite men--are Gavin Banek (Ben Affleck), a young white partner in a powerful law firm, and Doyle Gipson (Samuel L. Jackson), a meek, working-class black man. At the scene of this fender bender, Gavin, who is busy trying to make a business appointment on his cell phone, offers Doyle a blank check to cover damages. Doyle, wanting to properly exchange information, declines, causing Gavin to flee the accident site. In his haste, Gavin leaves behind an important legal file which Doyle uses to his advantage, setting off a brutal cycle of revenge between these two men who began this Good Friday as strangers. A class commentary that is decidedly different from director Roger Michell's previous film, NOTTING HILL, CHANGING LANES provides very little information about its two central characters before the moment of their car accident. Michell introduces them by crosscutting between both men speaking publicly--Gavin is lecturing to a charitable foundation, Doyle is talking at an AA meeting. These techniques of crosscutting and mirror imaging are used effectively throughout the film to underscore that the obvious social and economic differences between the two men doesn't disguise the dark and angry nature that exists in both of these men, and potentially in all of humanity. [More]

Starring: Ben Affleck, Samuel L. Jackson, Toni Collette, William Hurt

Starring: Ben Affleck, Samuel L. Jackson, Toni Collette, William Hurt, Amanda Peet, Sydney Pollack, Bradley Cooper, Jennie Dundas, Richard Jenkins, Dylan Baker

Director: Roger Michell

Director: Roger Michell
Screenwriter: Michael Tolkin, Chap Taylor
Producer: Scott Rudin
Composer: David Arnold
Studio: Paramount Pictures

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Reviews for Changing Lanes

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Full Review Source: Sight and Sound | comment Comment
11/05/02
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Full Review Source: FilmFour.com | comment Comment
11/05/02
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Full Review Source: Guardian [UK] | comment Comment
11/19/02
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Full Review Source: Time Out | comment Comment
02/09/06
Time Out
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12/30/06
Empire Magazine
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Full Review Source: This is London | comment Comment
11/02/02
Alexander Walker
Alexander Walker
This is London
N/R

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Full Review Source: Daily Mail [UK] | comment Comment
12/15/03
Christopher Tookey
Christopher Tookey
Daily Mail [UK]

One of the best films I have ever seen, constantly pulling the rug from underneath us, seeing things from new sides, plunging deeper, getting more intense.

Full Review Source: UK Critic | comment Comment
11/05/02
Ian Waldron-Mantgani
Ian Waldron-Mantgani
UK Critic

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Full Review Source: ViewLondon | comment Comment
11/02/02
Matthew Turner
Matthew Turner
ViewLondon

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Full Review Source: BBC | comment Comment
10/15/02
Nev Pierce
Nev Pierce
BBC
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N/R

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Full Review Source: Shadows on the Wall | comment Comment
09/15/02
Rich Cline
Rich Cline
Shadows on the Wall

Like an accident on the side of the freeway, this adept and stylish pileup is hard to not look at.

Full Review Source: E! Online | comment Comment
04/11/02
E! Online
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Full Review Source: Arizona Republic | comment Comment
04/12/02
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Full Review Source: Houston Chronicle | comment Comment
04/13/02
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Full Review Source: Boston Phoenix | comment Comment
04/13/02
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Full Review Source: St. Louis Post-Dispatch | comment Comment
04/13/02
St. Louis Post-Dispatch
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Full Review Source: Film Threat | comment Comment
12/08/02
Film Threat
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Full Review Source: Apollo Guide | comment Comment
03/16/04
Apollo Guide
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Full Review Source: Film Threat | comment Comment
12/06/05
Film Threat
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Despite its strong start with a plausible situation gone disastrously wrong, Changing Lanes lectures audiences and devolves into the corniest of melodramas--there's nothing subtle about it.

Full Review Source: Radio Free Entertainment | comment Comment
01/13/03
Andrew Manning
Andrew Manning
Radio Free Entertainment
 
 
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