There are plenty of good qualities in Charlie; it just needed to apply itself a little more.
Charlie Bartlett (2007)
Tomatometer
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Reviews Counted:126
Fresh:68
Rotten:58
Average Rating:5.7/10
Consensus: With engaging performances marked by an inconsistent tone, Charlie Bartlett is a mixed bag of clever teen angst comedy and muddled storytelling.
Rated: 15 [See Full Rating] for language, drug content and brief nudity.
Runtime: 1 hr 37 mins
Genre: Comedies
Theatrical Release:16-05-2008
Synopsis:
Among the classic high-school rebels of American movies, there have been truants, delinquents, pranksters and con artists – but there has never been anyone quite like Charlie Bartlett. An...
Among the classic high-school rebels of American movies, there have been truants, delinquents, pranksters and con artists – but there has never been anyone quite like Charlie Bartlett. An optimist, a truth-teller and a fearless schemer, when Charlie slyly positions himself as his new school’s resident “psychiatrist,” dishing out both honest advice and powerful prescriptions, he has no idea the ways in which he will transform his classmates, the school principal and the potential of his own life.
This is the premise of the provocative, Prozac-era comedy, Charlie Bartlett, in which a wealthy teenager’s foray into bathroom-stall psychiatry becomes a smart, funny and touching one-man battle against the loneliness, angst and hypocrisy of the modern world.
Anton Yelchin (Alpha Dog) stars as Charlie Bartlett, who has been kicked out of every private school he ever attended. And now that he’s moved on to public school, he’s simply getting pummeled. But when Charlie discovers that the kids who surround him – the outcast and the popular alike – are secretly in desperate need, his entrepreneurial spirit takes over. Hanging up his shingle in the Boys’ restroom, Charlie becomes an underground, not to mention under-aged, shrink who listens to the private confessions of his schoolmates, and makes the imprudent decision to hand out the pills he’s proffered from his own psychiatric sessions. Meanwhile, at home, Charlie keeps charming his way out of an inevitable confrontation with his adoring but utterly overwhelmed mother Marilyn (Hope Davis.)
Then, Charlie Bartlett makes his big mistake: falling in love with the beautiful and bold daughter (Kat Dennings) of the school’s increasingly disenchanted Principal (Robert Downey, Jr.), who is hot on his trail. As Charlie Bartlett’s world and fledgling psychiatric practice unravel, he begins to discover there’s a whole lot more to making a difference than handing out pills.
Charlie Bartlett marks the directorial debut of Jon Poll – a world-class film editor with deep comic roots who has collaborated with Jay Roach on both the blockbuster “Meet the Parents” and “Austin Powers” series, among others – and the screen debut of writer Gustin Nash. The producers are David Permut, Barron Kidd, Jay Roach and Sidney Kimmel. The executive producers are William Horberg, Jennifer Perini, Trish Hofmann and Bruce Toll. Steve Longi and Gustin Nash co-produced.
--© Sidney Kimmel Entertainment
[More]
Starring: Anton Yelchin, Robert Downey, Hope Davis, Kat Dennings
Starring: Anton Yelchin, Robert Downey, Hope Davis, Kat Dennings, Tyler Hilton, Jake Epstein, Lauren Collins, Dylan Taylor, Mark Rendall, Jonathan Malen
Director: John Poll
Director: John Poll
Screenwriter: Gustin Nash
Producer: David Permut, Jay Roach, Sidney Kimmel, Barron Kidd
Composer: Christophe Beck
Studio: MGM
Reviews for Charlie Bartlett
The promising themes peter out as the film loses direction, though, and Bartlett is neither sympathetic enough to root for nor dumb enough to laugh at.
Cast and crew maintain an engagingly snarky tone throughout the film, with raucous dialog and a gleeful willingness to crush teen movie stereotypes.
Hugely entertaining high school drama with a delightfully offbeat script and terrific performances from a superb cast.
It overdoes the quirkiness and underdoes the character development, but, in the end, it's salvaged by a remarkable performance by Robert Downey Jr., who hardly ever gives any other kind.
[Sitting through] Charlie Bartlett makes you feel as if you've just watched three episodes of a new TV series you can't wait to see more of -- one that's so funny and smart and unpredictable, it would probably only survive one season on the air.
The soft and derivative script by newcomer Gustin Nash and the lax direction by editor-turned-first-time-director Poll lend the film about as much kick as a placebo.
Watching Charlie Bartlett only makes Wes Anderson's work seem more accomplished by comparison, because it underscores that thin line separating the agreeably fanciful from the overbearingly precious.
Seeing itself as a Ferris Bueller's Day Off for the 21st century, Charlie Bartlett the film is instead a testimony to how low we as a culture can stoop.
Though Bartlett occasionally misfires, the trips and stumbles are made nearly irrelevant by the rampant innovativeness and ingenuity at hand.
The film's message about the way that listening and being listened to are essential and life-changing is honest and touching. But it runs out of ideas and the conclusion feels rushed. Like the main character, the film should have had more faith in itself.
An exuberant, unexpectedly smart comedy about the fraught give-and-take between kids and grown-ups.
Charlie could be a Ferris Bueller type but he's too confrontational. Ferris never got anyone else in trouble.Rooney did it to himself, but Ferris wouldn't hurt anyone. Maybe it's more like a Pump Up the Volume for the medicated generation.
Mediocre writers ignore reality, opting for clumsy wish fulfillment and hoping we won't notice they make no sense. Sadly, Charlie Bartlett is an example of that school of non-thought.
Bartlett would make a decent sitcom character, and the uneven film plays out accordingly.
A rebellious teen comedy that isn't as good or as radical as Pump Up the Volume, but still feels like a shot in the arm and is full of irreverent energy.
Almost everything in Charlie Bartlett is based on successful teen comedy formulas of the '70s, '80s and '90s.
Charlie Bartlett asks audiences to believe that its protagonist is so sheltered that he has no clue how bizarre his precious, overly mannered behavior looks to his peers.
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