Charlie could be a Ferris Bueller type but he's too confrontational. Ferris never got anyone else in trouble.Rooney did it to himself, but Ferris wouldn't hurt anyone. Maybe it's more like a Pump Up the Volume for the medicated generation.
Charlie Bartlett (2007)
Tomatometer
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Reviews Counted:126
Fresh:68
Rotten:58
Average Rating:5.7/10
Consensus: With engaging performances marked by an inconsistent tone, Charlie Bartlett is a mixed bag of clever teen angst comedy and muddled storytelling.
Rated: 15 [See Full Rating] for language, drug content and brief nudity.
Runtime: 1 hr 37 mins
Genre: Comedies
Theatrical Release:16-05-2008
Synopsis:
Among the classic high-school rebels of American movies, there have been truants, delinquents, pranksters and con artists – but there has never been anyone quite like Charlie Bartlett. An...
Among the classic high-school rebels of American movies, there have been truants, delinquents, pranksters and con artists – but there has never been anyone quite like Charlie Bartlett. An optimist, a truth-teller and a fearless schemer, when Charlie slyly positions himself as his new school’s resident “psychiatrist,” dishing out both honest advice and powerful prescriptions, he has no idea the ways in which he will transform his classmates, the school principal and the potential of his own life.
This is the premise of the provocative, Prozac-era comedy, Charlie Bartlett, in which a wealthy teenager’s foray into bathroom-stall psychiatry becomes a smart, funny and touching one-man battle against the loneliness, angst and hypocrisy of the modern world.
Anton Yelchin (Alpha Dog) stars as Charlie Bartlett, who has been kicked out of every private school he ever attended. And now that he’s moved on to public school, he’s simply getting pummeled. But when Charlie discovers that the kids who surround him – the outcast and the popular alike – are secretly in desperate need, his entrepreneurial spirit takes over. Hanging up his shingle in the Boys’ restroom, Charlie becomes an underground, not to mention under-aged, shrink who listens to the private confessions of his schoolmates, and makes the imprudent decision to hand out the pills he’s proffered from his own psychiatric sessions. Meanwhile, at home, Charlie keeps charming his way out of an inevitable confrontation with his adoring but utterly overwhelmed mother Marilyn (Hope Davis.)
Then, Charlie Bartlett makes his big mistake: falling in love with the beautiful and bold daughter (Kat Dennings) of the school’s increasingly disenchanted Principal (Robert Downey, Jr.), who is hot on his trail. As Charlie Bartlett’s world and fledgling psychiatric practice unravel, he begins to discover there’s a whole lot more to making a difference than handing out pills.
Charlie Bartlett marks the directorial debut of Jon Poll – a world-class film editor with deep comic roots who has collaborated with Jay Roach on both the blockbuster “Meet the Parents” and “Austin Powers” series, among others – and the screen debut of writer Gustin Nash. The producers are David Permut, Barron Kidd, Jay Roach and Sidney Kimmel. The executive producers are William Horberg, Jennifer Perini, Trish Hofmann and Bruce Toll. Steve Longi and Gustin Nash co-produced.
--© Sidney Kimmel Entertainment
[More]
Starring: Anton Yelchin, Robert Downey, Hope Davis, Kat Dennings
Starring: Anton Yelchin, Robert Downey, Hope Davis, Kat Dennings, Tyler Hilton, Jake Epstein, Lauren Collins, Dylan Taylor, Mark Rendall, Jonathan Malen
Director: John Poll
Director: John Poll
Screenwriter: Gustin Nash
Producer: David Permut, Jay Roach, Sidney Kimmel, Barron Kidd
Composer: Christophe Beck
Studio: MGM
Reviews for Charlie Bartlett
While Charlie Bartlett's spitting in the face of authority may thrill disenchanted teens, its obnoxiousness and phoniness is enough to make me feel like an old man yelling at kids to get off my lawn.
Charlie's more unsavory activities spring from the same source tapped in Rock 'n' Roll High School by Clint Howard's Eaglebauer character.
Director Jon Poll lends a deft hand with his mostly youthful cast and pushes the tale to its satisfying, though routine, conclusion.
[Director] Jon Poll... has trouble transitioning from humor to seriousness - and ends up mocking characters who need our sympathy the most.
Charlie Bartlett is a refreshingly entertaining character study that refuses to dumb down its youthful cast or bury their concerns in service of a catchy soundtrack.
The film feels derivative but always heartfelt, and never sacrifices an honest moment for a cheap gag.
The characters remain halfway between genuine comic creations and realistic individuals, and the whole narrative feels artificial, stuck in the tension between being a morality play and a freewheeling comedy.
Funny and character-driven, Charlie Bartlett has a hero who's very Ferris Bueller-esque, a heroine who's very Ringwaldish, an acid-tinged sense of humor and a Hughes-like faith that everything will work out for unconventional people.
Thankfully, the film is rated R, which should theoretically bar it from most of its intended high school audience.
Those waiting for the arrival of the next Juno may want to skip Charlie Bartlett, a relentlessly earnest teen film about a 17-year-old misfit who's been tossed out of one prep school after another for bad behavior.
The movie is unevenly directed, with stiffly mounted scenes and tonal shifts between offhand comedy and ham-fisted drama.
Imagine an R-rated Ferris Bueller with only the most annoying parts of the younger Matthew Broderick's screen persona emphasized and you'll draw a bead on Bartlett.
Charlie Bartlett desperately wants to be the next link in a chain of smart, subversive, fun teen-rebellion movies from Ferris Bueller's Day Off to Juno. But it never develops its own identity enough to stake that claim.
Watching Charlie Bartlett only makes Wes Anderson's work seem more accomplished by comparison, because it underscores that thin line separating the agreeably fanciful from the overbearingly precious.
Two decades after Ferris Bueller, a new smarty-pants seeks popularity in Charlie Bartlett.
Charlie Bartlett starts to get a bit preachy as it works its way toward a climax heavily influenced by Rushmore, but it's still well above average for this type of film.
For all its sympathy toward adolescent angst, it turns out that Charlie Bartlett is really about reassuring and reinforcing worried adults.
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