Almost everything in Charlie Bartlett is based on successful teen comedy formulas of the '70s, '80s and '90s.
Charlie Bartlett (2007)
Tomatometer
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Reviews Counted:126
Fresh:68
Rotten:58
Average Rating:5.7/10
Consensus: With engaging performances marked by an inconsistent tone, Charlie Bartlett is a mixed bag of clever teen angst comedy and muddled storytelling.
Rated: 15 [See Full Rating] for language, drug content and brief nudity.
Runtime: 1 hr 37 mins
Genre: Comedies
Theatrical Release:16-05-2008
Synopsis:
Among the classic high-school rebels of American movies, there have been truants, delinquents, pranksters and con artists – but there has never been anyone quite like Charlie Bartlett. An...
Among the classic high-school rebels of American movies, there have been truants, delinquents, pranksters and con artists – but there has never been anyone quite like Charlie Bartlett. An optimist, a truth-teller and a fearless schemer, when Charlie slyly positions himself as his new school’s resident “psychiatrist,” dishing out both honest advice and powerful prescriptions, he has no idea the ways in which he will transform his classmates, the school principal and the potential of his own life.
This is the premise of the provocative, Prozac-era comedy, Charlie Bartlett, in which a wealthy teenager’s foray into bathroom-stall psychiatry becomes a smart, funny and touching one-man battle against the loneliness, angst and hypocrisy of the modern world.
Anton Yelchin (Alpha Dog) stars as Charlie Bartlett, who has been kicked out of every private school he ever attended. And now that he’s moved on to public school, he’s simply getting pummeled. But when Charlie discovers that the kids who surround him – the outcast and the popular alike – are secretly in desperate need, his entrepreneurial spirit takes over. Hanging up his shingle in the Boys’ restroom, Charlie becomes an underground, not to mention under-aged, shrink who listens to the private confessions of his schoolmates, and makes the imprudent decision to hand out the pills he’s proffered from his own psychiatric sessions. Meanwhile, at home, Charlie keeps charming his way out of an inevitable confrontation with his adoring but utterly overwhelmed mother Marilyn (Hope Davis.)
Then, Charlie Bartlett makes his big mistake: falling in love with the beautiful and bold daughter (Kat Dennings) of the school’s increasingly disenchanted Principal (Robert Downey, Jr.), who is hot on his trail. As Charlie Bartlett’s world and fledgling psychiatric practice unravel, he begins to discover there’s a whole lot more to making a difference than handing out pills.
Charlie Bartlett marks the directorial debut of Jon Poll – a world-class film editor with deep comic roots who has collaborated with Jay Roach on both the blockbuster “Meet the Parents” and “Austin Powers” series, among others – and the screen debut of writer Gustin Nash. The producers are David Permut, Barron Kidd, Jay Roach and Sidney Kimmel. The executive producers are William Horberg, Jennifer Perini, Trish Hofmann and Bruce Toll. Steve Longi and Gustin Nash co-produced.
--© Sidney Kimmel Entertainment
[More]
Starring: Anton Yelchin, Robert Downey, Hope Davis, Kat Dennings
Starring: Anton Yelchin, Robert Downey, Hope Davis, Kat Dennings, Tyler Hilton, Jake Epstein, Lauren Collins, Dylan Taylor, Mark Rendall, Jonathan Malen
Director: John Poll
Director: John Poll
Screenwriter: Gustin Nash
Producer: David Permut, Jay Roach, Sidney Kimmel, Barron Kidd
Composer: Christophe Beck
Studio: MGM
Reviews for Charlie Bartlett
Honors the neuroses of high school while also holding out the hope every teen needs...
"Ferris Bueller" for the new millennium. It's a bit more jaded, and the problems are a bit more serious, but Charlie is such a cheerful dude that it's hard not to get caught up in his adventure.
Should have been a comedy all the way through ... It's like we have been enjoying a delicious ice cream sundae, only to find broccoli at the bottom of the bowl."
A non-flashy but uncommonly savvy film about teenage life that one can only hope finds its rightful audience.
In the end, the big message of Charlie Bartlett was said better and more succinctly in an R.E.M. song. Everybody Hurts.
The film's message about the way that listening and being listened to are essential and life-changing is honest and touching. But it runs out of ideas and the conclusion feels rushed. Like the main character, the film should have had more faith in itself.
I'm going to be really f****** depressed if Charlie Bartlett isn't the worst, most irresponsible movie I see this year.
Clouded execution and miscasting neuters the intended objective the film has to brand the character a clear-thinking leader of the pack. Charlie Bartlett is not a hero; he deserves a spanking.
Made palatable by its good-natured eagerness to entertain even if its simultaneous desire to teach doesn't quite come off.
Charlie Bartlett is rated R but is perfect, even salutary for young teens and older tweens. It's sincere, unabashedly positive, smart and funny -- a supernaturally rare combination.
It feels like a teen movie hijacked by guidance counselors -- an after-school special in wolf's clothing.
Charlie Bartlett asks audiences to believe that its protagonist is so sheltered that he has no clue how bizarre his precious, overly mannered behavior looks to his peers.
This high school dramedy feels strangely earthbound, despite an articulate script and an engaging cast.
Certainly more fun than Michael Clayton, but Ferris Bueller this isn't.
Not surprisingly we learn that parents need to listen more often to what their kids are saying. What Charlie really needs is a scriptwriter who's forceful and creative enough to break new ground.
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