Certainly one of Ray's best films, with a superb music score of his own composition.
Charulata (1964)
Runtime: 1 hr 57 mins
Synopsis: Charu, the bored housewife of a learned Calcutta intellectual, sits at home alone while her wealthy husband Bhupati runs his English language newspaper. Upon recognizing her profound loneliness, Bhupati invites his brother-in-law Umapada and wife Mandakini as house guests. Amal, his... Charu, the bored housewife of a learned Calcutta intellectual, sits at home alone while her wealthy husband Bhupati runs his English language newspaper. Upon recognizing her profound loneliness, Bhupati invites his brother-in-law Umapada and wife Mandakini as house guests. Amal, his handsome younger cousin also comes for a visit during his semester break from college. Charu and Amal spend hours reminiscing over literature, poetry and the arts while Bhupati works on his paper. For a short time everyone is content. Then, a tragedy occurs. Umapada absconds with Bhupati's savings, leaving the entrepreneur in terrible debt. But the betrayed man soon realizes that something much more precious than his money is lost. [More]
Genre: Foreign Films
Reviews
Comparable to a film by Eric Rohmer or a play by Anton Chekov, Charulata is the work of one of cinema's great humanists with no small cinematic skill to boot.
Possibly more relaxed and leisurely than most Satyajit Ray films, Charulata nevertheless has a graciousness and dignity which impart an added sincerity to the simple, yet thoroughly acceptable story.
Subtitles become irrelevant during these times since the real content comes from the juxtapositions, the body postures, the side glances, and the facial expressions
To put it baldly, as the Ray camera could never do, the picture is an artistic masterpiece, impeccably performed, but diluted in impact and power by a stately, inchworm pace that accentuates a plot as old and familiar as the hills.
A singularly accomplished song to love, idealism, heartbreak and disillusionment.

Top Critic