This is the sleekest and sexiest movie musical to slither, shake and scintillate on-screen since Cabaret.
Chicago (2002)
Tomatometer
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Reviews Counted:206
Fresh:180
Rotten:26
Average Rating:7.9/10
Consensus: A rousing and energetic adaptation of the Broadway musical that'll have you tapping your feet.
Runtime: 1 hr 53 mins
Genre: Comedies
Synopsis: Everyone loves a legend, but in Chicago, there’s only room for one. Velma Kelley (CATHERINE ZETA-JONES) burns in the spotlight as a nightclub sensation. When she shoots her philandering husband,... Everyone loves a legend, but in Chicago, there’s only room for one. Velma Kelley (CATHERINE ZETA-JONES) burns in the spotlight as a nightclub sensation. When she shoots her philandering husband, she lands on Chicago’s famed murderess row, retains Chicago’s slickest lawyer, Billy Flynn (RICHARD GERE), and is the center of the town’s most notorious murder case, only increasing her celebrity. Roxie Hart (RENÉE ZELLWEGER), seduced by the city’s promise of style and adventure, dreams of singing and dancing her way to stardom. When Roxie’s abusive lover tries to walk out on her, she too ends up in prison. Billy recognizes a made-for-tabloids story, and postpones Velma’s court date to take on Roxie’s case. Infamy is Roxie’s ticket to stardom. Billy turns her crime of passion into celebrity headlines, and in this town, where murder is a form of entertainment, she becomes a bona fide star – much to Velma’s chagrin. As Roxie fashions herself as America’s sweetheart, Velma has more than a few surprises in store, and the two women stop at nothing to outdo each other in their obsessive pursuit of fame and celebrity. A new interpretation that takes the award-winning Broadway show into fresh and expansive cinematic realms, CHICAGO shifts adroitly from the reality of intrigue, rivalry and betrayal to spectacular fantasies of music and dance, offering tongue-in-cheek commentary on the cult of celebrity and the scandalous lengths to which people will go to attain it. -- © 2002 Miramax Films [More]
Starring: Renée Zellweger, Catherine Zeta-Jones, Richard Gere, Queen Latifah
Starring: Renée Zellweger, Catherine Zeta-Jones, Richard Gere, Queen Latifah, John C. Reilly, Christine Baranski, Lucy Liu, Taye Diggs, Colm Feore, Dominic West, Chita Rivera
Director: Rob Marshall
Director: Rob Marshall
Screenwriter: Bill Condon
Producer: Martin Richards
Composer: John Kander
Studio: Miramax Films
Reviews for Chicago
Chicago is no Cabaret, but if all you want from your evening's entertainment is jazz, it's all that.
The song and dance numbers are very well staged, even though Zellweger and Gere are not experienced song and dance people.
After being stuck in years of development, Chicago finally arrives on the big screen and the result is spectacular.
In the rousing and rhythmically spry Chicago, Marshall delivers a finger-snapping gem that radiates jubilance and promotes its lyrical spirit -- its bounciness and endless energy will have audiences giddy with delight.
It’s a delicious movie experience and the best movie musical of the past few decades.
Renée Zellweger, Catherine Zeta-Jones and Richard Gere put so much palpable verve into their high energy performances that one would be scared of wishing them the proverbial, 'Break a leg!' lest they do.
It's about time a movie gave us a reason to tap our toes again. Here's to the resurgence of a grand Hollywood tradition.
A lusciously raunchy and defiantly un-P.C. film that’s both movie-movie and theater-spectacle at the same time.
Though we might not normally think of Zellweger or Zeta-Jones as musical talents, both are sensational.
The accolades currently pouring in for this Fosse-derived piece of claptrap only prove that American musical theater is dead as a doornail.
It prances. It struts. It kicks up its heels. It bumps and grinds and gyrates and works up a sweat and has a cigarette afterwards.
This cinematic version of a theatrical experience should find favor in any court in the land.
Zellweger and Zeta-Jones provide a perfect contrast -- the former a naive child-woman who wants only to see her name in lights, the latter a been-around-the-block cynic fighting for survival.
The usually quiet Zellweger is the revelation: Like her character, the actress seems happily amazed to find herself crossing a polished dance floor, sheathed in silk and diamonds, having the naughty, self-glorifying time of her life.
Director Rob Marshall has taken the spirit of the Broadway show, opened it up and delivered nearly two hours of wonderful song, dance, choreography and drama. This is the best movie musical in years.
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