In Marshall's virtuoso hands, this movie version of the 1975 Bob Fosse Broadway musical based on the 1942 Ginger Rogers movie Roxie Hart based on the 1926 play Chicago, the rhinestones shimmer like diamonds and brass glows like solid gold.
Chicago (2002)
Tomatometer
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Reviews Counted:206
Fresh:180
Rotten:26
Average Rating:7.9/10
Consensus: A rousing and energetic adaptation of the Broadway musical that'll have you tapping your feet.
Runtime: 1 hr 53 mins
Genre: Comedies
Synopsis: Everyone loves a legend, but in Chicago, there’s only room for one. Velma Kelley (CATHERINE ZETA-JONES) burns in the spotlight as a nightclub sensation. When she shoots her philandering husband,... Everyone loves a legend, but in Chicago, there’s only room for one. Velma Kelley (CATHERINE ZETA-JONES) burns in the spotlight as a nightclub sensation. When she shoots her philandering husband, she lands on Chicago’s famed murderess row, retains Chicago’s slickest lawyer, Billy Flynn (RICHARD GERE), and is the center of the town’s most notorious murder case, only increasing her celebrity. Roxie Hart (RENÉE ZELLWEGER), seduced by the city’s promise of style and adventure, dreams of singing and dancing her way to stardom. When Roxie’s abusive lover tries to walk out on her, she too ends up in prison. Billy recognizes a made-for-tabloids story, and postpones Velma’s court date to take on Roxie’s case. Infamy is Roxie’s ticket to stardom. Billy turns her crime of passion into celebrity headlines, and in this town, where murder is a form of entertainment, she becomes a bona fide star – much to Velma’s chagrin. As Roxie fashions herself as America’s sweetheart, Velma has more than a few surprises in store, and the two women stop at nothing to outdo each other in their obsessive pursuit of fame and celebrity. A new interpretation that takes the award-winning Broadway show into fresh and expansive cinematic realms, CHICAGO shifts adroitly from the reality of intrigue, rivalry and betrayal to spectacular fantasies of music and dance, offering tongue-in-cheek commentary on the cult of celebrity and the scandalous lengths to which people will go to attain it. -- © 2002 Miramax Films [More]
Starring: Renée Zellweger, Catherine Zeta-Jones, Richard Gere, Queen Latifah
Starring: Renée Zellweger, Catherine Zeta-Jones, Richard Gere, Queen Latifah, John C. Reilly, Christine Baranski, Lucy Liu, Taye Diggs, Colm Feore, Dominic West, Chita Rivera
Director: Rob Marshall
Director: Rob Marshall
Screenwriter: Bill Condon
Producer: Martin Richards
Composer: John Kander
Studio: Miramax Films
Reviews for Chicago
Chicago is sexy, smoky, cynical, hyper-kinetic and claustrophobic. It just grabs you by the lapels and never lets go.
The final result makes for adequate entertainment, I suppose, but anyone who has seen Chicago on stage will leave the theater feeling they've watched nothing but a pale imitation of the real deal.
This Chicago has hugely imaginative and successful casting to its great credit, as well as one terrific score and attitude to spare.
Much more than one of the best movies of the year, Chicago is destined to become the most popular screen adaptation of a stage musical since Grease.
Not since the 1972 Cabaret has there been a movie musical this stirring, intelligent and exciting.
A slew of great movies were released this month, but few have been as fun as Chicago
Rarely has a Broadway show been transferred to the screen as inventively and successfully. Not only is it one of the 10 BEST of the year but the participants should be top contenders for Oscar gold.
Renee Zellweger is amazing and Richard Gere brings a life to the screen that he hasn't in several years.
Chicago offers much colorful eye candy, including the spectacle of Gere in his dancing shoes, hoofing and crooning with the best of them.
This Chicago doesn't toddle, it swings, it Lindy Hops, it Charlestons the night away, and probably all your woes along with it.
Marshall has created a glitzy, seductive, high-energy movie that feels more like a filmed play than a play made into a film.
Chicago improves upon the long-running Broadway show by Kander and Ebb in many ways.
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