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The Children's Hour (1962)
Runtime: 1 hr 49 mins
Synopsis: Karen Wright (Audrey Hepburn) and Martha Dobie (Shirley MacLaine) are just beginning to succeed in their struggle to make the Wright-Dobie School for Girls a going concern. Karen believes she will soon be able to marry Joe Cardin (James Garner). However, Karen has to discipline Mary Tilford... Karen Wright (Audrey Hepburn) and Martha Dobie (Shirley MacLaine) are just beginning to succeed in their struggle to make the Wright-Dobie School for Girls a going concern. Karen believes she will soon be able to marry Joe Cardin (James Garner). However, Karen has to discipline Mary Tilford (Karen Balkin). Mary always wants her own way and, worse, is a congenital liar. Mary complains to her grandmother Mrs. Tilford (Fay Bainter). To lend strength to her complaint, Mary repeats part of a conversation that she overheard, but barely understood--a conversation in which Martha's aunt Lily (Miriam Hopkins) accused Martha of having an unnatural attachment to Karen. Mrs. Tilford is horrified and spreads the word to the parents of the other girls--with disastrous results. THE CHILDREN'S HOUR is William Wyler's second version of Lillian Hellman's controversial 1934 Broadway play. In Wyler's first version, THESE THREE, made in 1936, the lesbian theme was entirely suppressed. In contrast, THE CHILDREN'S HOUR, somewhat belatedly, allowed the theme out of Hollywood's closet. THE CHILDREN'S HOUR is clearly set in the 1960s but retains many of the 1930s attitudes toward lesbianism--the result is a movie that hovers curiously between the 1930s and the 1960s. [More]
Genre: Dramas
Starring: Audrey Hepburn, Shirley MacLaine, James Garner, Miriam Hopkins, Fay Bainter
DVD Info
Release:
Mar 12, 2002
DVD Features:
- Region 1
- Keep Case
- Anamorphic Widescreen - 1.66
- Single Side - Dual Layer
Audio:
- Mono 1.0 - English
Reviews
Of course, you try to critique the film they made, not the one you would have preferred. This being said, you rather wish they'd picked a different lie.
Closer to the play than Wyler's first effort at the story, but oddly less compelling.


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