Despite efforts to impart a little tension and human interest, the tale is told with such discretion, it’s almost anonymous.
Choking Man (2007)
Tomatometer
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Reviews Counted:11
Fresh:4
Rotten:7
Average Rating:4.7/10
Consensus: Quirky animated interludes fail to lift this dull US immigrant indie out of its introverted torpid state.
Runtime: 84 mins
Genre: Dramas
Theatrical Release:14-11-2008
Synopsis: Set in New York's Jamaica, Queens, CHOKING MAN illustrates the neighborhood's rich diversity. Ecuadorian immigrant Jorge (Octavio Gómez Berríos) washes dishes at a local diner, where he connects... Set in New York's Jamaica, Queens, CHOKING MAN illustrates the neighborhood's rich diversity. Ecuadorian immigrant Jorge (Octavio Gómez Berríos) washes dishes at a local diner, where he connects with a Chinese woman (Eugenia Yuan) and shies away from his bully of a coworker (Aaron Paul). Mandy Patinkin costars as the owner of the diner. [More]
Starring: Octavio Gómez Berríos, Eugenia Yuan, Aaron Paul, Mandy Patinkin
Starring: Octavio Gómez Berríos, Eugenia Yuan, Aaron Paul, Mandy Patinkin
Director: Steve Barron
Director: Steve Barron
Screenwriter: Steve Barron
Producer: Zachary Mortensen, Joshua Zeman
Reviews for Choking Man
There’s a low-key New York drama lurking somewhere, but Barron can’t seem to decide if he’s making that or something more flashy.
There's enough charm and enterprise here to win over viewers who have the patience to stick by the tongue-tied Jorge. An intriguing change of direction for pop-video pioneer Barron, though next time he might like to cut loose that bit more.
The creepy and original power of the film is the schizophrenic other who taunts him when he finally crawls home to his maggoty bedsit. Weird.
Some US indie films are so torpid, so pointless and so incredibly whingey that you want to reach into the screen and slap the face of everyone involved. This film, by writer-director Steve Barron, is one such.
The film marries digicam naturalism to animated fantasy to oddsome but fascinating effect, rendering magical the inner world of the shy and almost muted Jorge. It's an unusual but valuable addition to the cinema of contemporary migration.
Overburdened with disorienting stylistic devices and contrived plot elements that reduce the psychological depth to which it aspires.
Choking Man mainly falters in its inability to reconcile the darker psychological elements of Jorge's mind and all that they portend.
Choking Man is harsh and intermittently affecting but oppressively contrived and mostly pointless.
Barron executes all the hard stuff remarkably well: vivid ensemble thesping, evocative locales and even unforced Catholic symbolism. But his high-concept protagonist is so introverted he projects a void at the film's center.
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