This is a darn good story that is solidly presented.
City by the Sea (2002)
Tomatometer
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Reviews Counted:140
Fresh:67
Rotten:73
Average Rating:5.8/10
Consensus: Even though the movie is well acted, it sinks under an abundance of melodrama and cliches.
Runtime: 1 hr 48 mins
Genre: Dramas
Synopsis:
New York City homicide detective Vincent LaMarca (Robert De Niro) has forged a long and distinguished career in law enforcement, making a name for himself as a man intensely committed to his...
New York City homicide detective Vincent LaMarca (Robert De Niro) has forged a long and distinguished career in law enforcement, making a name for himself as a man intensely committed to his work.
But on his latest case, the stakes are higher for Vincent — the suspect he's investigating is his own son (James Franco). He and Joey have been painfully estranged ever since Vincent divorced his wife and left the decaying boardwalks of Long Beach, Long Island for the anonymity of Manhattan and a successful career with the NYPD. He lives his life in solitude, keeping his girlfriend (Frances McDormand) at arm's length; the closest relationship he maintains is with his partner, Reg (George Dzundza) — and Vincent makes sure that stops at the precinct door. As long as Vincent lives in the protection of the present, he doesn't have to deal with the pain of his past — or his sorrow over his broken relationship with Joey.
But this murder investigation is drawing Vincent home to Long Beach, the self-proclaimed "City by the Sea," where the past has been waiting for him to return. The agonizing memory that has tortured him all his life — the death of his father, a convicted murderer who was executed when Vincent was just a boy — still plagues him. In the course of the investigation, he discovers that his own unresolved pain and failures as a father have deeply influenced Joey's life, and now his 18-month-old grandson may be fated to follow their self-destructive paths.
Haunted by his father's death, the sins of his own past, and the desire to break the cycle for the sake of his grandson's future, Vincent must put his life on the line in order to do right by both his family and his profession.
The Film stars Robert De Niro, Frances McDormand, James Franco, Eliza Dushku, William Forsythe, Patti LuPone and George Dzunzda.
City By The Sea is directed by Michael Caton-Jones and produced by Brad Grey, Elie Samaha, Michael Caton-Jones and Matthew Baer. -- © 2002 Warner Bros.
Starring: Robert De Niro, Frances McDormand, George Dzundza, James Franco
Starring: Robert De Niro, Frances McDormand, George Dzundza, James Franco, William Forsythe, Patti LuPone, Eliza Dushku
Director: Michael Caton-Jones
Director: Michael Caton-Jones
Screenwriter: Ken Hixon
Producer: Brad Grey, Matthew Baer, Elie Samaha, Michael Caton-Jones, Andrew Stevens
Composer: John Murphy
Studio: Warner Bros.
Reviews for City by the Sea
A new low on the downward spiral of a once-brilliant career...could it be that De Niro has become even more washed-up and embarrassing than The Rolling Stones?
Suffers from a schematic, overdetermined rigidity, as if screenwriter Ken Hixon had plotted the scenario on graph paper before setting it down in type.
Past the Road to Perdition lies City by the Sea, Michael Caton-Jones's equally rote tale of father-son friction.
The acting is fine but the script is about as interesting as a recording of conversations at the Wal-Mart checkout line.
The abundance of self-serving fabrication in City by the Sea not only diminishes LaMarca's experience and cheapens McAlary's work, it all but desecrates the memory of the real murder victim.
The story is much more interested in the characters than the detective work.
Earnest but earthbound...a slow, soggy, soporific, visually dank crime melodrama/character study that would be more at home on the small screen but for its stellar cast.
Mundane dialogue, by screenwriter Ken Hixon, makes such a straightforward approach even duller.
Director Michael Caton-Jones evenly deals the father and son parallels as DeNiro works with the complexities of shaping his character via a trio of generations outside his own
De Niro infuses his familiar NYC cop identity with a feeling of near-exhaustion and emotional fatigue, the outward face of a man who has been privately suffering for years.
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