Despite a classy cast - Toby Jones, Tim Robbins, Martin Landau - this is fantasy which runs low on a crucial ingredient: imagination.
City of Ember (2008)
Tomatometer
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Reviews Counted:117
Fresh:60
Rotten:57
Average Rating:5.7/10
Consensus: City of Ember is visually arresting, and boasts a superb cast, but is sadly lacking in both action and adventure.
Rated: PG [See Full Rating] for mild peril and some thematic elements.
Runtime: 2 hrs 3 mins
Genre: Science-Fiction/Fantasy
Theatrical Release:10-10-2008
Synopsis:
For generations, the people of the City of Ember have flourished in an amazing world of glittering lights - underground. Built as a refuge for humanity and powered by a massive generator - this...
For generations, the people of the City of Ember have flourished in an amazing world of glittering lights - underground. Built as a refuge for humanity and powered by a massive generator - this City will only sustain for 200 years. Now Ember is falling into darkness as the generator fails, and the dazzling lights begin to flicker and fade.
Despite growing concern for the future of their beloved City, Ember's students find themselves confronting the next step in their lives. A rite of passage for all graduates, it is Assignment Day, the day on which the Mayor himself will stand before the graduating students as they choose, by lottery, how they will spend their lives working for their society. Lina, praying with all her might to be a messenger, is devastated to be assigned to the Pipeworks, the vast network of pipes underneath the City. Her classmate, Doon Harrow, who wants more than nothing else to work in the Generator, panics when he pulls the messenger assignment. The Pipeworks isn't the Generator, but it is close enough and Doon offers to swap assignments with Lina. She is thrilled and grateful and eagerly changes jobs. Thus, an unlikely friendship is born, one that, as it blossoms, will change the course of all the lives in Ember.
Lina takes easily to the job of messenger and finds herself zipping all over Ember, delivering important missives to even more important people, including the mayor himself. At home she cares for her aging and forgetful grandmother, and her baby sister Poppy. When an old metal box is discovered in their closet, Lina's grandmother is overjoyed. Completely sure that the contents of the box are of the utmost importance, she is completely bereft of any memory as to why.
Lina manages to jimmy the lock open, and discovers some cryptic papers inside. Unable to piece the papers together, but sure that they are important, Lina resolves to decipher their meaning and enlists Doon's help.
As blackouts in the City become more frequent, Lina and Doon realize that the information inside that box could lead to the salvation of their City and their fellow citizens. Now racing against the clock, the two follow the clues, cleverly maneuvering around corrupt politicians and unsavory characters hoping to keep them from their goal: restoring the light in the City of Ember.
A Walden Media and Playtone co-production, this heart-thumping, edge-of-your seat adventure boasts an impressive cast and crew of acclaimed, award-winning talent. City of Ember was directed by Gil Kenan (Academy Award® nominee for Monster House), and was produced by Playtone¹s Tom Hanks and Gary Goetzman. The cast includes recent Academy Award nominee Saoirse Ronan (Atonement) as the fiesty Lina, Academy Award® nominee Bill Murray, in the role of the larger than life Mayor of Ember, Harry Treadaway (Control) as Doon, Academy Award nominee Marianne Jean-Baptiste (Secrets & Lies) as Clary, and Toby Jones (Infamous) as Barton Snode, the Mayor of Ember¹s right hand man. Academy Award® winner Tim Robbins plays Loris Harrow, father of Doon, and Academy Award® winner Martin Landau appears as Sol, the Pipeworks gauge minder. The film is from a script written by Caroline Thompson (Edward Scissorhands) based on the best-selling novel by Jeanne Duprau.
The creative production team includes Academy Award® nominated costume designer Ruth Myers (Emma, The Addams Family), Academy Award® winning senior special effects supervisor Kit West (Raiders of the Lost Ark), production designer Martin Laing (Titanic), cinematographer Xavier Perez Grobet (Before Night Falls), supervising art director Jon Billington (Pearl Harbor, Troy) and art director James Foster (Children of Men.)
--© Fox Walden
Starring: Bill Murray, Tim Robbins, Saoirse Ronan, Harry Treadaway
Starring: Bill Murray, Tim Robbins, Saoirse Ronan, Harry Treadaway, Mary Kay Place, Martin Landau, Toby Jones
Director: Gil Kenan
Director: Gil Kenan
Screenwriter: Caroline Thompson
Producer: Tom Hanks, Gary Goetzman
Composer: Andrew Lockington
Studio: Walden Media
Reviews for City of Ember
But it is woefully short of two vital ones – action and adventure. Only near the end do the thrills get stoked up as our heroes go on a hair-raising boat ride.
Director Gil Kenan, who made the brilliant animation feature Monster House, does his best. With a better script and bigger budget he will be back with something better.
Admire it, at least, as a kids' film trying to be different, but even at 90 minutes, it drags.
The only reason to see City Of Ember is to enjoy the sight of Bill Murray trying to look scared as he is attacked by a giant, man-eating mole.
Kenan’s palpable affection for his central creation is so strong that once we’re gasping fresh air, we want to dive back in, get to know Ember’s intriguing denizens better and properly explore its claustrophobic hinterland. Something we’re sadly denied.
A film that doesn't fulfil the promise of its source material but still offers a novel setting and reasonably gripping - if rushed - story.
For all the rich production values and well-known cast, City of Ember falters because of both a very ordinary screenplay and dramatic detail that turns around as if there was no tomorrow. You admire the way it looks but it is a penance to get through.
Middling family fare, Ember too often smoulders when it needs to fire.
The story is too sour for young children, and too moth-eaten for teenagers.
Ultimately, this journey to rekindle the fire of humanity fails to burn bright enough, leaving only the unpleasant taste of ashes.
Enjoyable fantasy adventure, enlivened by interesting characters, strong performances and an engaging premise.
This seriously entertaining film celebrates the idea that, despite their elders’ complacency, the young will find the strength to imagine a better future for themselves.
It's an engaging story with strong characters that keep our interest even with the slightly too-fantastical design and under-explained script.
After the nifty Monster House, it's a disappointingly sluggish film from Gil Kenan.
In style it's a hark back to those old Doug McClure fantasy pics, and in theme rather similar to Logan's Run (but with lots of rust flakes).
A shaky platform of sense but the visual genius is so great, the film must be seen.
The film adapts Jeanne Duprau's novel with visual flair and vague, clumsy storytelling.
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