After two smart acts, the film almost becomes the exploitation flick it so desperately wants to avoid.
Civil Brand (2003)
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Reviews Counted:19
Fresh:3
Rotten:16
Average Rating:3.8/10
Runtime: 1 hr 35 mins
Genre: Dramas
Synopsis: “Welcome to the plantation, sister Frances.” With those words, Frances Shepherd, a beautiful young mother and nurse, is greeted upon her arrival at Whitehead Correctional Institute, a... “Welcome to the plantation, sister Frances.” With those words, Frances Shepherd, a beautiful young mother and nurse, is greeted upon her arrival at Whitehead Correctional Institute, a maximum-security prison for women. Surrounded by hardened repeat offenders, this meek woman—incarcerated for killing her abusive husband—has just joined the ranks of one of the most lucrative businesses in America: the prison industrial complex. With every eye-opening day that passes, with every cruelty leveled against Shepherd and her fellow inmates, it becomes more and more obvious that profit—not rehabilitation—is the goal at Whitehead. After a series of pivotal events force the women to rise up against the injustices at the penitentiary, they band together against the “new plantation” workplace that harvests human labor for profit. But the odds are stacked against them. Neema Barnette’s feature film debut freshly injects socio-political commentary into the prison-film genre. With a cast that includes rap stars DaBrat, Mos Def and MC Lyte and features standout performances LisaRaye, N’Bushe Wright and Monica Calhoun, CIVIL BRAND fiercely takes on “the system” that women face in today’s corrections structure. [More]
Starring: Lisa Raye, N'Bushe Wright, Monica Calhoun, Mos Def
Starring: Lisa Raye, N'Bushe Wright, Monica Calhoun, Mos Def, Clifton Powell, MC Lyte, Lark Voorhies, Da Brat, Tichina Arnold, Reed McCants
Director: Neema Barnette
Director: Neema Barnette
Studio: Lions Gate Films
Reviews for Civil Brand
Plagued by continuity problems, ham-fisted storytelling and a problematic voiceover by Da Brat, Civil Brand feels less like a prison movie than a prison sentence.
Women behind bars! While that's the perfect set-up for a late-night, soft-core cable movie, this flick is guilty of being nothing more than a jailhouse crock.
This is a film about the abuses of privatization and presents a negative view of what might happen if corporate America gets control of the business of corrections.
Hollywood still doesn?t seem to understand that just because someone can sing doesn't mean they can act. If this film doesn't prove that point, nothing will.
Wildly uneven, rife with a virtual checklist of human tragedies that build to easy emotional crescendos but fail to engage the audience well enough to evoke any meaning.
Although the film loses its way in the late going with a preponderance of melodramatic elements that dilute the more compelling social message, for much of its running time it packs a visceral punch.
If Civil Brand works ... as an updated women's prison melodrama with a strong whisper of political consciousness, there are some crippling flaws in the film.
The movie is every bit as exploitative as the old Roger Corman babes-behind- bars flicks without having nearly as much campy fun.
A compelling, highly charged film that brings a contemporary perspective to classic prison picture elements.
It's impossible to ignore the strain of misogyny that taints the movie.
Barnette, a veteran TV director, means this as an exposé of prison abuse and exploitation, but the film is too simplistic and derivative to succeed.
It presents a heated-up, awkward blend of earnest outrage and down-and-dirty exploitation.
It's guilty of gross B-movie meltdown, but mitigating circumstances include honest anger and a scattering of vivid scenes.
If Civil Brand hopes to raise awareness or instigate reform, what it really needs is a greater focus on character over convention.
There's way too much of the usual bonding, beatings, petty humiliation by guards, cat fights in the yard and trips to the hole.
Without a scorcher like Pam Grier, the sub-NYPD Blue dialogue and acting dilute what could have been a shrieking wake-up call about for-profit prisons.
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