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Cleopatra's Second Husband (2000)
Runtime: 1 hr 32 mins
Synopsis:
Robert Marrs (Paul Hipp) is about to give a whole new meaning to the phrase remote control. A lonely, weak-willed photographer, Robert gives in to everyone's desires except his own. His domineering wife Hallie (Bitty Schram) has literally commandeered their love life with dispassionate...
Robert Marrs (Paul Hipp) is about to give a whole new meaning to the phrase remote control. A lonely, weak-willed photographer, Robert gives in to everyone's desires except his own. His domineering wife Hallie (Bitty Schram) has literally commandeered their love life with dispassionate sex strategically scheduled to her ovulation cycle. Obsessed with the ticking of her biological clock, Hallie plans an extended country getaway for two, and now only needs someone to take care of the fish and the dog.
Friends of friends and new to Los Angeles, the charismatic Zack (Boyd Kestner) and his sensual girlfriend Sophie (Radha Mitchell) arrive to housesit, greeted by a suspicious Robert and an overruling Hallie. The two repair to the country, only to cut their holiday short when Robert receives an offer to publish his work in an influential photo magazine.
Back at home though, things aren't quite the same. Zack and Sophie seem to have taken over their home in nefarious, irresponsible, even cruel ways. Adding insult to injury, they ask if they can stay a few days longer, since they've yet to find an apartment. Hallie agrees, despite Robert's protest.
Sucked into the machinations of the three people living in his house, Robert is first seduced by the erotically perverse Sophie. Hallie discovers the dalliance and flees. With her gone, Robert agrees to let Zack and Sophie stay to assuage his loneliness, giving them control of everything; his food, his bedroom, his credit cards, practically his entire identity. Even Sophie cannot stand how far the arrangement goes, and she too leaves.
Now it's just Robert and Zack, Zack abusing their relationship at every turn. Until one day Robert, driven to the darkest edge of his psyche, gets an idea. Before this all began, he'd been planning an innovative photography project involving captured insects. But now he's got another, more fascinating subject in mind.
Genre: Dramas
Starring: Paul Hipp, Bitty Schram, Boyd Kestner, Radha Mitchell, Alexis Arquette
Screenwriter: Jon Reiss
Producer: Jill Goldman, Jon Reiss, David Scott Rubin, Jacqui de la Fontaine
DVD Info
Release:
Jun 7, 2004
DVD Features:
- Region 1
- Keep Case
- Anamorphic Widescreen - 1.85
- Single Side - Dual Layer
Additional Release Material:
- Audio Commentary - 1. Jon Reiss - Director
- Interviews - 1. Jon Reiss - Director
- Trailer - 1. Original Theatrical Trailer
- 2. Additional Trailers
Text/Photo Galleries:
- Production Stills
Interactive Features:
- Scene Access
- Interactive Menus
Reviews
It becomes a quite interesting tale of co-dependency, and the illusions of control people can construct in their lives.
A tough thriller to find enjoyable or completely satisfying no matter how well crafted the story is by writer-director Jon Reiss ...
The execution of [Reiss's] nightmare ultimately moves too slowly to make this late-blooming freak-out worth waiting for.
Jon Reiss's script has trouble finding its footing, and the plot progresses in awkward jerks.
Startling in its originality, and while it's only 93 minutes long, the movie feels epic in its scope, thanks to all the twists and turns.
Brutality, poison, torture and other rainy-day fun rules the day and makes this somewhat derivative film an unhinged, sicko treat to watch.
It's a bitter pill to swallow, featuring a quartet of unsympathetic characters and an unrelenting air of misanthropy.
Taking a branch off the (early) Neil LaBute tree of filmmaking, Jon Reis has planted a fashionably disturbing offshoot, fertilized with heavy doses of "Rod-Serlingesque" irony
For anyone who doesn't mind being exposed to something a little dark and unsettling, Cleopatra's Second Husband offers 90 minutes of intriguing cinema.
The story is so oddly executed that it frequently seems weird for weirdness' sake.
One of those potentially interesting movies that takes its sweet time getting to the point -- by which time many audience members will likely have bailed out or dozed off.
The transition isn't as smooth as it might be, but Reiss ... pulls it off better than you might expect, and Robert's revenge is genuinely chilling.
Unlike its Hollywood kin ... this scene from the class gurgle has the courage of its convictions -- which are misanthropic enough to make Neil LaBute wince.
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by: Andrew Novak 10/22/00


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