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Clerks (1994)
Tomatometer
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Reviews Counted:47
Fresh:41
Rotten:6
Average Rating:7.4/10
Runtime: 1 hr 32 mins
Genre: Comedies
Synopsis: Made for less than the cost of an SUV, Kevin Smith's first film finds 22-year-old Quick Stop clerk Dante Hicks (Brian O'Halloran) called into work on his precious day off. There he is besieged by... Made for less than the cost of an SUV, Kevin Smith's first film finds 22-year-old Quick Stop clerk Dante Hicks (Brian O'Halloran) called into work on his precious day off. There he is besieged by customers ranging from the agitated to the insane, not to mention Randal (Jeff Anderson), the clerk from the video store next door whose commitment to service is made clear when he observes, "This job would be great if it wasn't for the f@&%!#* customers." Dante's love life is a shambles, and the situation at the store goes from bad to worse, but he and Randal are never so beleaguered that they can't find time to discuss why the destruction of the Death Star in RETURN OF THE JEDI may have been morally dubious (uninvolved contractors were probably aboard). In fact, it was the clerks' clever dialogue, saturated with pop-culture references, that elevated CLERKS to cult-hit status among Generation-Xers and transformed Kevin Smith from film school dropout to indie auteur. Smith himself plays Silent Bob, while Jason Mewes plays Jay, his drug-dealing other half. Together the duo provide added comic relief, continuity, and wisdom in each of the the director's films. [More]
Starring: Brian O'Halloran, Jeff Anderson, Kevin Smith, Jason Mewes
Starring: Brian O'Halloran, Jeff Anderson, Kevin Smith, Jason Mewes
Director: Kevin Smith
Director: Kevin Smith
Screenwriter: Kevin Smith
Producer: Scott Mosier
Reviews for Clerks
An episodic, dialogue-heavy picture shot in black and white, Clerks is nevertheless remarkably cinematic.
So vulgar that it may prompt as many walkouts as it does cheerleaders.
Amateurishly acted, clumsily edited and slapped together out of what looks like surveillance camera footage, the thing bumps along not so much on talent as on audacity.
None of this is riveting, yet there's something about seeing life from the distinct angle of the convenience-store clerk that's just new enough to hold you.
In style and execution, Clerks isn't on par with its generational predecessors, but what can you expect from an ex-convenience store jockey writer/director (Kevin Smith) with a $30,000 budget?
a script so full of words that it probably rivals the telephone book in size.
Movies like this either work for you or they don't. This one frequently put me to sleep.
Clerks remains a defining debut, a symbolic shot into the darkened domain of legitimate moviemaking.
A wonderfully funny film debut; from the outset Kevin Smith takes us into his askewed world, and we love it. And I wasn't even supposed to be at work today.
Clerks for me was kind of like the Beatles on Ed Sullivan were for so many nascent Rock stars.
Behind the smartass exchanges is a quick-stop incision into the heart of being young in North America. Clerks are us.
Cheap, touching, and downright nasty, Kevin Smith’s first feature still remains the ultimate cinematic tribute to slackers.
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