It's all so well-paced and cool-looking and mordantly clever that you may forgive the film's transgressions.
Constantine (2005)
Tomatometer
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Reviews Counted:207
Fresh:94
Rotten:113
Average Rating:5.5/10
Consensus: Despite solid production values and an intriguing premise, Constantine lacks the focus of another spiritual shoot-em-up, The Matrix.
Runtime: 2 hrs 1 min
Genre: Action/Adventure
Synopsis: John Constantine has been to hell and back. Born with a gift he didn't want, the ability to clearly recognize the half-breed angels and demons that walk the earth in human skin, Constantine... John Constantine has been to hell and back. Born with a gift he didn't want, the ability to clearly recognize the half-breed angels and demons that walk the earth in human skin, Constantine (KEANU REEVES) was driven to take his own life to escape the tormenting clarity of his vision. But he failed. Resuscitated against his will, he found himself cast back into the land of the living. Now, marked as an attempted suicide with a temporary lease on life, he patrols the earthly border between heaven and hell, hoping in vain to earn his way to salvation by sending the devil's foot soldiers back to the depths. But Constantine is no saint. Disillusioned by the world around him and at odds with the one beyond, he's a hard-drinking, hard-living bitter hero who scorns the very idea of heroism. Constantine will fight to save your soul but he doesn't want your admiration or your thanks – and certainly not your sympathy. -- © Warner Bros. [More]
Starring: Rachel Weisz, Keanu Reeves, Shia LaBeouf, Tilda Swinton
Starring: Rachel Weisz, Keanu Reeves, Shia LaBeouf, Tilda Swinton, Pruitt Taylor Vince, Djimon Hounsou, Gavin Rossdale, Peter Stormare
Director: Francis Lawrence
Director: Francis Lawrence
Screenwriter: Kevin Brodbin, Frank Cappello
Producer: Lauren Shuler Donner, Benjamin Melniker, Michael Uslan, Erwin Stoff, Akiva Goldsman
Composer: Brian Tyler, Klaus Badelt
Studio: Warner Bros.
Reviews for Constantine
This is nonsense, of course, and the trappings surrounding it only typify the absolute worst of comic books.
Every time Weisz and Reeves share the screen, 'Constantine' goes weirdly out of whack, since she's doing some actual acting while he seems to be playing 'let's pretend.'
For all its spiritual angst, Constantine is about as silly as fantasies get.
Say what you will about Reeves, but he's a unique creature. Even when he's bad, he can be pretty fun to watch. And to listen to.
Music video-trained director Francis Lawrence whips up a witch's brew of gray-on-gray atmosphere, but for all the end-of-the-world mumbo jumbo, nothing much ever seems to be at stake.
Reeves has a deliberately morose energy level in the movie, as befits one who has seen hell, walks among half-demons, and is dying.
Reeves wears essentially the same black wardrobe, does the same moves, shows off the same galling lack of acting ability, but with a slightly different haircut.
It turns out to be a pleasant surprise, never taking itself too seriously and with some fairly tense and creepy moments.
There's a potentially good story rattling around somewhere inside this broken, self-contradictory and finally meaningless film.
A more visceral approach might have upgraded Constantine from what in its present form feels more like a trip to heck and back.
Alternates between quiet, surprisingly dull scenes in which the hero and the girl talk in that italicized comic-book way about his past and orgies of computer pixels dressed up as gibbering fiends.
The biggest problems with Constantine all seem to stem from Keanu Reeves. The problem is that Reeves really can’t act. Sorry, Keanu, but the truth hurts.
...a stand-alone, rapturous good time—craftily and accurately captures the straight-faced camp, wry wit and episodic structure of its source material.
(Constantine) fails to capture the imagination. It is what it is, a cinematic comic book.
This movie will satisfy Reeves fans in search for a good-looking action flick.
By the time Peter Stormare appears [as] Lucifer, the story has become so convoluted, we can't take it seriously. Judging from his campy performance, neither can Stormare.
proves better at juggling the neo-religious elements central to the story far better than, say, the last two Matrix films.
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