Curiously flat and unrevealing.
Control (2007)
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Reviews Counted:104
Fresh:90
Rotten:14
Average Rating:7.4/10
Consensus: Control is a work of art, thanks to its evocative black and white cinematography and sensational performances from Sam Riley and Samantha Morton. Even those not familiar with Joy Division can still appreciate the beauty of the film.
Rated: 15 [See Full Rating] for language and brief sexuality.
Runtime: 2 hrs 2 mins
Genre: Musical & Performing Arts
Theatrical Release:05-10-2007
Synopsis: Based on the memoir TOUCHING FROM A DISTANCE by Deborah Curtis, Anton Corbijn's CONTROL is as near perfect a filmic telling of the story of Joy Division and Ian Curtis as any fan could hope for.... Based on the memoir TOUCHING FROM A DISTANCE by Deborah Curtis, Anton Corbijn's CONTROL is as near perfect a filmic telling of the story of Joy Division and Ian Curtis as any fan could hope for. It's also a beautifully rendered piece of cinema about the crippling effects of love and regret, and the salvation we seek in art. Born out of England's post-Sex Pistols punk explosion, Joy Division played a dark, minimalist version of the nascent sound, and became cult heroes thanks in part to their brilliant yet disturbed frontman Ian Curtis (played by an eerily perfect Sam Riley). Corbijn does a wonderful job recreating the Manchester band's music and live show, cutting straight to the essence of Joy Division's unique appeal. Credit must also be given to the three actors who portray the rest of Joy Division. Playing all the instruments themselves, they perfectly capture the band's powerfully stoic presence, one that translates both live and on record into the sonic equivalent of an existential crisis. CONTROL, however, is ultimately about Curtis's tumultuous marriage with his wife, Deborah (Samantha Morton), and the way that Joy Division became an aesthetic manifestation of his pain--one that was both physical (Curtis was an epileptic) and emotional. Corbijn evokes Curtis's hurt and isolation with both honesty and subtlety: a photographer originally, he frames each shot to look like a stark black-and-white photo from an album the audience was never meant to see, making Curtis's pain palpable and his eventual suicide that much more tragic. The overtones to the later suicide of Kurt Cobain are hard to avoid, but where Cobain's suicide has always been discussed in terms of the pressure he felt as a rock star, Curtis's, as rendered by Corbijn, is a pain anyone could potentially be forced to suffer through. [More]
Starring: Samantha Morton, Sam Riley, Alexandra Maria Lara, Joe Anderson
Starring: Samantha Morton, Sam Riley, Alexandra Maria Lara, Joe Anderson, Toby Kebbell, Harry Treadaway
Director: Anton Corbijn
Director: Anton Corbijn
Screenwriter: Matt Greenhalgh
Producer: Orian Williams, Peter Heslop, Deborah Curtis
Composer: New Order
Studio: Weinstein Company
Reviews for Control
The exquisite images are continually underscored with an almost Lynchian creepiness.
Beautifully shot, superbly directed biopic with a great script and a terrific performance from newcomer Sam Riley.
The grim black-and-white grain that director Anton Corbijn shoots in is both beautiful and intimate. And the performances are spot-on – none of the cast put a naturalistic foot wrong.
Curtis recalls a time when pop music was about more than ring tones, digital downloads or social networking. A time when there weren't thousands of cable stations and games consoles, and music played a huge role in shaping imaginations.
The film ends, as it begins and largely unfolds, in a blaze of affectlessness. This is anomie as art.
A quiet, intelligent, beautifully shot yet oddly distant biopic of post-punk's dark prince. The legend remains intact.
As touching a biopic as you’ll see all year, Control is about the loss thereof. Riley and the band excel, as Corbijn essays a mood both timeless and period-precise. At two hours, it (just) outstays its welcome, but rarely misplaces a beat.
Tender and heartfelt, Control is a technically accomplished and emotionally poignant portrayal of a modern icon made human again.
Suicide and the lives of artists are two of the toughest subjects for cinema to grapple with, and ‘Control’ squares up bravely to both.
Truthful, tragic and utterly compelling, Control is a must for any film or music fan.
A film about creative and emotional burn-out that says more about the fragility of the soul than any montage of ticket sales and ‘sold out’ signs could ever muster.
Corbijn has done his research during 30 years as a photographer, striking a realistic balance between farce and tragedy.
Corbijn's movie is shot in a stunning high-contrast monochrome, perversely turning Macclesfield's grimness into grandeur. It effortlessly revives a British cinematic style that you might call beautiful realism.
Film %u0107e stoga biti shvatljiv samo onim gledateljima koji detalje povijesti "Joy Divisiona" i Curtisovog %u017Eivota imaju u malom prstu, a to su, dakako, najokorjeliji fanovi.
Latest News for Control
May 19, 2009:
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June 02, 2008:
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Look out! Starship Troopers and Transformers are about to assault your senses in HD, and soon you can choose Harold and Kumar's adventures. This week's new releases are... More...
December 14, 2007:
Atonement, Control Lead London Film Critics Noms
The London Critics Circle has announced the nominees for its year-end awards, with Anton Corbijn's Control and Joe Wright's Atonement leading the pack at eight nominations apiece. More...
October 11, 2007:
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