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Cradle Will Rock (1999)
Runtime: 2 hrs 14 mins
Synopsis: Writer-director Tim Robbins weaves together historical and fictional characters dealing with the relationship between politics and the arts and the fear of communism so prevalent in the first half of the 20th century. Set in New York City in the 1930s, the action is based around a pro-union... Writer-director Tim Robbins weaves together historical and fictional characters dealing with the relationship between politics and the arts and the fear of communism so prevalent in the first half of the 20th century. Set in New York City in the 1930s, the action is based around a pro-union musical, CRADLE WILL ROCK, written by Mark Blitzstein (Hank Azaria). A young Orson Welles (Angus MacFadyen), as part of the Federal Theater Project, is directing Blitzstein's musical. This branch of the Works Progress Administration, established by Franklin Delano Roosevelt and intended to provide jobs for unemployed Americans following the depression, and its director, Hallie Flanagan (Cherry Jones), come under fire in congressional hearings when communist influence is suspected. Politics, wealth, and the arts make strange bedfellows as fascist Margherita Sarfatti (Susan Sarandon) sells masterpieces to millionaires to fund Mussolini's war effort, Nelson Rockefeller (John Cusack) commissions anti-capitalist artist Diego Rivera (Ruben Blades) to paint a mural, and Countess LaGrange (Vanessa Redgrave) becomes involved in the theater company's hijinks. Ultimately, Robbins's star-studded tour de force is a tribute to the courageous individuals who refused to be silenced by censorship. [More]
Genre: Dramas
Starring: Hank Azaria, Ruben Blades, Susan Sarandon, John Cusack, Angus MacFadyen
Screenwriter: Tim Robbins
Producer: Jon Kilik, Tim Robbins, Lydia Dean Pilcher
Composer: David Robbins
Reviews
The movie's radical stance is that artists should get to do their art without being destroyed by mean rich people, and aren't we just wonderful for agreeing with that?
Bertolt Brecht is probably doing somersaults of joy in his grave or wherever his remains happen to be.
Trust writer-director Tim Robbins to know how to tickle an audience while making a political point.
Al final, se convierte en una colorida celebración del arte como forma de expresión, como compromiso de trabajo y como medio de reivindicación de justicia.


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