The movie doesn't have the pulp excitement that the author's gimmicky storytelling generated. In fact, it often has no excitement at all.
The Da Vinci Code (2006)
Tomatometer
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Reviews Counted:217
Fresh:52
Rotten:165
Average Rating:4.7/10
Consensus: What makes Dan Brown's novel a best seller is evidently not present in this dull and bloated movie adaptation of The Da Vinci Code.
Rated: 12A [See Full Rating] for disturbing images, violence, some nudity, thematic material, brief drug references and sexual content
Runtime: 2 hrs 54 mins
Genre: Action/Adventure
Theatrical Release:19-05-2006
Synopsis: Dan Brown's best-selling book THE DA VINCI CODE gets adapted for the big screen thanks to director Ron Howard (CINDERELLA MAN), who helms this big budget production. Veteran actor Tom Hanks stars... Dan Brown's best-selling book THE DA VINCI CODE gets adapted for the big screen thanks to director Ron Howard (CINDERELLA MAN), who helms this big budget production. Veteran actor Tom Hanks stars as professor Robert Langdon, whose Parisian lecture tour on feminine symbolism gets disrupted when he's implicated in a murder at the Louvre. Co-starring with Hanks is Audrey Tautou (AMELIE), the French police analyst who comes to Langdon's aid and who may hold the key to some of the mysteries. The cast is fleshed out by Jean Reno as a hangdog French detective who thinks he can trick Langdon into a confession; Paul Bettany as Silas, the murderous monk; Alfred Molina as an evil Catholic cardinal; and Ian McKellen, who steals the movie in the second act as a crotchety old authority on the Holy Grail. During the course of the film, all sorts of riddles, keys, clues, and enigmas are thrown in our hero's path, along with bullets, knives, and devious betrayals. Cinematographer Salvatore Toltino shoots in a dark and somber style, with lots of detailed flashbacks to grim scenes from ancient Rome, the Crusades, and the witch hunts of the Middle Ages. Tautou looks gorgeous in the perpetual dim light, as does the ancient French and British architecture. With so many centuries of hidden knowledge, cults, sects, and Christianity-shattering secrets involved, this may have been confusing to those not acquainted with the book, but Howard and screenwriter Akiva Goldsman ingeniously weave the myriad layers into a true thrill ride. Ultimately, THE DA VINCI CODE is a thoughtful action film, with a refreshingly clear-eyed approach to world history that may scandalize the close-minded, but is sure to enlighten those open to new ideas. [More]
Starring: Tom Hanks, Audrey Tautou, Ian McKellen, Alfred Molina
Starring: Tom Hanks, Audrey Tautou, Ian McKellen, Alfred Molina, Jean Reno, Paul Bettany, Jürgen Prochnow
Director: Ron Howard
Director: Ron Howard
Screenwriter: Akiva Goldsman
Producer: John Calley, Brian Grazer
Composer: Hans Zimmer
Studio: Columbia Pictures
Reviews for The Da Vinci Code
Howard's relentlessly gloomy tone will have viewers sleeping on the edge of their seats.
Just my opinion, but I think that most people have read the book and will see the movie out of a sense of cynicism and doubt of the teachings of the church, and not because they make for quality entertainment.
It doesn't take a great code-breaker to decipher the fact that for all the elaborate theorizing and running about in it, this movie is awfully empty-headed and flat-footed.
The script explains everything twice, spelling out the big words three times, so that even if you've never heard of Jesus or Mary Magdalene you can still figure out this story.
Howard takes a strangely respectful approach to the overheated mysticism of the novel, turning the film into that most boring of genres: the pious blockbuster.
Ron Howard and screenwriter Akiva Goldsman struggle mightily to cram as much as possible of Dan Brown's labyrinthine thriller into a 2-hour-28-minute running time, resulting in a movie both overstuffed and underwhelming.
Rather than being intriguingly provocative, the whole thing comes off as just a rather clumsy provocation.
Howard lacks the skill as a filmmaker to glide over laughable dialogue and preposterous myths to concentrate on the good stuff -- like solving the riddles, decoding the mysteries -- that does make The Da Vinci Code so appealing as a story.
Like Indiana Jones and the Last Crusade, with less humor and action, but more intriguing ideas.
These offerings by Howard and Goldsman are not enough to turn a page-turner into something that survives and transcends a media phenomenon, in the way of such bad novels as The Godfather and Jaws.
The book was more cinematic than its on-screen version so that the very act of adapting it throws it out of balance. What is left to the imagination in the book comes across as heavy-handed and over the top on screen.
The movie is so nervous about offending anyone that it's hardly any fun.
The film lacks the deductive appeal of the book -- the way it compelled you to match wits with the protagonists. Instead, what might have been a cerebral treasure hunt bogs down in a miasma of nonstop exposition.
Every time Langdon starts to educate Sophie, the urge to tune out is overwhelming.
Langdon's not a human character, but an amalgamation of pop-up trivia and pensive stares and there's nothing Hanks can do to make him sympathetic, interesting or engaging.
A faithful adaptation of a boring, poorly written book. Bring lots of caffeine.
Latest News for The Da Vinci Code
April 21, 2009:
Columbia Awaits Third Da Vinci Code Installment ![]()
Even as it gears up to promote the next installment in its "Da Vinci Code" franchise, "Angels and Demons," Columbia Pictures is making preparations for an adaptation of the next... More...
February 04, 2009:
Exclusive: Inside Pinewood/Shepperton - A Photo Tour
Every year, the BAFTA film awards present a trophy for Outstanding British Contribution to Cinema. Introduced in 1978, the award recognises an organisation or a person's career... More...
October 03, 2008:
Further Reading: Marion Cotillard and Forest Whittaker in Abel Ferrara's Mary
As the NFT in London prepares a Juliette Binoche season, Kim looks at Abel Ferrara's Mary which also stars Marion Cotillard and Forest Whittaker. More...
April 24, 2008:
Angels & Demons Lands Female Lead ![]()
Ayelet Zurer has been cast opposite Tom Hanks in the Da Vinci Code prequel, Angels & Demons. More...
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