We instantly care about these loveable losers and begin rooting for them to make some wise decisions and break the cycle of violence.
Comment
10/30/03
Dallas 362 (2005)
56
%
Tomatometer
How does the Tomatometer work 
Reviews Counted:16
Fresh:9
Rotten:7
Average Rating:5.6/10
Reviews for Dallas 362
1 - 19 (sorted by source; UK critics are listed first)
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01/26/06
Top CriticClick to read the article
10/26/03
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08/19/06
Top CriticThe film’s opening and closing credit sequences, with their wonderfully constructed preamble and epilogue, show Caan’s filmmaking at its best and most fully articulated. We look forward to hearing more from him.
04/30/05
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09/26/05
Top CriticSeems made for 8 o'clock TV.
06/20/05
Scott Caan has been an enjoyable presence in movies, but his confident eye behind the camera and on the page is even more noteworthy. Dallas 362 is as assured a debut as I’ve seen on the film festival circuit this year.
07/25/03
startling and elucidative
10/12/03
The Amateur Hour-and-40-Minutes.
06/20/05
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04/08/06
While Dallas 362 ultimately lacks the heft to make it anything more than an actors' showcase and Hollywood calling card, it does reveal a nascent talent for Caan.
07/12/05
Top CriticHas little personality of its own.
06/24/05
Dallas 362 is basically a road movie that doesn't really go anywhere.
06/24/05
Mr. Caan's debut film is not quite a whole thing, but it offers up enough promising fragments to make his sophomore effort worth watching for.
06/23/05
Top CriticCaan shows with his rough-and-tumble character dramedy precisely why actors like to work for actors.
06/23/05
Caan's directorial debut is eager to please, with flashy montage sequences, lots of colourful character bits ... black humour and a punk/blues score from the likes of Soledad Brothers and White Stripes.
06/30/05
Top CriticDallas 362 is generally a mature piece of work, with dialogue that crackles and snaps, and an unexpectedly strong emotional pull.
05/05/05
Top Critic[Goldblum's] wildly improbable character is all too typical of the contrived plotting and reductive psychology that propel the script to its inevitable conclusion.
06/22/05
1 - 19 (sorted by source; UK critics are listed first)
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