Wild, woolly and occasionally wondrous.
Darkman (1990)
Runtime: 1 hr 53 mins
Synopsis: A scientist disfigured by a gang of sadistic criminals develops a mask-like second skin which allows him to change identities. Peyton Westlake, his face hidden behind bandages, is transformed into the Darkman, a lonely psycho who prowls the streets of Los Angeles by night. Disguised as... A scientist disfigured by a gang of sadistic criminals develops a mask-like second skin which allows him to change identities. Peyton Westlake, his face hidden behind bandages, is transformed into the Darkman, a lonely psycho who prowls the streets of Los Angeles by night. Disguised as different characters, the Darkman seeks out the men who ruined him and exacts brutal revenge. [More]
Genre: Science-Fiction/Fantasy
Starring: Liam Neeson, Frances McDormand, Colin Friels, Larry Drake, Jessie Lawrence Ferguson
Reviews
Director Sam Raimi weaves a fantasy world of exaggerated mayhem for Leeson to leap about in.
Certainly not Raimi at his best, but some knowing genre nods and an array of great effects make up much of the deficit.
It's all very colorful and pulpy and (thanks to Raimi's mega-slick direction) a real treat for the senses.
Despite occasional silliness, Sam Raimi's Darkman has more wit, pathos and visual flamboyance than is usual in contemporary shockers.
Raimi's flair for jazzy visual effects and extravagant action sequences, combined with direction that's full of punch and energy, makes this the best pop roller-coaster ride around.
Fourteen years later, I'm still talking about this dark and amusing film. Sam Raimi is a magnificent filmmaker and deserves far more credit than he receives.
Some of Liam Neeson's finest work. Effectively Raimi's audition for Spider-Man.
Darkman sustains mild interest throughout, but it never takes off, partly because a real-estate scam, gangland shootouts, city corruption and a love story clutter up the sad story of Westlake's strange mutation.
If you get a chance, see this movie in a theater because there is no way in the world a television screen can fully contain the stunning imagery of this film.
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