Jay Jonroy, who wrote and directed David & Layla, has come up with some potentially funny material that doesn't quite work.
David & Layla (2008)
Runtime: 1 hr 48 mins
Synopsis:
Inspired by a true story, David is something of a public access cable celebrity, host of an
interview show called Sex & Happiness, a show that playfully explores the correlation between
sex, spice, and contemporary coupling. During a taping of one episode he almost literally...
Inspired by a true story, David is something of a public access cable celebrity, host of an
interview show called Sex & Happiness, a show that playfully explores the correlation between
sex, spice, and contemporary coupling. During a taping of one episode he almost literally trips
over a voluptuous, mysterious, sensual Middle Eastern dancer named Layla. Though he’s
already reluctantly engaged to another woman, Abby, a svelte, Jewish, kick boxing instructor,
David falls head over heels for Layla, who turns out to be a Kurdish Muslim refugee. Despite this
seemingly insurmountable hurdle David pursues Layla with reckless abandon, setting off a playful
veiling and unveiling of the differences and similarities between the two cultures. Theirs is truly a
match made in heaven, a place they might just wind up in a lot sooner than each other imagines!
As if their own personal cultural differences were not enough to derail this funny, obsessive
romantic entanglement, here come the parents. David’s parents, observant conservative Jews,
greet the news with equal feelings of rejection, and abandonment. Layla’s uncle (her family was
killed in Iraq by Saddam Hussein) is as radical a traditionalist as David’s mother and father are
devoted Jews.
At David’s editing bay, during a rare, touching and sober vignette, Layla provides a brief but
shocking history into the genocide of Kurds in 1988 in Halabja, Iraq. But lighthearted repartee,
and sexual chemistry, is never far behind. David invokes the names of Jewish legends like Freud
and Einstein while Layla explains that the ones and zeroes and the writing of algebraic code for
modern computers were revolutionized by al-Khwarizmi. They navigate the Hudson River by
boat, exchange words of ardor over wine (and, of course, food), and debate their differences in
the rain by the light of the moon.
Meanwhile, Layla is having immigration problems, which would seem to make David’s proposal of
marriage a welcome proposition, especially given her parents choice of a mate: Muslim Dr.
Ahmad, a wealthy, middle-aged ex-patriot who holds no sense of adventure or romantic potential
for Layla.
Still and all, Layla will not accept David as a husband unless he agrees to become Muslim, a plan
that doesn’t even sit well with the local Lebanese Imam, that is, until Howar, Layla’s musical
accompanist, explains that one of the most revered translations of the Koran was written by a
Jewish scholar. Just when Solomon-like wisdom peeks its head around the corner comes
another revelation: that vasectomy David had earlier been subjected to, at the teasing suggestion
of his ex-fiancée, Abby.
David & Layla is a warm, big-hearted comedy-romance. It’s a timeless story about the
differences that threaten what is pure about love. On a lighter level it’s the Hatfields vs. the
McCoys, it’s Romeo and Juliet, without the poison and the daggers, it’s about bagels and it’s
about…spice. On a more serious level it’s the mixing pot of the Middle East in America,
specifically in Brooklyn. It’s finally Layla who teaches David more about love, and love and sex
than a whole season’s worth of his television show could possibly convey. And it’s finally David
who ultimately strikes a delicate balance that will allow his absolute love for Layla to become a
romance for the ages.--© Official Site
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Genre: Comedies
Starring: David Moscow, Shiva Rose, Polly Adams, Callie Thorne, Will Janowitz
Screenwriter: Jay Jonroy
Producer: Jay Jonroy
Composer: Richard Horowitz, John Lissauer
Reviews
The picture takes its time in developing momentum; once attained, it becomes a watchable, optimistic cri de coeur.
The road to formulaic romantic-comedy complications and ethic clichés is paved with good intentions in first-time filmmaker Jay Jonroy's cross-culture love story, which might as well be called My Big Fat Kurdish Wedding.
Anyone can grasp the issues explored in Jonroy's comedy, and occasional missteps are easily forgiven when something new (along with a feast of great-looking food) is being brought to the table.
A spread-thin but likable concoction that sets out to be a cross-ethnic romance, an explicit sex farce, a sober statement of the plight of the Kurdish people and, I think, a plea for world peace.
So clumsily made that even its hopeful message can't make it go down pleasantly.
David and Layla is proof, if proof be needed, that good intentions just aren't enough.
David and Layla isn't going to solve any problems -- it's got way too many of its own.
Rather than a real drama about these things, David & Layla plays like ’70s-era sitcom.
Humor and politics finally converge in what the story is all about: finding the good in those different from you. It's a happy ending that can be enjoyed by all.
Writer-director Jay Jonroy is better with atmosphere and visuals than with dialogue.
The effect is not a rich film with a wide range of tones as the director may have intended, but a schizophrenic mess that ends up working as neither social message movie nor entertainment.
Inspired by a real-life couple now living in Paris, David & Layla is suffused with the warmth and passion of filmmaker Jay Jonroy, whose own family was victimized under Saddam Hussein.
Yes, it's well-intentioned and at times funny. But it's also strained and clumsy and a bit too simple-minded to be effective.
Though it's no Romeo and Juliet, David & Layla is an offbeat cross-cultural romance with a positive message.
This is more suffering than should be asked of anyone to endure, but with admirable perversity, Jonroy decided to make a romantic comedy based on the love between an American Jew and a Kurdish Muslim woman whom the writer-director met in Paris.
An earnest, frequently funny comedy about stateless persons and the looming cliches that make Muslims and Jews so wary of each other. Completely accessible and non-threatening.


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