A terrific B-movie.
The Day After Tomorrow (2004)
Tomatometer
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Reviews Counted:203
Fresh:91
Rotten:112
Average Rating:5.3/10
Consensus: A ludicrous popcorn flick filled with clunky dialogues, but spectacular visuals save it from being a total disaster.
Runtime: 2 hrs 4 mins
Genre: Action/Adventure
Synopsis: With THE DAY AFTER TOMORROW, director Roland Emmerich (INDEPENDENCE DAY, GODZILLA) trades evil aliens and radioactive lizards in for some seriously bad weather. When a radical change in the... With THE DAY AFTER TOMORROW, director Roland Emmerich (INDEPENDENCE DAY, GODZILLA) trades evil aliens and radioactive lizards in for some seriously bad weather. When a radical change in the temperature of the world's oceans causes deadly storms and sets a new Ice Age in motion, climatologist Jack Hall (Dennis Quaid) must race from Washington D.C. to save his son, Sam (Jake Gyllenhaal), in the subzero climes of New York City. Elsewhere, tornadoes and hail menace the globe, leading to international disasters on an extraordinary level. Emmerich, who has proven to be a master of big-budget cinematic destruction on numerous occasions, aims to outdo himself with THE DAY AFTER TOMORROW. Here entire cities are ripped apart, flooded, and/or frozen, adding up to one of the biggest disaster movies ever filmed. Although astonishingly rendered special effects rule the movie, adept actors such as Quaid and Gyllenhaal (along with Sela Ward, Ian Holm, Emmy Rossum, and others) turn in solid performances that help to balance out the meteorological mayhem. Surprisingly, Emmerich also uses the film as a vehicle for clever moments of social and political commentary, making THE DAY AFTER TOMORROW admirably smarter and considerably more entertaining than typical Hollywood blockbusters. [More]
Starring: Dennis Quaid, Jake Gyllenhaal, Sela Ward, Ian Holm
Starring: Dennis Quaid, Jake Gyllenhaal, Sela Ward, Ian Holm, Emmy Rossum, Dash Mihok, Kenneth Welsh, Austin Nichols, Jay O. Sanders, Perry King, Nestor Serrano, Adrian Lester, Sheila McCarthy, Glenn Plummer, Tamlyn Tomita
Director: Roland Emmerich
Director: Roland Emmerich
Screenwriter: Jeffrey Nachmanoff, Roland Emmerich
Producer: Ute Emmerich, Mark Gordon, Kelly Van Horn
Composer: Harald Kloser
Studio: 20th Century Fox
Reviews for The Day After Tomorrow
The film shows us that an angry Mother Nature can be every bit as exciting as space invaders and giant fire-breathing lizards.
Doesn't really have any interesting characters to live through those disasters and its central storyline makes little sense.
Nothing about The Day After Tomorrow really engages us except for the computer effects, which are certainly impressive enough, in a Powerpoint-presentation sort of way.
A disaster movie that cautions against global warming but delivers its real enjoyment in scenes of mass destruction.
It turns out the real question director Roland Emmerich's movie raises isn't about how much this film's pseudo-science teases us, but how much bad drama it's willing to blow our way.
For all this expertly rendered destruction, the characters don't seem fazed by casualty counts that must number in the billions.
The special effects are on such an awesome scale that the movie works despite its cornball plotting.
For all its doomsaying, the movie fails to scare you into being a better citizen of the earth or even a riveted moviegoer.
It has drama, it has action, it has pseudo-scientific mumbo jumbo, it has bloodthirsty timber wolves, and it has lots and lots of ice.
Content to parade out an endless, ever-wearying line of cliches, ludicrous plotting and dialogue, and paper-thin stock characters whom the viewer forms no relationship with.
With our beleaguered planet mired in a perpetual bad-news funk, what could be cheerier than a good old-fashioned disaster flick to remind us that things could be worse?
Despite the horrific dialogue, the forgettable characters, and the frozen performances, The Day After Tomorrow is rentable.
it becomes evident that Emmerich is as ill-adept at painting personal moments as he is as a maestro at crafting large-scale disaster images.
Surely, there are smarter, more compelling ways to make this point than Jack's whole-hearted, robust embodiment of U.S. remythification.
Despite spots which are sappy and unintentionally funny, The Day After Tomorrow does deliver what it promises: a big, wild, bring-it-on disaster flick
...it basically delivers in all of the standard elements that we've come to expect from both 'event' and 'Emmerich' films...
I'm not saying that a date with this picture is all pleasure; but it's not all guilt either. My guess is that, waking up the morning after The Day After Tomorrow, you won't have much trouble forgiving yourself.
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