A disaster movie has to be about more than the cool effects.
The Day After Tomorrow (2004)
Tomatometer
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Reviews Counted:203
Fresh:91
Rotten:112
Average Rating:5.3/10
Consensus: A ludicrous popcorn flick filled with clunky dialogues, but spectacular visuals save it from being a total disaster.
Runtime: 2 hrs 4 mins
Genre: Action/Adventure
Synopsis: With THE DAY AFTER TOMORROW, director Roland Emmerich (INDEPENDENCE DAY, GODZILLA) trades evil aliens and radioactive lizards in for some seriously bad weather. When a radical change in the... With THE DAY AFTER TOMORROW, director Roland Emmerich (INDEPENDENCE DAY, GODZILLA) trades evil aliens and radioactive lizards in for some seriously bad weather. When a radical change in the temperature of the world's oceans causes deadly storms and sets a new Ice Age in motion, climatologist Jack Hall (Dennis Quaid) must race from Washington D.C. to save his son, Sam (Jake Gyllenhaal), in the subzero climes of New York City. Elsewhere, tornadoes and hail menace the globe, leading to international disasters on an extraordinary level. Emmerich, who has proven to be a master of big-budget cinematic destruction on numerous occasions, aims to outdo himself with THE DAY AFTER TOMORROW. Here entire cities are ripped apart, flooded, and/or frozen, adding up to one of the biggest disaster movies ever filmed. Although astonishingly rendered special effects rule the movie, adept actors such as Quaid and Gyllenhaal (along with Sela Ward, Ian Holm, Emmy Rossum, and others) turn in solid performances that help to balance out the meteorological mayhem. Surprisingly, Emmerich also uses the film as a vehicle for clever moments of social and political commentary, making THE DAY AFTER TOMORROW admirably smarter and considerably more entertaining than typical Hollywood blockbusters. [More]
Starring: Dennis Quaid, Jake Gyllenhaal, Sela Ward, Ian Holm
Starring: Dennis Quaid, Jake Gyllenhaal, Sela Ward, Ian Holm, Emmy Rossum, Dash Mihok, Kenneth Welsh, Austin Nichols, Jay O. Sanders, Perry King, Nestor Serrano, Adrian Lester, Sheila McCarthy, Glenn Plummer, Tamlyn Tomita
Director: Roland Emmerich
Director: Roland Emmerich
Screenwriter: Jeffrey Nachmanoff, Roland Emmerich
Producer: Ute Emmerich, Mark Gordon, Kelly Van Horn
Composer: Harald Kloser
Studio: 20th Century Fox
Reviews for The Day After Tomorrow
There's none of the adolescent goofiness that ruined Independence Day and Godzilla.
Resembles disaster films of the 1970s, where big-name stars battled flood, fire and capsized luxury liners.
The film weakly trades reliable popcorn action for a story about blossoming young love, puzzling fatherly heroics and overwrought messages on the dangers of global warming.
[Roland Emmerich] again wipes out enormous swaths of humanity and real estate, but this time the overall tone is funereal, sober.
You'll be swept away by sights that you'll never be able to see on The Weather Channel.
The script's hackneyed dialogue and predictable dramatic situations will be difficult to take seriously even by those who are most sympathetic to the earnestly delivered environmental theme.
Director Roland Emmerich wows us with end-of-the-world special effects while doling out the usual schmaltzy plot and cornball dialogue.
Emmerich builds his global disaster invigoratingly and the special effects team are to be commended, but the screenplay is a holey assemblage of cliche and borrowings
[Emmerich] crams the film with enough digital wizardry to make you wish he had jettisoned the script altogether and simply paraded the visual effects with chapter titles such as Snow Over New Delhi and The Hollywood Sign Gets Totaled.
The film exists primarily to stir the senses, and on that score it is an overwhelming achievement.
The first half delivers enough of what people want and expect from disaster pictures, and there are enough money-shot special effects, that auds probably will be more satisfied than not.
The Day After Tomorrow deserves praise for rightly identifying the human race as the evil-doers who are responsible for the destruction of the good earth we inhabit.
A summer snow job that produces the season's first perfect storm of pleasure.
Wonky science aside, this is exactly what you want from a disaster movie.
The ads for The Day After Tomorrow ask, 'where will you be?' If moviegoers have any sense, they'll be at Shrek 2, Super Size Me or Harry Potter...
The picture is most entertaining when it acknowledges the swaggering cheesiness of [the melodramatic calamity freak-outs of the early 1970's].
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