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Days of Heaven (1978)
Tomatometer
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Reviews Counted:33
Fresh:30
Rotten:3
Average Rating:7.8/10
Runtime: 1 hr 35 mins
Genre: Dramas
Synopsis: Terrence Malick's follow-up to BADLANDS is an exquisitely photographed story of a group of early-20th-century itinerant workers who find themselves entangled in a deadly love triangle. Bill... Terrence Malick's follow-up to BADLANDS is an exquisitely photographed story of a group of early-20th-century itinerant workers who find themselves entangled in a deadly love triangle. Bill (Richard Gere) and Abby (Brooke Adams) are lovers who are forced to flee Chicago after Bill accidentally murders his foreman. Together, with Bill's little sister, Linda (Linda Manz), they settle on the land of a wealthy farmer (Sam Shepard) and spend their days working in the wheat fields. Bill discovers that the farmer is terminally ill and convinces Abby to marry him so they can inherit his fortune. As the days progress, it becomes apparent that the farmer isn't getting any sicker, and when he discovers that Abby and Bill had initially set out to con him, their carefree existence comes to a deadly end. Notorious for its extended postproduction schedule, DAYS OF HEAVEN remains a beautifully composed work of art. Malick uses dialogue minimally, sometimes choosing not to fade in the sound of a scene until the actors have finished speaking. To combat this, he applies Linda's innocent voice-over--as he did with Sissy Spacek's in BADLANDS--to add a poetic dimension. Combined with Nestor Almendros's Oscar-winning cinematography and Ennio Morricone's mellifluent score, DAYS OF HEAVEN is a timeless motion picture that confirms Malick's directorial prowess. [More]
Starring: Richard Gere, Brooke Adams, Sam Shepard, Linda Manz
Starring: Richard Gere, Brooke Adams, Sam Shepard, Linda Manz, Bob Wilke, Stuart Margolin, Timothy Scott, Jackie Shultis
Director: Terrence Malick
Director: Terrence Malick
Screenwriter: Terrence Malick
Producer: Bert Schneider, Harold Schneider
Composer: Ennio Morricone, Leo Kottke
Reviews for Days of Heaven
For Malick, Man is just a small part of a world which just keeps going round with or without his petty squabbles, crimes, loves, or melodramatic plots.
The sound alone is astonishing. Morricone's haunting, wistful score adds measurably to the sweep and timelessness of the film.
To hell with equivocation or beating around the bush: Terrence Malick's 1978 Days of Heaven is the greatest film ever made.
Perhaps the most typical example of a '70s American art film -- daring, romantic, rebellious but also filled with longing for the beauty of the past.
What remains is a haunting sense of waywardness, of the drifting millions who have toiled away on fields and in factories, fading into the American past, unnoticed.
The film is unable to overcome the fatal flaw of the three lead's unconvincing acting.
Malick emphasizes both his characters' happiness and ignorance. This dilemma is acknowledged in the title, which implies that for Heaven to be existent so must Hell.
Days of Heaven is a compelling adventure story and a riveting meditation on the soulscape of America.
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