Boasts many solid performances.
The Dead Girl (2006)
Tomatometer
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Reviews Counted:77
Fresh:57
Rotten:20
Average Rating:6.7/10
Consensus: This dark thriller boasts a fresh approach, but it can still get bogged down by its heavy subject matter.
Runtime: 1 hr 34 mins
Genre: Dramas
Synopsis: THE DEAD GIRL, the new film from acclaimed writer/director Karen Moncrieff (BLUE CAR), is a quintet of stories about seemingly unrelated people whose lives converge around the murder of a young... THE DEAD GIRL, the new film from acclaimed writer/director Karen Moncrieff (BLUE CAR), is a quintet of stories about seemingly unrelated people whose lives converge around the murder of a young woman. "The Stranger" is about the woman (Toni Collette) who finds the body. The publicity generated by the discovery creates an opening for her to break away from her abusive mother's (Piper Laurie) control and form an unlikely bond with the mysterious Rudy (Giovanni Ribisi). "The Sister," a forensics graduate student (Rose Byrne), is torn between her mother's (Mary Steenburgen) pressure to hold onto hope for her abducted sister's return and her longing to move forward with her own life. When she examines the dead girl, she is convinced that she has found the body of her missing sister, finally releasing her from her burden. "The Wife" (Mary Beth Hurt) is trapped in an intense hate/love relationship with her husband (Nick Searcy). A terrible discovery about his connection to the dead girl's murder forces her to confront what she though she knew about him-and herself. "The Mother" (Marcia Gay Harden) searches for answers about her runaway daughter's life and is confronted with a series of revelations that change the course of her own life. She gets help in her quest from another troubled young woman-the prostitute (Kerry Washington) who lived with her daughter. "The Dead Girl" (Brittany Murphy) is a fireball: hyper, volatile, self-destructive and subject to hair-trigger bursts of uncontrollable rage. She also has an innocent and child-like side. She dreams about improving her life and becoming a good mother to her young daughter. The characters in THE DEAD GIRL are linked not only by their connection to a brutal murder but also by the difficult hand that life has dealt them. The film scrutinizes their inner struggles to overcome or surrender to their misfortunes. As in BLUE CAR, Moncrieff creates multidimensional portraits of women as they seesaw emotionally through a tangle of conflicting desires and fears. Riveting and ultimately heartbreaking, THE DEAD GIRL confirms the promise of BLUE CAR, and heralds the arrival of Karen Moncrieff as a major American independent filmmaker. [More]
Starring: Toni Collette, Brittany Murphy, Marcia Gay Harden, James Franco
Starring: Toni Collette, Brittany Murphy, Marcia Gay Harden, James Franco, Josh Brolin, Rose Byrne, Giovanni Ribisi, Kerry Washington, Mary Steenburgen, Mary Beth Hurt, Piper Laurie, Nick Searcy
Director: Karen Moncrieff
Director: Karen Moncrieff
Screenwriter: Karen Moncrieff
Producer: Tom Rosenberg, Henry Winterstern, Gary Lucchesi, Eric Karten, Richard Wright, Kevin Turen
Composer: Adam Gorgoni
Studio: First Look
Reviews for The Dead Girl
Moncrieff (Blue Car) pushes a view of women as victims that might create its own pornography of masochism if it didn't touch so many authentic shattered nerve endings.
Bleak and baleful, recommended only if you're into sinister desolation.
...there's little doubt that the movie cements [Karen Moncrieff's] status as one of the most promising new filmmakers to come around in ages.
The truncated stories force the actors to start at a high pitch and keep going, but they -- and the director -- work wonders at low volume.
While some may find the film unrelentingly depressing, it is a richly acted, well written piece that deserves consideration.
The film picks up speed and interest, due largely to a host of strong performances by some fiercely committed actresses.
If you're weary of crime stories that follow the conventional path on the way to a generically inevitable conclusion, The Dead Girl is a title you might want to throw a red circle around.
Works like a package of crisp, individual psychological profiles of the women whose already troubled lives are disrupted by the murder.
Each story could be its own full-length movie, and each is shot with a different style and feel.
Disquieting examination of female suffering that asks you to look at people and see a common humanity. Nicely crafted, expertly acted, often unforgettable.
If the segments are uneven, Moncrieff -- with the help of her excellent cast -- nevertheless crafts a gripping overall narrative that exposes a shared dissonance among the protagonists.
Occasionally the movie manages to achieve a real sadness, but some story lines are forced.
Messy and melodramatic, then quiet and contained -- The Dead Girl is definitely unpredictable. But then so is life. And [director Karen] Moncrieff gives us five fat slices of it here, all full of painful color and inconvenient drama.
The outstanding performances and writing would make a great film even if all [Karen] Moncrieff did was turn on her camera and aim it at the actors, but she adds yet another layer of meaning to the piece via her thoughtfully considered visual style.
The power of each individual performance is obvious, but it's easy to underestimate [director Karen] Moncrieff's subtle skill as a writer and observer of human nature.
The relentless emotional violence in this film, a compendium of five vignettes related to a young woman whose corpse is discovered on a hillside, is of a level rarely found in movies.
This is unsettling and completely riveting at the same time. It's like six degrees of separation for the terminally broken.
This disappointing sophomore effort from Moncrieff fails to enagage us emotionally in the tragic tale of a dead hooker and the five lonely women related to her; kudos for making a femme-driven film but puzzle-like structure doesn't pay off
A well crafted five part ensemble drama of the toughest sort. Tight dialog, first rate acting and searing images make their statement on the tragedy of runaway abduction.
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