I don't remember when I've seen a movie with as many exceptional female performances as those in 'The Dead Girl.'
The Dead Girl (2006)
Tomatometer
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Reviews Counted:77
Fresh:57
Rotten:20
Average Rating:6.7/10
Consensus: This dark thriller boasts a fresh approach, but it can still get bogged down by its heavy subject matter.
Runtime: 1 hr 34 mins
Genre: Dramas
Synopsis: THE DEAD GIRL, the new film from acclaimed writer/director Karen Moncrieff (BLUE CAR), is a quintet of stories about seemingly unrelated people whose lives converge around the murder of a young... THE DEAD GIRL, the new film from acclaimed writer/director Karen Moncrieff (BLUE CAR), is a quintet of stories about seemingly unrelated people whose lives converge around the murder of a young woman. "The Stranger" is about the woman (Toni Collette) who finds the body. The publicity generated by the discovery creates an opening for her to break away from her abusive mother's (Piper Laurie) control and form an unlikely bond with the mysterious Rudy (Giovanni Ribisi). "The Sister," a forensics graduate student (Rose Byrne), is torn between her mother's (Mary Steenburgen) pressure to hold onto hope for her abducted sister's return and her longing to move forward with her own life. When she examines the dead girl, she is convinced that she has found the body of her missing sister, finally releasing her from her burden. "The Wife" (Mary Beth Hurt) is trapped in an intense hate/love relationship with her husband (Nick Searcy). A terrible discovery about his connection to the dead girl's murder forces her to confront what she though she knew about him-and herself. "The Mother" (Marcia Gay Harden) searches for answers about her runaway daughter's life and is confronted with a series of revelations that change the course of her own life. She gets help in her quest from another troubled young woman-the prostitute (Kerry Washington) who lived with her daughter. "The Dead Girl" (Brittany Murphy) is a fireball: hyper, volatile, self-destructive and subject to hair-trigger bursts of uncontrollable rage. She also has an innocent and child-like side. She dreams about improving her life and becoming a good mother to her young daughter. The characters in THE DEAD GIRL are linked not only by their connection to a brutal murder but also by the difficult hand that life has dealt them. The film scrutinizes their inner struggles to overcome or surrender to their misfortunes. As in BLUE CAR, Moncrieff creates multidimensional portraits of women as they seesaw emotionally through a tangle of conflicting desires and fears. Riveting and ultimately heartbreaking, THE DEAD GIRL confirms the promise of BLUE CAR, and heralds the arrival of Karen Moncrieff as a major American independent filmmaker. [More]
Starring: Toni Collette, Brittany Murphy, Marcia Gay Harden, James Franco
Starring: Toni Collette, Brittany Murphy, Marcia Gay Harden, James Franco, Josh Brolin, Rose Byrne, Giovanni Ribisi, Kerry Washington, Mary Steenburgen, Mary Beth Hurt, Piper Laurie, Nick Searcy
Director: Karen Moncrieff
Director: Karen Moncrieff
Screenwriter: Karen Moncrieff
Producer: Tom Rosenberg, Henry Winterstern, Gary Lucchesi, Eric Karten, Richard Wright, Kevin Turen
Composer: Adam Gorgoni
Studio: First Look
Reviews for The Dead Girl
The chief problem with The Dead Girl, as with most current multipart films, is that the truncated stories don't give actors much room to develop a part. They're on-screen for such a short time that they act furiously from the get-go.
Ambitious, but while it serves as a showcase for some terrific performances, it achieves the wrenching drama it's aiming for only intermittently.
The acting is extremely strong. Most of the actors give something close to the performances of a lifetime but this is a film that is hard to watch because it isn't entertaining. This is just nice people in pain with no payoff. This is going to get lots of
I neither gained any knowledge nor experienced pleasure or deep emotion of any sort; the best that can be said is that I wasn't bored or offended.
There's no mistaking the integrity and craft on display here, and the writing and direction are too smart to dismiss The Dead Girl as victimology or man-hating.
Yes, it’s dark, depressing material, but watching the film isn’t. Because you’re seeing such talent at work there.
A total downer and disappointment given writer and director Karen Moncrieff's poignant debut with Blue Car.
Karen Moncrieff's melodrama is less noxious than Paul Haggis's race fantasy by virtue of having nothing to say about anything that will be of any importance to anyone.
Um elenco formidável (com destaque para Murphy e Hurt) ajuda a diretora-roteirista Moncrieff a contar uma série de histórias tristes, mas com belas promessas de redenção.
Confusing until you see all the loosely connected shortstories in the series.
A very unconventional way to tell a story we've seen about a million times, and for that (along with the lean 94-minute running time), I am thankful. Keep an eye on Moncrieff -- she's the real deal.
The various tales amount to little on their own and fail to resonate outside of their narrow narrative confines.
No potential for redemption materializes in the thoroughly depressing world created by Karen Moncrieff.
The sheer originality of a murder mystery written in this way should merit it, and Moncrieff, a great deal of praise.
Pic's weak ending demonstrates that its multi-narrative strategy, though full of cinematic potential, also holds traps for a film's overall impact.
The movie's a big step up from BLUE CAR, which had a similar stillness but less to say
Moncrieff chooses to scrutinize highly unpleasant material but, fortunately, she never takes an exploitative or sensationalistic approach. The movie has its integrity.
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