Disturbing, uncompromising and completely gripping.
Dead Man's Shoes (2006)
Genre: Dramas
Starring: Paddy Considine, Gary Stretch, Toby Kebbell, Emily Aston
DVD Info
Release:
May 9, 2006
DVD Features:
- Keep Case
- Widescreen
Audio:
- (unpecified) - English
- Subtitles - Spanish - Optional
- Subtitles - English - Closed Captioned
Reviews
It's as though there are two completely different films uncomfortably mixed into one and they're just fundamentally incompatible.
Dead Man’s Shoes is never less than watchable, thanks to Considine’s performance, but it’s never really engaging either and there’s a definite sense of the end not justifying the means.
A thorny take on the morality of crime and punishment, it's a back-to-basics guerrilla production that sees Meadows heading back to familiar gritty territory.
The ending feels like a desperate attempt to inject some emotion into the film. And it just doesn't work.
An original, complex, and utterly gruesome revenge parable...
Isn't a mess, but it's sure no competition for Winchester 73, Once Upon a Time in the West or even Kill Bill, films in which payback really is a bitch.
Startlingly powerful, slightly loopy take on the revenge flick . . . offers a wry authenticity that the too-stylish, tough guys and gals in Tarantino's wanna-be-epics of retribution can't exude.
The film is further proof that revenge, even when served as a cold dish as this is, ends up being far too chewy for a satisfying movie meal
Film plays as a quirky Brit riff on everything from U.S. slasher pics to revenge oaters but without Meadows' usual psychological complexity.
Though Meadows makes a lot of it, he mucks it up before it's over.
In a swift 86 minutes, director Meadows and co-writer/star Considine give us a methodical, handsome, emotionally intelligent version of the revenge flick.
Atuações formidáveis (especialmente de Considine) em um filme moralmente ambíguo que, ao mesmo tempo em que funciona como maravilhosa releitura de Carter, o Vingador, analisa a natureza retroalimentadora da violência.
What makes it intriguing and eminently watchable is Considine's deft almost low-key portrayal of what is essentially an avenging angel.
There's a hint of Shakespeare's goriest tragedies here, sucked dry of any attendant heart, emotional depth or compelling human interest.
This is a moral film without an agenda, a revenge saga that refuses to takes sides.
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