For the love of Chucky, avoid this insipid attempt at reviving the killer doll horror.
Dead Silence (2007)
Tomatometer
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Reviews Counted:11
Fresh:1
Rotten:10
Average Rating:3.3/10
Consensus: More tasteful than recent slasher flicks, but Dead Silence is undone by boring characters, bland dialogue, and an unnecessary and obvious twist ending.
Theatrical Release:06-07-2007
Synopsis: Old ladies, ventriloquist dummies, decrepit small-towns, and dolls are all exploited for their full creepy potential in DEAD SILENCE, a relatively innocent but thoroughly scary horror feature from... Old ladies, ventriloquist dummies, decrepit small-towns, and dolls are all exploited for their full creepy potential in DEAD SILENCE, a relatively innocent but thoroughly scary horror feature from the makers of SAW. After a heavily stylized black-and-white opening credit sequence that shows the story's central ghost, Mary Shaw, constructing her beloved ventriloquist dolls back in her heyday, the film transports viewers to the present. As newlyweds Jamie (Ryan Kwanten) and Lisa Ashen putter lovingly about their apartment far from their hometown of Raven's Fair, it is clear that something bad is about to happen. This dread is only further cemented when a knock on the door leads the lovebirds to discover an unmarked box containing a worn but eerily lifelike ventriloquist's dummy. Lisa is all too friendly towards the doll and gets what's coming to her when Jamie goes out to pick up some takeout, returning to find his wife's mangled body (minus her tongue) propped up like the dummy seemingly responsible for her death. With detective Jim Lipton (Donnie Wahlberg) on his heels, and a very guilty dummy in his passenger seat, grieving Jamie returns to Raven's Fair with the hunch that his wife's death is linked to the town's murdered ventriloquist, Mary Shaw. Once grand, Raven's Fair is now in a state of decay, and many of its inhabitants have died mysterious and brutal deaths in the years since Jamie was last home. Jamie arrives at his wealthy father's home, only to find a young new bride (Amber Valetta) by his side. No one wants to talk about Mary Shaw, let alone whisper her name. If Jamie is going to get to the bottom of the Mary Shaw legend, he'll have to face the town's past on his own. Arriving in the midst of the gore/torture trend (SAW, HOSTEL), DEAD SILENCE comes as a breath of fresh air. It's nice to see that a horror movie can still use gore with discretion and deliver a fright through old-fashioned scare tactics and a premise as simple as a ghost story. [More]
Starring: Ryan Kwanten, Amber Valletta, Donnie Wahlberg, Bob Gunton
Starring: Ryan Kwanten, Amber Valletta, Donnie Wahlberg, Bob Gunton, Laura Regan, Michael Fairman, Judith Roberts
Director: James Wan
Director: James Wan
Screenwriter: Leigh Whannell, James Wan
Producer: Gregg Hoffman, Mark Burg, Oren Koules
Composer: Charlie Clouser
Studio: Universal Pictures
Reviews for Dead Silence
there's something about its overblown stormy-night atmospherics and reliably dismal dialogue that's bad in almost a fun way. I'd rather laugh through this kind of harmless, rickety schlock, any day, than grimace through Saw III.
The sensual pleasure in watching this kind of horror movie depends entirely on your tolerance for ear-splitting jolts of shock. In the end, though, the film sags like a David Lynch pudding.
It's hard to imagine anybody's spine being chilled by a relentlessly average spooker as empty-headed as its wooden villain.
The muddled plot and stilted dialogue irritate to the point where you're tempted to side with the villain.
The movies have always asked us to suspend our disbelief, but Dead Silence demands our ignorance of its own derivations. A conflation of the horror genre's laziest tropes, plot angles and shorthands.
Director Wan demonstrates that he's equally effective working in a more classical vein, especially with his skillful use of chilling low-key sound effects and silence in several scary sequences.
The film's playfully self-aware touches (like a grand old theater named the Guignol) distract from its leaden pacing, three too many final twists and various behavioral idiocies.
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