It's awful. It eats your soul, it's so awful.
Dead Silence (2007)
Tomatometer
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Reviews Counted:70
Fresh:12
Rotten:58
Average Rating:3.8/10
Consensus: More tasteful than recent slasher flicks, but Dead Silence is undone by boring characters, bland dialogue, and an unnecessary and obvious twist ending.
Theatrical Release:06-07-2007
Synopsis: Old ladies, ventriloquist dummies, decrepit small-towns, and dolls are all exploited for their full creepy potential in DEAD SILENCE, a relatively innocent but thoroughly scary horror feature from... Old ladies, ventriloquist dummies, decrepit small-towns, and dolls are all exploited for their full creepy potential in DEAD SILENCE, a relatively innocent but thoroughly scary horror feature from the makers of SAW. After a heavily stylized black-and-white opening credit sequence that shows the story's central ghost, Mary Shaw, constructing her beloved ventriloquist dolls back in her heyday, the film transports viewers to the present. As newlyweds Jamie (Ryan Kwanten) and Lisa Ashen putter lovingly about their apartment far from their hometown of Raven's Fair, it is clear that something bad is about to happen. This dread is only further cemented when a knock on the door leads the lovebirds to discover an unmarked box containing a worn but eerily lifelike ventriloquist's dummy. Lisa is all too friendly towards the doll and gets what's coming to her when Jamie goes out to pick up some takeout, returning to find his wife's mangled body (minus her tongue) propped up like the dummy seemingly responsible for her death. With detective Jim Lipton (Donnie Wahlberg) on his heels, and a very guilty dummy in his passenger seat, grieving Jamie returns to Raven's Fair with the hunch that his wife's death is linked to the town's murdered ventriloquist, Mary Shaw. Once grand, Raven's Fair is now in a state of decay, and many of its inhabitants have died mysterious and brutal deaths in the years since Jamie was last home. Jamie arrives at his wealthy father's home, only to find a young new bride (Amber Valetta) by his side. No one wants to talk about Mary Shaw, let alone whisper her name. If Jamie is going to get to the bottom of the Mary Shaw legend, he'll have to face the town's past on his own. Arriving in the midst of the gore/torture trend (SAW, HOSTEL), DEAD SILENCE comes as a breath of fresh air. It's nice to see that a horror movie can still use gore with discretion and deliver a fright through old-fashioned scare tactics and a premise as simple as a ghost story. [More]
Starring: Ryan Kwanten, Amber Valletta, Donnie Wahlberg, Bob Gunton
Starring: Ryan Kwanten, Amber Valletta, Donnie Wahlberg, Bob Gunton, Laura Regan, Michael Fairman, Judith Roberts
Director: James Wan
Director: James Wan
Screenwriter: Leigh Whannell, James Wan
Producer: Gregg Hoffman, Mark Burg, Oren Koules
Composer: Charlie Clouser
Studio: Universal Pictures
Reviews for Dead Silence
All Wan and Whannell know is shock-and-awe tactics. They may shock, but there's no awe.
Though it contains few chilling images, mainly involving creepy ventriloquist dummies and scary faces advancing toward the camera, the story is fairly routine.
It's great seeing Wahlberg getting the chance to have fun with the character, who proves to be a highlight of the film, and one almost wishes he might get his own spin-off film or series at some point -- though judging by the events of Dead Silence, that
A film of such pointlessness, a film with neither thrill nor chill, an exercise of such tedium that it delivers nary a scare and sends no pulses a-racing.
I expected more from the guys who "Saw" their way into a cult horror franchise.
Somehow operates under the assumption that a dumb nursery rhyme, a colorless visual palette punctuated by deep reds, and some creaky dolls will frighten anyone over the age of five.
A nutty but effective ghost story that eschews the 'Saw' team's usual ultraviolence for 'classic horror' influences, including images inspired by Mario Bava and a twist lifted from a short story by Robert 'Psycho' Bloch.
Even without the mechanized death that made the Saw movies such a sensation, it doesn't take long to realize that director James Wan and writer Leigh Whannell are merely trying to replace one twisty, gimmicky franchise with another.
A kicky exercise in spook-show atmospherics that manages to hit all the right notes while never quite coalescing into the Dario Argento-esque aria of creepiness it so clearly aspires to.
Warming your hands over a burning ten-dollar bill is preferable to watching this film.
Formulas are great for chemistry, but relying on them in movies only leads to tedium -- in this case, tedium interspersed with occasional bouts of gore.
All of this is then capped off by an ending so hilarious, so inane, that it could only have come from the idiots that made Saw.
A straightforward, chilly ghost story like this is rare, and this one is good enough for a few scares and a few laughs.
Terrified of puppets? Enjoy being scared? Then you'll be half-satisfied with Dead Silence, a rote horror pantomime.
It's at least a few corpses shy of the cemetery in terms of horror classics, but it's a game try, and parts of the film are very good indeed.
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