A profoundly silly movie that makes very little sense and features all of the genre clichés that the original Saw tried hard to avoid.
Dead Silence (2007)
Tomatometer
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Reviews Counted:70
Fresh:12
Rotten:58
Average Rating:3.8/10
Consensus: More tasteful than recent slasher flicks, but Dead Silence is undone by boring characters, bland dialogue, and an unnecessary and obvious twist ending.
Theatrical Release:06-07-2007
Synopsis: Old ladies, ventriloquist dummies, decrepit small-towns, and dolls are all exploited for their full creepy potential in DEAD SILENCE, a relatively innocent but thoroughly scary horror feature from... Old ladies, ventriloquist dummies, decrepit small-towns, and dolls are all exploited for their full creepy potential in DEAD SILENCE, a relatively innocent but thoroughly scary horror feature from the makers of SAW. After a heavily stylized black-and-white opening credit sequence that shows the story's central ghost, Mary Shaw, constructing her beloved ventriloquist dolls back in her heyday, the film transports viewers to the present. As newlyweds Jamie (Ryan Kwanten) and Lisa Ashen putter lovingly about their apartment far from their hometown of Raven's Fair, it is clear that something bad is about to happen. This dread is only further cemented when a knock on the door leads the lovebirds to discover an unmarked box containing a worn but eerily lifelike ventriloquist's dummy. Lisa is all too friendly towards the doll and gets what's coming to her when Jamie goes out to pick up some takeout, returning to find his wife's mangled body (minus her tongue) propped up like the dummy seemingly responsible for her death. With detective Jim Lipton (Donnie Wahlberg) on his heels, and a very guilty dummy in his passenger seat, grieving Jamie returns to Raven's Fair with the hunch that his wife's death is linked to the town's murdered ventriloquist, Mary Shaw. Once grand, Raven's Fair is now in a state of decay, and many of its inhabitants have died mysterious and brutal deaths in the years since Jamie was last home. Jamie arrives at his wealthy father's home, only to find a young new bride (Amber Valetta) by his side. No one wants to talk about Mary Shaw, let alone whisper her name. If Jamie is going to get to the bottom of the Mary Shaw legend, he'll have to face the town's past on his own. Arriving in the midst of the gore/torture trend (SAW, HOSTEL), DEAD SILENCE comes as a breath of fresh air. It's nice to see that a horror movie can still use gore with discretion and deliver a fright through old-fashioned scare tactics and a premise as simple as a ghost story. [More]
Starring: Ryan Kwanten, Amber Valletta, Donnie Wahlberg, Bob Gunton
Starring: Ryan Kwanten, Amber Valletta, Donnie Wahlberg, Bob Gunton, Laura Regan, Michael Fairman, Judith Roberts
Director: James Wan
Director: James Wan
Screenwriter: Leigh Whannell, James Wan
Producer: Gregg Hoffman, Mark Burg, Oren Koules
Composer: Charlie Clouser
Studio: Universal Pictures
Reviews for Dead Silence
Dolls are innately unnerving, but the movie's semi-menacing Charlie McCarthys never live up to their potential.
The film has plenty of unsettling atmosphere, tension and general graveyard oogie-boogie, but you can't care about the characters or their incomprehensible predicament, so those chills and thrills never go all the way to gripping. They stop at griping.
Armed with a decent budget, director James Wan and co-screenwriter Leigh Wannell fashion at least a dozen sequences that are spooky even while they defy logic.
The movies have always asked us to suspend our disbelief, but Dead Silence demands our ignorance of its own derivations. A conflation of the horror genre's laziest tropes, plot angles and shorthands.
While one might wish to commend Wan and company for making a horror pic that's less reliant on gore and gross sadism than the ones that they're normally associated are, what they're serving up as an alternative really lacks.
[Director] Wan isn't on sure footing with his actors -- Wahlberg is stilted as the tough-guy cop, and Kwanten is blandly uninteresting. Even at a brisk 90 minutes, the story still feels painfully attenuated.
The movie's uninteresting characters, boneheaded dialogue and flagrantly nonsensical narrative detract considerably from the virtues of the visual design.
Director Wan demonstrates that he's equally effective working in a more classical vein, especially with his skillful use of chilling low-key sound effects and silence in several scary sequences.
This new movie is a more credible, less grisly act of filmmaking , but it's a less compelling exercise. It doesn't have the ruthless moral reasoning of the first two Saw pictures, however grotesque and specious that reasoning was.
Saw creators Leigh Whannell and James Wan know scary: all that stuff that heebie-jeebied you when you were a kid. (Or as Entertainment Weekly would say: Dead Silence is awash with atavistic horror tropes.)
Dead Silence is boring as often as it is insane. For a movie about a dead old woman who doesn't care that it's rude to stare at people, and relives her bad habit through a ventriloquist dummy that looks like Andy Garcia, that's unacceptable.
Watching it, the amateur, institutionalized filmmaker might think, "Well, there it is--the movie to which I aspire." For the rest of us, however, things are predictably bleak.
There's no attempt at humor in Dead Silence, but the biggest sin in the film is the lack of scares.
Not even the most timid moviegoer will feel in jeopardy while watching 'Dead Silence," a mild slasher flick short on gore and scares.
Goes to show how dumb some people in the movie industry think the general public is.
Dead Silence [isn't perfect but] it is still a decent, if somewhat wooden, entry in the underutilized area of ventriloquist dolls in the horror movie genre.
Wan lays it on thick, for sure, but without feeling and (even worse) without reason.
The film's playfully self-aware touches (like a grand old theater named the Guignol) distract from its leaden pacing, three too many final twists and various behavioral idiocies.
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