A goofy, goodwill gesture toward the U.S. Postal Service, it’s never funny and moves slower than an unaddressed letter without postage.
Dear God (1996)
Tomatometer
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Reviews Counted:32
Fresh:4
Rotten:28
Average Rating:3.7/10
Runtime: 1 hr 52 mins
Genre: Comedies
Synopsis: In lieu of prison, fast-talking con artist Tom Turner (Greg Kinnear) is sentenced to employment in the dead letter department of the post office. Turner thinks he has found a perfect solution for... In lieu of prison, fast-talking con artist Tom Turner (Greg Kinnear) is sentenced to employment in the dead letter department of the post office. Turner thinks he has found a perfect solution for all the undeliverable mail--and his own gambling debts--when he begins to plunder valuables found in the discarded letters. But when he mistakenly sends money meant for his bookie to the address of one of the "Dear God" letters, Turner finds himself the unexpected leader of a crusade of good will--and an accidental hero to the entire city. [More]
Starring: Greg Kinnear, Laurie Metcalf, Tim Conway, Maria Pitillo
Starring: Greg Kinnear, Laurie Metcalf, Tim Conway, Maria Pitillo, Roscoe Lee Browne, Jon Seda, Hector Elizondo
Director: Garry Marshall
Director: Garry Marshall
Screenwriter: Warren Leight, Ed Kaplan
Producer: Steve Tisch
Composer: Jeremy Lubbock, James Patrick Dunne
Reviews for Dear God
As trite as the framework is, Dear God might have been a charming holiday film, if only its miracles weren't so trite.
God, this thing is a total piece of junk. Even I'm embarrassed for You, and I'm an atheist.
It is a demonstration that Garry Marshall should retire from directing.
[An] embarrassingly heavy-handed descent into the nightmarish maelstrom of feel-good cinema that comes on stronger than a speed-crazed pitbull with its tail on fire.
Awkward cuts rob the film of cohesion, and even the charming Kinnear seems to disappear at times amid the chaos -- a real test of viewers' faith.
It is a limp, lifeless story starring Greg Kinnear as a con man who becomes a do-gooder, and one of its many problems is that he was a lot more entertaining as a con man.
Though aspiring to Capraesque whimsy, Dear God feels and looks like a faded rerun of Marshall's Happy Days.
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