The sight of the endless assembly of seemingly toothless proles Pasolini picked up as extras can be a bit intimidating.
The Decameron (1970)
Tomatometer
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Reviews Counted:11
Fresh:10
Rotten:1
Average Rating:7.1/10
Runtime: 1 hr 56 mins
Genre: Foreign Films
Synopsis: Pasolini wrote, directed and stars in this richly textured epic based on eight tales by 14th-century Italian writer Giovanni Boccaccio. Pasolini weaves the stories together into a bawdy tapestry of... Pasolini wrote, directed and stars in this richly textured epic based on eight tales by 14th-century Italian writer Giovanni Boccaccio. Pasolini weaves the stories together into a bawdy tapestry of a medieval Italy populated by artists, priests and magicians. Appearing in the role of the great pre-Renaissance painter Giotto, Pasolini guides the viewer through a cinematic landscape ripe with sensuality and irreverent humor. First in Pasolini's "Trilogy of Life," which also includes THE ARABIAN NIGHTS and THE CANTERBURY TALES. Originally rated X by the Motion Picture Association of America. [More]
Starring: Franco Citti, Ninetto Davoli, Silvana Mangano, M. Gabriella Frankel
Starring: Franco Citti, Ninetto Davoli, Silvana Mangano, M. Gabriella Frankel, Gerhard Exel, Wolfgang Hillinger, Vincenzo Amato, Jovan Jovanovic, Guiseppe Zigaina
Director: Pier Paolo Pasolini
Director: Pier Paolo Pasolini
Producer: Franco Rossellini
Composer: Ennio Morricone
Reviews for The Decameron
It's par for the course with this kind of film that it doesn't all work, but it's continually fascinating.
Those with gentle sensibilities and who regard nuns as sacred should avoid this film.
Pasolini departed further from the spare Neorealism of his early career and hit upon a formula that won him unanticipated commercial success.
Pasolini questions his own dream, his idealization of this beautiful, bucolic world he has created in which peasant and artist and the Virgin Mary coexist in divine harmony.
Working with an Italian classic, he seems less inclined to transform his material, though what emerges is entertaining, if only in a mild way.
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