An Indian drama with music, rather than a typical Bollywood musical, this ambitious story of a first-generation Indian-American discovering his roots in Delhi loses focus amid plots about patronizing Yanks, Muslim/Hindu relations and a media-fed legend of
Delhi-6 (2009)
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Reviews Counted:9
Fresh:3
Rotten:6
Average Rating:4.9/10
Theatrical Release:20-02-2009
Synopsis: Delhi-born writer-director Rakesh Omprakash Mehra offers a cinematic love letter to his fascinating, complex home town with DELHI-6. Like Mehra’s 2006 RANG DE BASANTI, this film finds a group of... Delhi-born writer-director Rakesh Omprakash Mehra offers a cinematic love letter to his fascinating, complex home town with DELHI-6. Like Mehra’s 2006 RANG DE BASANTI, this film finds a group of Indians--and one Westerner--trying to establish a balance between respect for tradition and a desire for modernity. Here, the outsider is a New Yorker, Roshan (a relaxed and charming Abhishek Bachchan), whose parents, a Hindu and a Muslim, left India before his birth. Roshan agrees to take his sick grandmother (Waheeda Rehman, one of India’s greatest actresses) back to her gracious haveli amid the chaotic lanes of Old Delhi. In the old city, Roshan is alternately skeptical, bemused, smitten, and aghast as he watches the goings-on around him. Accepted as one of the family by his grandmother’s friends, he enjoys the slow rhythm of their mostly traditional lives. He attends performances of the Ram Leela play, a centuries-old drama of good and evil, with characters swooping past on suspension wires and the stage rustling with red crepe-paper flames. But Mehra’s script also focuses on the uglier side of tradition: the casual mistreatment of slow-witted or low-caste residents, the local cop’s corruption, the threat of violence between Hindu and Muslim communities, and the unhappiness of a young woman whose father fears that her independence will destroy his reputation. Mehra deftly shows the tension between the beauty of the old ways and the horrors they sometimes inflict. Tempted to give up on India altogether, Roshan has a vision of autorickshaws putt-putting through Times Square as the monkey god Hanuman flies past neon signs overhead. Of course, it’s only a dream, but it inspires Roshan to keep seeking a real-world way to combine the best of the old and the new. [More]
Starring: Abhishek Bachchan, Waheeda Rehman, Sonam Kapoor, Om Puri
Starring: Abhishek Bachchan, Waheeda Rehman, Sonam Kapoor, Om Puri, Rishi Kapoor, Prem Chopra, Pawan Malhotra, Atul Kulkarni, Suprya Pathak, Tanvi Azmi
Director: Rakesh Omprakash Mehra
Director: Rakesh Omprakash Mehra
Screenwriter: Prasoon Joshi, Kamlesh Pandey, Rakesh Omprakash Mehra
Story: Prasoon Joshi, Kamlesh Pandey, Rakesh Omprakash Mehra
Producer: Ronnie Screwvala, Rakesh Omprakash Mehra
Composer: A.R. Rahman
Studio: UTV Communications
Reviews for Delhi-6
The narrative equivalent of urban sprawl undermines Delhi-6, Rakeysh Omprakash Mehra's admirably ambitious but ultimately frustrating musical dramedy.
Though admirably serious and ambitious, this fish-out-of-water comedy-drama ... is a jumbled collection of moments that range from the touching to the tedious.
Bollywood masala pictures are a bit messy by definition, but this film is simply a disorganized muddle
Delhi-6 can be maddeningly vague, which robs its ending -- a finale as joltingly (melo)dramatic as any in Bollywood -- of the impact it intends.
Compounding the problem, the film is light on those kitschy musical numbers that make Bollywood movies fun to watch.
Maybe the runaway success of Slumdog Millionaire will inspire western audiences to sample more authentic Bollywood fare; with its first-rate music, world-class stars, and postcard-ready views of India, Delhi 6 presents an especially welcomin
Anchored by a fascinating score from Oscar winner A.R. Rahman, naturalistic performances and a wide cinematic palette, Delhi-6 is a fair introduction to Indian cinema for outsiders -- who will have no clue at times why the audience is laughing.
It's pretty much irresistible and, in that sense, represents the enigmatic India of today as well as anything ever could.
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April 19, 2009:
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