With a dream cast, master director and intriguing story brimming with violence and sex, The Departed really should be better than it is.
The Departed (2006)
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Reviews Counted:225
Fresh:207
Rotten:18
Average Rating:8.2/10
Consensus: The Departed is a thoroughly engrossing gangster drama with the gritty authenticity and soupy morality that has infused director Martin Scorceses past triumphs. Featuring outstanding work from an excellent cast that includes Jack Nicholson, Leonardo DiCaprio, and Matt Damon, some critics say the film even tops its source material (the Hong Kong thriller Infernal Affairs). The Departedmarks a triumphant return to form for Scorsese; it's his best-reviewed film since GoodFellas.
Rated: 18 [See Full Rating] for strong brutal violence, pervasive language, some strong sexual content and drug material
Runtime: 2 hrs 31 mins
Genre: Dramas
Theatrical Release:06-10-2006
Synopsis: Director Martin Scorsese returns to his trademark style with the violent, bruised, and bloody feature THE DEPARTED. Scorsese filched the basic storyline from Wai Keung Lau and Siu Fai Mak's... Director Martin Scorsese returns to his trademark style with the violent, bruised, and bloody feature THE DEPARTED. Scorsese filched the basic storyline from Wai Keung Lau and Siu Fai Mak's masterful 2002 Hong Kong action film, INFERNAL AFFAIRS, which saw a policeman going undercover as a mob member and a mob member infiltrating the police force. Scorsese transfers the action to Boston, positioning Leonardo Di Caprio as undercover cop William Costigan and Matt Damon as undercover mobster Colin Sullivan. While Costigan and Sullivan get into plenty of nail-biting situations that almost reveal their true identities, Scorsese gradually unravels his strong supporting cast, including Jack Nicholson as Sullivan's mob boss, Frank Costello; Ray Winstone as Costello's meat-headed muscle; Mark Wahlberg as a hot-headed police sergeant; and Vera Farmiga as a love interest for both Damon and DiCaprio's characters. THE DEPARTED finds Scorsese generously dipping his toes back into waters that will be warmly familiar to his biggest fans. Rolling Stones songs pepper the soundtrack, recalling the remarkable "Jumpin' Jack Flash" sequence in MEAN STREETS; bullets and blood punctuate every key scene, bringing TAXI DRIVER's explosive finale to mind; and the mobster-themed storyline is a thrilling return to GOODFELLAS territory. Nicholson and Winstone provide acting master-classes every time they appear, neatly complementing the blossoming talents of DiCaprio, Damon, and Wahlberg, while further veteran support comes in small roles for Martin Sheen and Alec Baldwin. Scorsese is often criticized for affording precious little screen time to female characters, and THE DEPARTED won't quell those dissenting voices, although Farmiga's character proves to be more than a match for DiCaprio and Damon's posturings. But Scorsese followers who balked at his diversions into documentary filmmaking (NO DIRECTION HOME) and period epics (THE AVIATOR) will be delighted to find raw male machismo puncturing the screen once again in this frenetic entry into his celebrated oeuvre. [More]
Starring: Leonardo DiCaprio, Matt Damon, Jack Nicholson, Vera Farmiga
Starring: Leonardo DiCaprio, Matt Damon, Jack Nicholson, Vera Farmiga, Martin Sheen, Mark Wahlberg, Ray Winstone, Alec Baldwin
Director: Martin Scorsese
Director: Martin Scorsese
Screenwriter: William Monahan, Siu Fai Mak, Felix Chong
Producer: Jennifer Aniston, Brad Grey, Brad Pitt, Graham King
Composer: Howard Shore
Studio: Warner Bros.
Reviews for The Departed
For all its bloodletting, The Departed is an intoxicating film. It's a film that'll have your hands over your face with one eye peeking: The violence sickens, but the movie seduces.
As so often before, the body count is high in a Martin Scorsese movie. But where once the bodies pulsated with life in all its vainglorious furor, here they drop like wooden ducks in an artificial pond.
Scorsese hurries through scenes with an impatience that suggests boredom. Spontaneous violence doesn't shock us anymore in Scorsese's environments. Even the director's reliable technicians let him down.
If this one doesn't win Scorsese an Oscar, then there's something seriously wrong with Oscar.
It's a thinking fan's thriller, a movie involving multiple fully dimensional characters, multiple story lines and edge-of-your-seat twists and swerves, stylized to just the edge of believability.
Martin Scorsese makes a welcome return to form with his latest, The Departed.
Steeped in testosterone and laced with inventively used profanity, The Departed plunges us into a corrupt Boston world for parallel stories about two cops, played by Matt Damon and Leonardo DiCaprio.
The Departed exhibits a rough-hewn, deft intelligence. Monahan has written some razor-sharp lines, and Scorsese's latest crew knows how to wield the quips.
Rude, crafty, funny and richly profane, it's the work of an artist unmistakably in his element.
It is funny, shocking and brutal, and it's filled with brilliant performances, with some of our best actors sinking their teeth into a great screenplay from William Monahan.
This picture feels like an exercise by a Scorsese clone who has tackled the master's themes -- without his energy and economy of style.
Right from the pungent opening line, The Departed has that Goodfellas pop, from the first-rate cast to the sharp black comedy to the startling incidents of violence.
It’s an excitingly labyrinthine treatment of the perennial theme that cops and crooks, no matter their ethnic extraction, are fundamentally the same.
It's not a casual night out at the movies, but sends the viewer away shaken and supremely satisfied.
A relentlessly violent, breathtakingly assured piece of mean-streets filmmaking, the film shows the legendary director dropping the bids for industry respectability that have preoccupied him over the past decade and doing what he does best.
Only a cinematic master like Martin Scorsese can take a complex character-driven drama and turn it into a grandiose masterpiece.
The Departed is nothing short of brilliant -- complicated, ambiguous and ambitious, executed with a virtuosity shared only by a handful of other American filmmakers.
Latest News for The Departed
December 29, 2008:
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