The horror is toothily familiar.
George A. Romero's Diary of the Dead (2008)
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Reviews Counted:122
Fresh:73
Rotten:49
Average Rating:6.1/10
Consensus: As Diary of the Dead proves, time hasn't subdued George A. Romero's affection for mixing politics with gore, nor has it given him cinematic grace or subtlety.
Rated: 18 [See Full Rating] for strong horror violence and gore, and pervasive language.
Runtime: 1 hr 36 mins
Genre: Horror/Suspense
Theatrical Release:07-03-2008
Synopsis: Director George A. Romero returns to the subject matter that made him famous with this postmodern take on the zombie genre. DIARY OF THE DEAD begins in innocuous fashion as a group of film students... Director George A. Romero returns to the subject matter that made him famous with this postmodern take on the zombie genre. DIARY OF THE DEAD begins in innocuous fashion as a group of film students head out into the woods to make a low-budget horror film. This film-within-a-film is directed by Jason Creed (Joshua Close), who draws on a group of friends, and his college professor, to get the job done. But the filming comes to an abrupt halt when news comes in that the dead are springing back to life, devouring people, and taking over the world. Film obsessive Creed doesn't put his camera down for long, and he's soon heading out on the road with his friends in a quest to document the real-life carnage as it unfolds. The film is shot entirely from the point of view of Creed and his camera-wielding friends, and in a neat nod to contemporary technology, Romero's feature is full of references to websites such as MySpace and YouTube. This interesting sidestep from Romero's long-running zombie saga is a 21st century take on the initial zombie outburst that occurred in the director's 1968 classic NIGHT OF THE LIVING DEAD. Romero unleashes much of his trademark gore and violence as the film progresses, and there are some increasingly witty and inventive ways in which characters become zombiefied. The cast of young unknowns fit snugly into their roles, particularly Michelle Morgan, whose character is in charge of piecing together Creed's film in the editing room. But what really sets DIARY OF THE DEAD apart from its horror-movie contemporaries is the hefty dose of social satire that Romero works into the film, making this a welcome return to the director's trademark style following the more straightforward gore-fest of 2005's LAND OF THE DEAD. [More]
Starring: Michelle Morgan, Josh Close, Shawn Roberts, Amy Lalonde
Starring: Michelle Morgan, Josh Close, Shawn Roberts, Amy Lalonde, Joe Dinicol, Scott Wentworth, Philip Riccio, Chris Violette, Tatiana Maslany, Wes Craven, Guillermo Del Toro, Stephen King, Simon Pegg, Quentin Tarantino
Director: George A. Romero
Director: George A. Romero
Screenwriter: George A. Romero
Producer: Peter Grunwald, Art Spigel, Sam Englebardt, Ara Katz, Dan Fireman
Composer: Norman Orenstein
Reviews for George A. Romero's Diary of the Dead
Disappointing zombie movie, let down by some appalling acting and a script that fails to do anything useful or interesting with its central set-up.
The opening news-report sequence is very strong. But from there on in ... well, what more is there to say about the zombie genre and its metaphors for our undead society?
For Romero, someone who still retains respect and admiration for previous work, Diary of the Dead points to the realization that it is time to close the door on zombie movies and move to other horror subjects.
This is hardly a new idea by now, and Romero does it to death with ponderous musings about camcorder culture and the ethics of stopping to look, not to help. Intermittent fun, though.
Like the recent ‘Cloverfield’, Romero uses the kinetic immediacy of digital video shot on-the-run, but in a more sophisticated and disturbing way.
sees the writer/director well and truly back from the dead and returning to his independent roots, with a small, character-based production that is intelligent, bleak, and at times jarringly funny.
The zombies may be dead but George Romero's taste for social commentary certainly isn't in Diary of the Dead, the latest instalment in his long-running walking corpse series.
A raw, vivid despatch from the frontline, this melds content with frights in classic Romero style. An outstanding exercise in showing the kids how to do it.
An enthusiastic cast are partially up to the challenge, but some of the thesping belongs on a Straight-to-Video shelf.
Given the uncritical eye of some of his fans, Diary of the Dead proves one thing: It's the audience that's becoming the zombies now.
Few things are as intolerable as schlock that takes itself seriously. Diary of the Dead, the latest zombie epic from George Romero, falls into that trap.
Ultimately, the unanswered --- and possibly unconsidered --- question is if Romero is lambasting the exploitation of death, how does that reconcile with his entire career?
[Drowns]its predecessors' virtues in what feels like an endless Mad Lib of Wired magazine buzzwords ... If America's defining doomcryer is right that today's audiences need this much spoon-feeding, then his latest and least film is scarier than it seems.
Romero has never been Welles, but to sign off on this script and these performances demonstrates a disturbing lack of competence from the filmmaker, resulting in ham-fisted scenes of conflict and distress, some bathed in a sickening self-referential glaze
The movie suffers from the same malaise Romero diagnoses in society. It's just too mediated to be scary, despite its zeal for gore. You can't feel the characters' fear, and they don't seem to feel it either.
Even as a zombie film, it comes across not as something new, but as something warmed-over.
Latest News for George A. Romero's Diary of the Dead
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March 07, 2008:
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February 17, 2008:
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