Deserves a place in the horror movie canon. Right beside [Romero's] legendary zombies-in-a-shopping-mall satire Dawn of the Dead.
George A. Romero's Diary of the Dead (2008)
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Reviews Counted:122
Fresh:73
Rotten:49
Average Rating:6.1/10
Consensus: As Diary of the Dead proves, time hasn't subdued George A. Romero's affection for mixing politics with gore, nor has it given him cinematic grace or subtlety.
Rated: 18 [See Full Rating] for strong horror violence and gore, and pervasive language.
Runtime: 1 hr 36 mins
Genre: Horror/Suspense
Theatrical Release:07-03-2008
Synopsis: Director George A. Romero returns to the subject matter that made him famous with this postmodern take on the zombie genre. DIARY OF THE DEAD begins in innocuous fashion as a group of film students... Director George A. Romero returns to the subject matter that made him famous with this postmodern take on the zombie genre. DIARY OF THE DEAD begins in innocuous fashion as a group of film students head out into the woods to make a low-budget horror film. This film-within-a-film is directed by Jason Creed (Joshua Close), who draws on a group of friends, and his college professor, to get the job done. But the filming comes to an abrupt halt when news comes in that the dead are springing back to life, devouring people, and taking over the world. Film obsessive Creed doesn't put his camera down for long, and he's soon heading out on the road with his friends in a quest to document the real-life carnage as it unfolds. The film is shot entirely from the point of view of Creed and his camera-wielding friends, and in a neat nod to contemporary technology, Romero's feature is full of references to websites such as MySpace and YouTube. This interesting sidestep from Romero's long-running zombie saga is a 21st century take on the initial zombie outburst that occurred in the director's 1968 classic NIGHT OF THE LIVING DEAD. Romero unleashes much of his trademark gore and violence as the film progresses, and there are some increasingly witty and inventive ways in which characters become zombiefied. The cast of young unknowns fit snugly into their roles, particularly Michelle Morgan, whose character is in charge of piecing together Creed's film in the editing room. But what really sets DIARY OF THE DEAD apart from its horror-movie contemporaries is the hefty dose of social satire that Romero works into the film, making this a welcome return to the director's trademark style following the more straightforward gore-fest of 2005's LAND OF THE DEAD. [More]
Starring: Michelle Morgan, Josh Close, Shawn Roberts, Amy Lalonde
Starring: Michelle Morgan, Josh Close, Shawn Roberts, Amy Lalonde, Joe Dinicol, Scott Wentworth, Philip Riccio, Chris Violette, Tatiana Maslany, Wes Craven, Guillermo Del Toro, Stephen King, Simon Pegg, Quentin Tarantino
Director: George A. Romero
Director: George A. Romero
Screenwriter: George A. Romero
Producer: Peter Grunwald, Art Spigel, Sam Englebardt, Ara Katz, Dan Fireman
Composer: Norman Orenstein
Reviews for George A. Romero's Diary of the Dead
George Romero's zombie franchise has definitely run out of brains as well as steam.
The devil's in the details, and Diary is diabolically resourceful within its circumscribed framework.
It may be matter of opinion whether Romero spins his wheels or finds fresh ideas in the fifth entry of the franchise that began in 1968, but he's certainly well-versed in the genre's new conventions post-Blair Witch and new trends in film theory.
There’s enough social commentary (and innovative splatter) to acidulate the brew -- to remind you that Romero, even behind the curve, makes other genre filmmakers look like fraidy-cats.
Zombie-fetish Romero's fiend-friendly, flesh famished, eating disorder undead hordes collide with camcorder and online blog holocaust analysts. Cloverfield meets No Country For Old Men.
Romero sticks to his theme in its simplest formulation, which is an endless stream of zombie enounters, escapes, losses, and bickering about what to do. What part haven't you seen before?
[Succeeds] in large part thanks to Romero's expert, guerilla-style HD craftsmanship and his knack for repeatedly generating and sustaining tension.
Some filmmakers do their best work when they don't have much money and their back is against the wall.
Romero must stop making this crap. Rent Eli Roth's "Cabin Fever." George, see my advice for the next installment.
Romero, with an unerring sense of the puckish in the macabre, teases out the absurdity of people dealing with a twist to their lives for which there is no paradigm, and mines it for all it's worth
Through its clever advancements of the zombie genre and its consistently surprising series of set pieces, [it] earns the right to stand alongside anything that Romero has made.
Given the uncritical eye of some of his fans, Diary of the Dead proves one thing: It's the audience that's becoming the zombies now.
This time out, the elements seem particularly impassioned and conscientiously formed.
The worst and most seriously disappointing of all the Dead movies.The whole premise is botched... badly [and] the audience continuously and rudely gets yanked from the experience of the movie.
Romero has certainly peppered Diary of the Dead with a number of expectedly suspenseful and downright engrossing moments...
Gore's godfather audaciously and successfully reboots his incalculably influential zombie franchise as a lean, mean teen-survival machine.
This Living Dead exercise delivers far less monstrosity and a great deal of pomposity, not to mention dull characters who aren't nearly as lively as those dead guys.
Latest News for George A. Romero's Diary of the Dead
November 03, 2008:
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It doesn't have a title yet, but production is underway on George A. Romero's next zombie movie, and USA Today has the inside scoop -- along with your first look. More...
May 19, 2008:
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March 07, 2008:
Guide of the Dead - An RT Romero Retrospective
As Diary of the Dead hits cinemas, we sit down with George A. Romero to talk retrospectively about what has come from his zombie opus, the Dead series, and what the future has... More...
February 17, 2008:
Trailer & Poster review ![]()
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