Ruzowitzky's film is certainly a worthy one -- and an entertaining, intelligent one -- anchored to one of the most mesmerizing performances I've seen in a while.
The Counterfeiters (2008)
Tomatometer
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Reviews Counted:121
Fresh:114
Rotten:7
Average Rating:7.7/10
Consensus: The Counterfeiters is a gripping account of one prisoner's moral dilemma, superbly portrayed by Karl Markovics.
Rated: 15 [See Full Rating] for some strong violence, brief sexuality/nudity and language
Runtime: 1 hr 38 mins
Genre: Foreign Films
Theatrical Release:12-10-2007
Synopsis: Winner of the 2008 Academy Award for Best Foreign Language Film, Stefan Ruzowitzky's THE COUNTERFEITERS is the first film from Austria to ever receive that prestigious honor. Based on the memoir by... Winner of the 2008 Academy Award for Best Foreign Language Film, Stefan Ruzowitzky's THE COUNTERFEITERS is the first film from Austria to ever receive that prestigious honor. Based on the memoir by Adolf Burger, the film tells the inspiring story of a pre-World War II criminal whose cunning and fiery spirit enable him to overcome deadly odds and survive life in Germany's Sachsenhausen concentration camp. Before the war, Salomon Sorowitsch (Karl Markovics) was one of the world's most ingenious counterfeiters, until he was finally caught and arrested by Friedrich Herzog (Devid Striesow). Years later, as the Nazi movement is in full swing, the nefariously charming Herzog--now a Nazi leader--recruits Sorowitsch to lead an enormous counterfeiting project called Operation Bernhard. Placed in a horrific position of moral corruption, Sorowitsch is forced to decide whether or not to save his own life or prevent the Nazis from causing further damage on an even grander scale. His fellow prisoner Adolf Burger (August Diehl) is determined to sabotage the operation, but Sorowitsch understands how dangerous a proposition this is. While THE COUNTERFEITERS is based on real-life tragedy, it never loses its primary objective as a work of dramatic entertainment. This deft balancing act is what keeps Ruzowitzky's moving tale from becoming too bleak and depressing. The result is a deeply impressive work that addresses a topic not often explored in Holocaust cinema--the dilemma of victims who were forced to act immorally and illegally for the betterment of their captors. Powerfully acted by Markovics, THE COUNTERFEITERS is the type of film that the Oscars were made for. [More]
Starring: August Diehl, Karl Markovics, Devid Striesow, Dolores Chaplin
Starring: August Diehl, Karl Markovics, Devid Striesow, Dolores Chaplin, August Zirner, Marie Bäumer
Director: Stefan Ruzowitzky
Director: Stefan Ruzowitzky
Screenwriter: Stefan Ruzowitzky
Producer: Josef Aichholzer, Nina Bohlmann, Babette Schroder
Studio: Sony Pictures Classics
Reviews for The Counterfeiters
Films about moral issues are not uncommon. Films that leave the questions open are considerably rarer. This film trusts the viewer to make his own moral judgements as well as dramatizing a nearly forgotten chapter of history.
It does peer deeper into the complicated moral quandaries experienced by Hitler's victims than most films on this topic do.
This dark, absorbing thriller is not just a moral exercise in the awful choices faced by those determined to survive history's worst genocide. It invites us to imagine ourselves in the shoes of a not-quite-lovable rogue.
The Counterfeiters, written and directed by Stefan Ruzowitzky, is a morally challenging twist on the long and honorable tradition of forgery movies.
Indeed, what's clear about The Counterfeiters is that it is intended to be a Holocaust film where the archetypal facets associated with the era...are reduced to a filmic footnote.
This rarely happens, but I can't find a single negative thing to say about this intriguing, beautifully mounted slice of cinema.
[Director Ruzowitzky] moves The Counterfeiters along at a fast clip that covers a lot of ground in an hour and a half.
[It] manages the difficult task of illuminating the size of the Nazis' horror while still focusing on a few men in the middle of it.
...the film's hermetic feel often isolates what should be moments of greater emotional wallop.
The real 'trick' or feat that's successfully performed by The Counterfeiters is making us care about a character who, on the surface at least, isn't particularly likable or sympathetic.
Much of "Counterfeiters" is actually pretty thrilling, as Sorowitsch, a classic taciturn anti-hero in the Humphrey Bogart or William Holden mold, struggles with whether to go along with the Nazi plan or figure out some way of undoing it from within.
It survives its melodramatic excesses because of the inherent fascination of its subject and an outstanding lead performance.
Writer-director Stefan Ruzowitzky creates an atmosphere devoid of color or light, in which the desperate need to survive is balanced against the guilt and shame for doing so. But it is the performances that are the most effective.
The film establishes a complex, compressed moral universe, in which choices are severely limited.
Based on a real-life Nazi operation, the film is a tense drama with performances that elevate the movie to the front rank of films set in concentration camps.
The story has moments of great humanity and terrible brutality but comes off as a strange hybrid of espionage caper and concentration-camp movie.
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