Soapy and trashy, and more than a little bit ludicrous. But there's quite a bit of subtext if you need it.
Die Mommie Die! (2003)
Tomatometer
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Reviews Counted:57
Fresh:38
Rotten:19
Average Rating:6.1/10
Consensus: This stagy production has enough funny moments to work.
Runtime: 90 mins
Genre: Comedies
Synopsis: Angela Arden (Charles Busch) is a former cabaret singer whose career has long since hit the skids and crashed to an abrupt halt. Her marriage to producer Sol Sussman (Philip Baker Hall) is rapidly... Angela Arden (Charles Busch) is a former cabaret singer whose career has long since hit the skids and crashed to an abrupt halt. Her marriage to producer Sol Sussman (Philip Baker Hall) is rapidly heading the way of her career, but with Sol unwilling to agree to a divorce Angela gets busy with a bottle of arsenic and terminates the marriage in a less-than-legal manner. Now free to carry on her illicit affair with hot young stud Tony (Jason Priestley), Angela first has to deal with a suspicious daughter, Edith (Natasha Lyonne), and equally suspicious family maid Bootsie (Frances Conroy). Son Lance (Stark Sands) also plays a crucial role, especially when it turns out that both he and Edith are also bedding Tony. First-time director Mark Rucker has successfully created a camp classic by working closely with his talented star and screenwriter Busch, who gloriously hams it up for the cameras throughout, delivering a constant barrage of pithy one-liners. Priestley, Lyonne, and Sands provide deliciously silly support throughout, culminating in a movie that resembles a version of FAR FROM HEAVEN produced by trashy cult director John Waters. [More]
Starring: Charles Busch, Frances Conroy, Philip Baker Hall, Jason Priestley
Starring: Charles Busch, Frances Conroy, Philip Baker Hall, Jason Priestley, Natasha Lyonne, Stark Sands
Director: Mark Rucker
Director: Mark Rucker
Screenwriter: Charles Busch
Producer: Dante DiLoreto, Anthony Edwards, Bill Kenwright
Composer: Dennis McCarthy
Studio: Sundance Film Series
Reviews for Die Mommie Die!
With smart humor and a comfy sense of camp (thanks particularly to Busch's leggy performance), director Mark Rucker keeps the high heels kicking and the references flying.
[Busch] is a performer who is more diva than most of the ovary-packing portion of the population and twice the dame
In the midst of all the double-entendres and genre sendups, Busch disappears so completely into Angela's persona that viewers may quickly forget it's a man inside that red wig and those extravagant gowns.
The film's greatest asset is Busch himself in a performance so finely tuned that ultimately one almost forgets he's not the glamorous woman with the ritzy wardrobe that he's portraying -- except for the fact that that's the funniest part.
An expertly crafted, loving homage to women's movies of the 1940s and '50s.
For the select audience that likes The Rocky Horror Picture Show and just wishes that it had more of a family story and less singing.
A loving homage to every movie Joan Crawford ever barreled her shoulder pads through.
Charles Busch channels Joan Crawford, Bette Davis, Lana Turner and Susan Hayward in the lovingly crafted “Die Mommie! Die!” – this you HAVE to see!
If Far From Heaven had had any sense of humor, it might have looked a little like this.
Die Mommie Die is one of the funniest films of the year! Mind you it sure isn't the usual toilet-trodden road-trip snorfing anti-cerebral crapitini we are force fed...
Nobody wears a frock like Charles Busch and, as it happens, nobody writes like him either. Which makes for a strangely irresistible combination.
Part tribute, yes, and part genderf**k too, but DIE MOMMIE DIE! is first a surprisingly smart, encyclopedic reimagining of the conventions, themes (and yes, clichés) of cinema's most golden age.
A brilliantly pitch-perfect sendup of a particular type of cheesy movie.
Cheesy, corny and cheap. In other words, it's everything writer-star Charles Busch wanted his spoof of B-movies to be.
Major kudos to Busch for playing this lady as hilariously real, yet over-the-top as possible.
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