Surprisingly successful adaptation.
Disgrace (2009)
Tomatometer
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Reviews Counted:53
Fresh:44
Rotten:9
Average Rating:6.9/10
Consensus: Featuring outstanding performances from John Malkovich and newcomer Jessica Haines, Disgrace is a disturbing, powerful drama.
Rated: 15
Genre: Dramas
Theatrical Release:04-12-2009
Synopsis:
In this stunning adaptation of the acclaimed novel by Nobel Laureate J.M. Coetzee, John Malkovich stars as David Lurie, a 52-year-old professor of Romantic Literature who takes a beautiful young...
In this stunning adaptation of the acclaimed novel by Nobel Laureate J.M. Coetzee, John Malkovich stars as David Lurie, a 52-year-old professor of Romantic Literature who takes a beautiful young student under his wing and into his bed. To David, the affair is just a harmless fling, but because this is post-Apartheid South Africa, and because the student in question is of mixed race, a scandal erupts that forces David to abandon his lifelong profession and a lifetime’s worth of assumptions about himself and the world he lives in. Disgraced, he leaves the city for the remote farm where his free-spirit daughter, Lucy, lives a seemingly uncomplicated rustic life. However, neither David nor Lucy can escape the realities of contemporary society. When they fall prey to a particularly brutal attack by three black men, the very fabric of their lives unravels and they find that the definitions of victim and victimizer, of oppressed and oppressor, have forever changed.
Winner of Britain’s distinguished Booker Prize in 1999 (making Coetzee its first-ever two-time recipient), “Disgrace” was voted “the greatest novel of the last 25 years” in a 2006 poll of literary luminaries conducted by The Observer. Directed by Steve Jacobs and written and produced by Anna-Maria Monticelli, the film has already garnered extraordinary praise in its native Australia, where it has been hailed as “a model of narrative distillation married to vivid images…that unerringly preserves the tension of the book” and a work that “should be seen by anyone who cares about film or literature” (The Australian.) Boasting brilliant performances by Malkovich and newcomer Jessica Haines, and a striking visual style that perfectly matches the beauty and precision of the novel’s prose, DISGRACE brings Coetzee’s universe to thrilling cinematic life. --*copy; Laemmle
Starring: John Malkovich, Jessica Haines, Eriq Ebouaney, Fiona Press
Starring: John Malkovich, Jessica Haines, Eriq Ebouaney, Fiona Press, Antoinette Engel, David Dennis, Charles Tertiens
Director: Steve Jacobs
Director: Steve Jacobs
Screenwriter: Anna Maria Monticelli
Producer: Steve Jacobs, Anna Maria Monticelli, Emile Sherman
Studio: Paladin
Reviews for Disgrace
It’s an enormously complicated story with great potential for reductive schmaltz, but this is avoided thanks to Anna Maria Monticelli’s sharp, sensitive screenplay and superb performances.
A perfectly cast John Malkovich gives a superb performance in a powerful and intelligent study of a man coming back from the brink.
It’s hard to say what this solid but unadventurous film adds to Coetzee’s powerful source material.
A worthwhile film which is concerned to do the right thing by a modern classic.
It’s a faithful adaptation, but one that’s been indifferently shot by director Steve Jacobs, whose blunt technique tends to flatten the book’s morose charge. Still, the acting is often excellent.
This disquieting drama serves as a platform for Malkovich, whose eloquent performance draws you in with great compassion.
This is tragic inevitability at one mile per hour, extending into a slow, sunbaked danse macabre the drama’s heartbreak and the guilt, anguish and wrath.
The visionary gravity of J M Coetzee's Booker-winning novel is perhaps untranslatable to the screen, but Steve Jacobs's film is a very creditable try.
The screen version does not disappoint and features an outstanding performance from John Malkovich.
So packed with big issues that it sometimes feels like a bit too much. But it's provocative and fascinating, and never offers any easy answers.
Engaging, powerful and absorbing drama that doesn't offer any easy answers but exerts a tight grip, thanks to a terrific performance by John Malkovich.
More convincing as an allegory, but faithful to Coetzee's acerbic, alternative view of S. Africa's future than the usual uplifting themes of reconciliation and forgiveness.
A lethal look at the after-shock of apartheid. Tough to watch but bearing a powerful message.
The movie eventually begins to wilt under the sober, plodding direction of Steve Jacobs, but the thoughtful screenplay gives Malkovich a complex, increasingly reflective character arc that he plays with great feeling.
The film struggles in its attempt to balance the thought-provoking overtones with the human drama at its core.
The person snoring next to me is a perfect example of how colossally insignificant this fatiguing and strenuous flick is with its implausibility, unrecognizable characters and tattered plot line.
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