This occasionally amusing thriller will probably not be Shia’s best-remembered moment, but it is worth a peep.
Disturbia (2007)
Tomatometer
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Reviews Counted:166
Fresh:112
Rotten:54
Average Rating:6.2/10
Consensus: Aside from its clichéd resolution, Disturbia is a tense, subtle thriller with a noteworthy performance from Shia LaBeouf.
Rated: 15 [See Full Rating] on appeal for sequences of terror and violence, and some sensuality
Runtime: 1 hr 44 mins 24 secs
Genre: Thriller, Murder, Murder Mysteries, Teenage, Theatrical Release
Theatrical Release:14-09-2007
Synopsis: Shia LaBeouf (CONSTANTINE, I, ROBOT) is a young talent to be reckoned with, as he demonstrates in this genre-spanning film from director D.J. Caruso. Part teenage romantic comedy, part horror... Shia LaBeouf (CONSTANTINE, I, ROBOT) is a young talent to be reckoned with, as he demonstrates in this genre-spanning film from director D.J. Caruso. Part teenage romantic comedy, part horror flick, DISTURBIA stars LaBeouf as the troubled Kale, who is confined to his home under house arrest after he punches out his Spanish teacher in the middle of class. Kale's array of available diversions dwindle considerably after his mom (Carrie Ann Moss, MEMENTO) shuts off his X-Box and his i-Tunes, and he turns to voyeurism instead, carefully noting the daily activities of his neighbors. These include the swimming schedule of the hot girl who just moved in next door, Ashley (Sarah Roemer, THE GRUDGE 2), whom he ogles with his best friend, the class clown, Ronnie (Aaron Yoo, THE BEDFORD DIARIES). When Ashley unexpectedly shows up and wants to know what the boys are doing behind their binoculars, they concoct a story about their neighbor, Mr. Turner (David Morse, PROOF OF LIFE), and their suspicions that he is the serial killer currently on the loose. The teens' subsequent stakeout makes them increasingly convinced that this is in fact the case, and their creepy interactions with Turner bring them ever closer to learning the dark secret that lies inside his impenetrable suburban existence. Despite a slight identity crisis and distracting product placements, DISTURBIA is carried by the strong performance of its lead character, and manages to charm with its portrayal of young love. [More]
Starring: Shia LaBeouf, Sarah Roemer, David Morse, Carrie-Anne Moss
Starring: Shia LaBeouf, Sarah Roemer, David Morse, Carrie-Anne Moss, Aaron Yoo
Director: D.J. Caruso
Director: D.J. Caruso
Screenwriter: Christopher Landon, Carl Ellsworth
Producer: Jackie Marcus, Joe Medjuck, Tom Pollock
Composer: Geoff Zanelli
Studio: Paramount Pictures
Reviews for Disturbia
Not quite Rear Window, but can certainly hold its own with The 'Burbs.
Disturbia goes through the Hitchcockian motions with great skill and good humour - but among the many pleasures it has to offer its viewers, there are few real surprises.
Caruso's no Hitchcock, and Disturbia is not as original, suspense-filled or well-acted as the James Stewart-Grace Kelly masterpiece, but for its predominantly male, teenage audience it delivers enough shocks to be entertaining.
Disturbia's limits are those of its hero - an amiable, faintly clueless young man with a brief attention span.
The teen support cast are vacuous and director DJ Caruso strays a little too far into Grand Guignol territory for the over-extended climax, but Disturbia’s otherwise bang on the money: $80m at the US box-office was no fluke.
Smartly directed thriller with a witty script, a great performance from Shia LaBeouf and some hugely enjoyable suspense scenes.
You’ll jump as if you’ve had electrodes attached to your sensitive parts; but when your nerve endings stop tingling, your brain won’t remember a thing.
Take an Alfred Hitchcock classic, remix it for generation youtube and you've got Disturbia, a smart and involving thriller about the perils of voyeurism.
Even though the story goes bonkers at the end, this teen thriller keeps us entertained--and on the edge of our seats.
DJ Caruso's neat little thriller won't win any awards for originality (Hitch will be spinning six feet under) but it does work surprisingly well bearing in mind you can almost second guess every plot twist.
Entertaining Hitchcock-lite for a generation that would rather dial P for pizza than M for murder.
Take along a good book – possibly Ted Lewis’s The Serpent – and read it by the light of the effulgent clichés.
Despite the interesting set-up, the action degenerates into obvious implausibility and silliness - fatal for a suspense thriller - and boredom sets in.
Instead of manufacturing elaborate, ridiculous plot twists or imposing overwrought psychological melodrama on a basically absurd premise [director] Caruso and the screenwriters opt for efficient, clever B-movie execution.
Despite the foolishness, and despite the patent knockoffs of Rear Window and American Beauty, Disturbia is a likable little thriller.
Writers Christopher B. Landon and Carl Ellsworth (RED EYE), and director D. J. Caruso have avoided the trap of trying to remake Hitchcock's classic [REAR WINDOW]. Rather, this is a deft re-imagining of the premise.
Disturbia is disturbingly contemporary in its celebration of the technology that can make us all potential victims of the full-time snoops among us.
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