For optimists, it's a movie proving that where there's life, there's hope. Yet for others, seeing that there's no chance for recovery, this is a real life horror story.
The Diving Bell and the Butterfly (2007)
Tomatometer
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Reviews Counted:151
Fresh:140
Rotten:11
Average Rating:8.2/10
Consensus: It is staggering that this biopic about a paralyzed writer would contain such breathtaking visuals and dynamic performances. Director Julian Schnabel found illuminating ways of portraying the protagonist's "locked-in syndrome," exploring with poetic visuals the personal triumphs of this man limited by his hospital bed.
Rated: 12A [See Full Rating] for nudity, sexual content and some language.
Runtime: 1 hr 52 mins
Genre: Foreign Films
Theatrical Release:08-02-2008
Synopsis: Celebrated painter and filmmaker Julian Schnabel's third feature finds him reaching new artistic heights with this audacious and personal biopic, based on the best-selling memoir of the same name.... Celebrated painter and filmmaker Julian Schnabel's third feature finds him reaching new artistic heights with this audacious and personal biopic, based on the best-selling memoir of the same name. The film tells the remarkable tale of Jean-Dominique Bauby (Mathieu Amalric), the world-renowned editor of French ELLE magazine, who suffered a stroke and was paralyzed by the inexplicable "locked in" syndrome at the age of 43. Bauby's only way of communicating with the outside world was by blinking with one eye, and after several dedicated helpers--a string of impossibly beautiful women (Emmanuelle Seigner, Marie-Josee Croze, Olatz Lopez Garamendia, Anne Consigny)--helped him to speak through this seemingly irrelevant gesture, he began to produce the words that would form his memoir. Along the way, as he swam in and out of consciousness, memories from his past swelled into the present, resulting in a cinematic experience that is at once heartbreaking and hopeful. Schnabel somehow manages to convey Bauby's internal life with remarkable clarity, employing first-person perspective, striking cinematography (by the always great Janusz Kaminski), and Amalric's pained, life-affirming monologues. The result is a wholly original experience, a painful and tender portrait of a life that is made all the more exhilarating because of its close proximity to death. [More]
Starring: Mathieu Amalric, Emmanuelle Seigner, Marie-Josee Croze, Anne Consigny
Starring: Mathieu Amalric, Emmanuelle Seigner, Marie-Josee Croze, Anne Consigny, Patrick Chesnais, Niels Arestrup, Olatz Lapez Garmendia, Max Von Sydow
Director: Julian Schnabel
Director: Julian Schnabel
Screenwriter: Ronald Harwood
Producer: Kathleen Kennedy, Jon Kilik
Composer: Paul Cantelon
Studio: Miramax Films
Reviews for The Diving Bell and the Butterfly
The repetitive nature of the screenplay drags a potentially great 80 minute picture way down.
There is something cinematic about Bauby's situation. Like the moviegoer stuck in a seat in the dark, he can only observe the action in front of him. His comments are unheard by the people who move before his eyes and attempt to manipulate his emotions.
While introducing artistic elements that border on fanciful, the filmmakers also insist on realism, resulting in a film that is always relatable, never sappy.
We never sympathize with Bauby, because, for much of the film, we are him.
...a film about a stranded man that bustles with vigorous energy, an exploration of the oceans inside human consciousness.
Optimistically, Schnabel would like to fill such an ordeal with color, music and hot nurses. Wedding himself to Bauby’s real trauma, though, seems beyond him.
The movie's small powerful moments are worth more than the entirety of your average noble-sufferer weepie.
With breathtaking sentiment, the film masterfully shows how Bauby was able to write the perfect final chapter of his life.
Feeling reduced now to a "zombie," denied what he most wants, sensual pleasures and connections, Bauby is angry and grateful at once. That gap is the movie's most affecting dilemma, unresolved by its many aesthetic effects.
An exquisite metaphor for the redemptive power of cinema. Without an ounce of cheap sentiment, this true story is as profoundly moving and dreamily beautiful as any film in recent memory.
Paralyzing to watch. At times, you're just as frustrated as Bauby; you want him to communicate, you want other people to understand what he is thinking, and above all, you want him to pull through it.
Unlike last year's acclaimed film, 'The Sea Inside,' this film does not follow the path to suicide, but rather to a triumph of sorts.
It's an unthinkable fate, but Schnabel's film manages both to give us a palpable sense of it and to lead us to appreciate the humanity of it. In that sense, it's a tale of triumph.
Bauby, Harwood and Schnabel are probably the only people who'll be our guides on a journey like this, and better ones could not be found.
In his brilliant new film, The Diving Bell and the Butterfly, painter/sculptor/director Schnabel (Basquiat, Before Night Falls) defies dozens of moviemaking conventions to tell the true story of Jean-Dominique Bauby.
It is amazing that a story as sad as this one inherently is could be so uplifting, but that's exactly what it is.
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