The film, aided by Amalric's pitch-perfect performance, reveals the range of Jean-Do's emotional life, his anger, joy and wry humor.
The Diving Bell and the Butterfly (2007)
Tomatometer
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Reviews Counted:151
Fresh:140
Rotten:11
Average Rating:8.2/10
Consensus: It is staggering that this biopic about a paralyzed writer would contain such breathtaking visuals and dynamic performances. Director Julian Schnabel found illuminating ways of portraying the protagonist's "locked-in syndrome," exploring with poetic visuals the personal triumphs of this man limited by his hospital bed.
Rated: 12A [See Full Rating] for nudity, sexual content and some language.
Runtime: 1 hr 52 mins
Genre: Foreign Films
Theatrical Release:08-02-2008
Synopsis: Celebrated painter and filmmaker Julian Schnabel's third feature finds him reaching new artistic heights with this audacious and personal biopic, based on the best-selling memoir of the same name.... Celebrated painter and filmmaker Julian Schnabel's third feature finds him reaching new artistic heights with this audacious and personal biopic, based on the best-selling memoir of the same name. The film tells the remarkable tale of Jean-Dominique Bauby (Mathieu Amalric), the world-renowned editor of French ELLE magazine, who suffered a stroke and was paralyzed by the inexplicable "locked in" syndrome at the age of 43. Bauby's only way of communicating with the outside world was by blinking with one eye, and after several dedicated helpers--a string of impossibly beautiful women (Emmanuelle Seigner, Marie-Josee Croze, Olatz Lopez Garamendia, Anne Consigny)--helped him to speak through this seemingly irrelevant gesture, he began to produce the words that would form his memoir. Along the way, as he swam in and out of consciousness, memories from his past swelled into the present, resulting in a cinematic experience that is at once heartbreaking and hopeful. Schnabel somehow manages to convey Bauby's internal life with remarkable clarity, employing first-person perspective, striking cinematography (by the always great Janusz Kaminski), and Amalric's pained, life-affirming monologues. The result is a wholly original experience, a painful and tender portrait of a life that is made all the more exhilarating because of its close proximity to death. [More]
Starring: Mathieu Amalric, Emmanuelle Seigner, Marie-Josee Croze, Anne Consigny
Starring: Mathieu Amalric, Emmanuelle Seigner, Marie-Josee Croze, Anne Consigny, Patrick Chesnais, Niels Arestrup, Olatz Lapez Garmendia, Max Von Sydow
Director: Julian Schnabel
Director: Julian Schnabel
Screenwriter: Ronald Harwood
Producer: Kathleen Kennedy, Jon Kilik
Composer: Paul Cantelon
Studio: Miramax Films
Reviews for The Diving Bell and the Butterfly
By delivering Bauby's story in an appropriately straightforward tone, the filmmakers behind "The Diving Bell and the Butterfly" prove that engaging stories work best without artificial sweetening.
The remarkable story of a man almost totally incapacitated who creates a best-seller by blinking his left eye is about the creation of art as much as it is the tale of human tragedy.
Even if Schnabel’s films utilize a rolodex as burgeoning as their film’s visual inventiveness, they still do so playfully and with a sense of the fun of moviemaking that so few films of similar lineage display.
less cloying and superficial than other movies of its subgenre and directed with true showman's flair.
A classic in the literature of illness brought to the screen with all its creative juices intact, the film salutes the firepower of imagination as a life-giver and a life-sustainer.
A textbook example of a director prizing himself over his material.
As close to perfection as you'll get for a movie dealing with a subject matter that might seem impossible to handle in an entertaining way.
Schnabel's visuals are so confident, so moving, that I wished he had truly taken charge rather than being led around by a screenplay that can't cut the mustard.
From its relentless visual distortion to its wearying parade of Felliniesque fantasy sequences, Schnabel’s film wants you to know that it’s art with a capital 'A.' It’s also disability porn with a capital 'D.'
Imagine a Spike Jonze-Charlie Kauffman-Michel Gondry-style film but with a warm, beating heart instead of cool, detached hipster irony.
Boasting a beautiful, surreal-like style, this biopic of Elle's paralyzed editor continues Schnabel's exploration of misfit artists, begun in Basquiat and continued in Before Night Falls; in emotional impact, the film recalls My Left Foot and Sea Inside
An arresting true story and a ravishing visual creation, but the two remain separate entities that do not support one another but get in each other's way instead.
Most compelling in its attempts to re-create the experience of paralysis onscreen, gorgeously lensed pic morphs into a dreamlike collage of memories and fantasies, distancing the viewer somewhat from Bauby's consciousness.
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